100 books like The Lies of the Ajungo

Tarisai was born with a wish in her heart, but not her wish. Her mother wants to use her to harm an old enemy, and Tarisai has no choice but to go along with it.

But as she finds her own found-family out in the world, she learns that there are some things more powerful than wishes. Her mother’s wish can only have so much power over her when she fights against her mother’s desires for her life. And Tarisai is stronger than she’s ever believed, which was an incredible twist to the plot.

I loved seeing Tarisai come into her own, while figuring out that she can control the shape of her future. 

Let’s start from the beginning, why don’t we? Any list of fantasy by authors of African descent would, in my opinion, be incomplete without the inclusion of the original oral tales of fantastic beings and events that sparked our imaginations.

Ògbójú Ọdẹ nínú Igbó Irúnmọlẹ̀, the Yoruba-language novel (published in 1938, and translated by Wole Soyinka in 2013 to become Forest of a Thousand Daemons) features the hallmarks of what we’ve come to love in contemporary fantasy: monsters and battles, spellbinders and royalty, warriors and heroes, all presented like the campfire tale that it is.

I remember reading this and immediately regretting that I couldn’t experience it for the first time again. It’s that exhilarating.

If Fagunwa offered us Africa-steeped proto-fantasy tales, then Charles Saunders brought said tales into the global mainstream of contemporary fantasy with his novels of the titular Imaro.

Saunders’ work was more in the mold of Conan the Barbarian than Lord of the Rings, but it drew on various empires of the African continent (particularly the western and southern regions) in a way that was rich and seminal for its time.

I recommend Imaro because what Saunders, as the first black author in the sword-and-sorcery genre, did back in the 1980s is what I’m trying to do for our current times: reach beyond simplistic representations of the African self in the fantastic and offer something nuanced, complex and ultimately satisfying.

The warrior’s quest has been a staple of African legends for as long as Africans have told stories.

It’s no surprise that the quest is also a staple of modern epic fantasy storytelling, and that Rwizi, inspired by kingdoms south of the continent, offers us this in his Scarlet Odyssey series. But only after reading it will you realise, like I did, that Rwizi also subverts the quest, turning over everything it has stood for by presenting us with a man who refuses to become a warrior but agrees to embark on a quest anyway.

A band of outcasts going on a treacherous journey to obtain something that will save their people? Take my money already. 

This fun book includes plenty of humor and kooky characters as well as desert disasters to be overcome. I love deserts, have traveled as far as the Namib and the Sahara to enjoy them, and included a desert in my own book, so the atmosphere of this story resonated with me. And I’ve been a camp counselor, too—though not in any camp as extreme as the one in this book! The dual narratives, one by 13-year-old Audrey and one by Aaron, coordinate well together and help the reader better feel their shared experience—as well as what they learn from each other. Readers who, like me, enjoyed Holes by Louis Sachar would probably also enjoy this one.

One of Cussler’s earlier novels featuring Dirk Pitt, Cussler sends his erstwhile hero deep into a desert landscape where he throws all manner of problems at them.

As Pitt and co battle to survive the harsh conditions, they are tested to the limit as they must not only escape the arid landscape, but do in time to foil a dastardly plot. While perhaps not as much of a literary heavyweight as some of the other authors mentioned on this list, Cussler is brilliant at writing a rollicking good yarn.

A mere 172 pages, this book examines the brutality of European colonialism in the 19th century, uncovering genocides I had never heard of that were perpetrated by so-called “civilized people” on so-called “primitive people.” 

The justification for this barbarism was that they for the benefit of the people annihilated because they could not live in the modern world. 

That justification is the same one often used on this side of the ocean for the genocide or “removal” of Indigenous people from their ancient lands and for the enslavement of African people who were “improved” by being around white people. 

Part travelogue, part history, part literary analysis – Lindqvist focuses on Joseph Conrad’s novel The Heart of Darkness – the book cannot be easily categorized and when reading it I often wondered what he was doing. 

But my understanding of both colonialism and what the Europeans did when they came to… show more.

As a professor, I know that sometimes just getting through four years of college can be its own epic struggle, especially when you’re queer and half-Nigerian, like Sahara.

“The unfortunates” is the name Sahara and her friends use to describe the deaths of too many of their fellow Black students. As if that isn’t enough, Sahara sometimes feels like her only companion is her “Life Partner,” the name she gives to the ugly voice of her depression.

I loved the way The Unfortunates is told as an in-your-face “thesis” to Sahara’s university committee that mixes humor with high-stakes struggles. Follow along as Sahara figures out how to survive in the face of a campus and culture that is not just indifferent, but outright hostile.

This book offers a poignant personal view of Sufism by a Scottish-born actor and writer who became disillusioned with a world “where people teach but know nothing, where the sentences flow on endlessly but lead nowhere.” He seeks and finds wisdom and solace in the deserts of Sahara under the guidance of a Sufi master to whom he dedicates his short but powerful book. When I picked it up as a reading for my class on Sufism, I thought I would find a usual mushy account of Sufism by a starry-eyed neophyte. The book was anything but: it was eloquent, deeply personal, and felicitously free from platitudes. I was pleasantly surprised and so were my students. I recommend it to everyone interested in spiritual quests regardless of his or her background.    

The Sahara Desert, more used to Bedouins and camels, had never seen a motorcycle before let alone two Englishwomen riding one. Setting off from London in December 1934, Theresa Wallach and Florence Blenkiron rode their 600cc Panther through Africa from north to south. They maintained a ‘why not?’ attitude that got them through despite frequent punctures, delays whilst waiting for permits and none of the technology provided for today’s motorcycle traveller. These two qualified engineers who had already broken motorcycle speed records at Brooklands, took their motorcycle outfit and trailer with not even a compass... just a map that showed each oasis on the way. I was in a permanent state of suspense when reading about each encounter they experienced and their outstanding ingenuity and perseverance.