96 books like Scarlet Odyssey

Tarisai was born with a wish in her heart, but not her wish. Her mother wants to use her to harm an old enemy, and Tarisai has no choice but to go along with it.

But as she finds her own found-family out in the world, she learns that there are some things more powerful than wishes. Her mother’s wish can only have so much power over her when she fights against her mother’s desires for her life. And Tarisai is stronger than she’s ever believed, which was an incredible twist to the plot.

I loved seeing Tarisai come into her own, while figuring out that she can control the shape of her future. 

Let’s start from the beginning, why don’t we? Any list of fantasy by authors of African descent would, in my opinion, be incomplete without the inclusion of the original oral tales of fantastic beings and events that sparked our imaginations.

Ògbójú Ọdẹ nínú Igbó Irúnmọlẹ̀, the Yoruba-language novel (published in 1938, and translated by Wole Soyinka in 2013 to become Forest of a Thousand Daemons) features the hallmarks of what we’ve come to love in contemporary fantasy: monsters and battles, spellbinders and royalty, warriors and heroes, all presented like the campfire tale that it is.

I remember reading this and immediately regretting that I couldn’t experience it for the first time again. It’s that exhilarating.

If Fagunwa offered us Africa-steeped proto-fantasy tales, then Charles Saunders brought said tales into the global mainstream of contemporary fantasy with his novels of the titular Imaro.

Saunders’ work was more in the mold of Conan the Barbarian than Lord of the Rings, but it drew on various empires of the African continent (particularly the western and southern regions) in a way that was rich and seminal for its time.

I recommend Imaro because what Saunders, as the first black author in the sword-and-sorcery genre, did back in the 1980s is what I’m trying to do for our current times: reach beyond simplistic representations of the African self in the fantastic and offer something nuanced, complex and ultimately satisfying.

If you seek more quests, you will find another exciting one in Utomi’s Forever Desert series, beginning with the novella about the Ajungo Empire.

However, to describe this story simply as a quest (for water, no less) would do no justice to the complex, exciting work Utomi does in borrowing not only from desert empires of the Sahara, but also from popular media (as the Mad Max-esque romp through the desertscape and anime-inspired battles demonstrate).

This novella is a testament to the breadth of manner and shape that Africa-inspired epic fantasy tales can take. Long may it continue.

Junger wrote War, about Afghanistan. But as I found the West Point rugby players’ stories wouldn’t leave me alone, so Junger stayed with those he found in Kunar province.

In Tribe, he considers the ties that bind – notably a focus on the “energy of male conflict and male closeness”. Junger “once asked a combat vet if he’d rather have an enemy or another close friend”. The vet looked at Junger like he was crazy. “‘Oh, an enemy, 100%,’ he said. ‘I’ve already got a lot of friends.’

He thought about it a little longer. ‘Anyway, all my best friends I’ve gotten into fights with – knock-down, drag-out fights. Granted we were always drunk, but think about that.’ He shook his head as if even he couldn’t believe it.”

The Mongols only form one part of Nomads in the Middle East which paints on a far broader canvas, looking at the long-term history of relations between nomads and agricultural societies in the Middle East.  Spanning from the seventh century all the way up to the modern era, and discussing peoples as diverse as the Bedouin, the Seljuk Turks, and of course the Mongols, Beatrice Forbes Manz provides an incredible overview of the role played by nomadic societies in shaping this region. For those interested in the Mongols, this book helps us to take a step back and a take panoramic view of their actions within a much longer timeline. 

In Dragaera, the fortunes of the seventeen Great Houses are determined by the Cycle, which elevates royalty, merchants, artisans, wizards, the mob, and even peasants as it turns.

The Cycle takes thousands of years to turn… but Dragaerans live thousands of years. Easterners, like Vlad Taltos, are lucky to see a hundred, and they can’t be members of the Great Houses. Except the House of the Jhereg, which sells titles.

They’re the mob; and Vlad, Baronet of Taltos, is an assassin. JHEREG and its many sequels are constantly exploring the social dynamics underlying this situation; as an Easterner with a bought title, Vlad doesn’t fit in with either Easterners or Dragaeran nobles, and choosing sides can mean destroying relationships or putting his life on the line.

Getting to become a knight? Yes, please!

Childhood me, adult me, mommy me, writer me, all version of me wanted adventure—and swords. Her books were treasured enough in my home that my (now-adult) daughter and I both had to buy replacement copies over the years.

I read Tammy Pierce’s books with my daughter in the years before I was published, never knowing that years later, I’d be teaching sword fighting and chatting with Tammy herself about swords and books.

This recommendation is listing the one book, but it’s part of a whole set of connected series books.

This was our entry into a world of strong adventurous women, and honestly, I’m not sure I’d have ended up a writer if not for her writing.

Although strictly speaking this is a children’s book, I absolutely loved it as an adult reader. It explores all my favorite themes – the role of women in society, the conflict between science and religion, the darker elements of humanity – all wrapped up in murder mystery with the wonderful fantastical premise of a tree that feeds on whispered lies and whose fruit (when eaten) imparts the deepest of truths. Honestly, this novel has it all – a windswept island, forbidden truths, hidden secrets, and a deeply flawed main female character battling against societal expectations in the mid-19th Century.

Hilary Westfield has always dreamed of being a pirate, but the Very Nearly Honorable League of Pirates doesn’t allow girls to join them.

I know a thing or two about being the only girl in the room, so Hilary’s refusal to accept this is both relatable and aspirational. She takes rollicking adventure into her own hands as she sets sail on a journey with magic, pirates, and an endearing talking gargoyle.