Here are 100 books that Imaro fans have personally recommended if you like
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I was raised Catholic, and while I think there are a lot of good things about catholic doctrine, I was not able to find my place in the actual practice of Catholicism. Getting to read about characters and write my own characters who stray away from prescribed beliefs about themselves, their society, or the way life is “meant” to be lived has been very cathartic for me on the journey of religious self-discovery. I hope if you’re struggling in a similar manner that you can find peace and hope within the pages of these books. I hope you can find a mirror of yourself in these fantasy settings, because everyone deserves to feel known.
Tarisai was born with a wish in her heart, but not her wish. Her mother wants to use her to harm an old enemy, and Tarisai has no choice but to go along with it.
But as she finds her own found-family out in the world, she learns that there are some things more powerful than wishes. Her mother’s wish can only have so much power over her when she fights against her mother’s desires for her life. And Tarisai is stronger than she’s ever believed, which was an incredible twist to the plot.
I loved seeing Tarisai come into her own, while figuring out that she can control the shape of her future.
The epic debut YA fantasy from an incredible new talent-perfect for fans of Tomi Adeyemi and Sabaa Tahir
Nothing is more important than loyalty.
But what if you've sworn to protect the one you were born to destroy?
Tarisai has always longed for the warmth of a family. She was raised in isolation by a mysterious, often absent mother known only as The Lady. The Lady sends her to the capital of the global empire of Aritsar to compete with other children to be chosen as one of the Crown Prince's Council of 11. If she's picked, she'll be joined…
I was born and raised in Benin City, Nigeria, surrounded by storytellers who offered me a healthy diet of oral, written, and visual tales. I grew up fascinated with stories of all kinds, especially the fantastic. When I began to tell my own stories, I gravitated toward the speculative, returning to where I first learned about stories. My novels David Mogo, Godhunter and Son of the Storm offer glimpses into the way I braid history and speculation. I have an MFA in Creative Writing from the University of Arizona, and am currently a professor of the same at the University of Ottawa in Ontario, where I live.
Let’s start from the beginning, why don’t we? Any list of fantasy by authors of African descent would, in my opinion, be incomplete without the inclusion of the original oral tales of fantastic beings and events that sparked our imaginations.
Ògbójú Ọdẹ nínú Igbó Irúnmọlẹ̀, the Yoruba-language novel (published in 1938, and translated by Wole Soyinka in 2013 to become Forest of a Thousand Daemons) features the hallmarks of what we’ve come to love in contemporary fantasy: monsters and battles, spellbinders and royalty, warriors and heroes, all presented like the campfire tale that it is.
I remember reading this and immediately regretting that I couldn’t experience it for the first time again. It’s that exhilarating.
"His total conviction in multiple existences within our physical world is as much an inspiration to some of the most brilliant fiction in Yoruba writing as it is a deeply felt urge to 'justify the ways of God to man.'"--Wole Soyinka, translator and Nobel Laureate A classic work of African literature, Forest of a Thousand Daemons is the first novel to be written in the Yoruba language. First published in Nigeria in 1939, it is one of that country's most revered and widely read works, and its influence on Nigerian literature is profound, most notably in the works of Amos…
I was born and raised in Benin City, Nigeria, surrounded by storytellers who offered me a healthy diet of oral, written, and visual tales. I grew up fascinated with stories of all kinds, especially the fantastic. When I began to tell my own stories, I gravitated toward the speculative, returning to where I first learned about stories. My novels David Mogo, Godhunter and Son of the Storm offer glimpses into the way I braid history and speculation. I have an MFA in Creative Writing from the University of Arizona, and am currently a professor of the same at the University of Ottawa in Ontario, where I live.
The warrior’s quest has been a staple of African legends for as long as Africans have told stories.
It’s no surprise that the quest is also a staple of modern epic fantasy storytelling, and that Rwizi, inspired by kingdoms south of the continent, offers us this in his Scarlet Odyssey series. But only after reading it will you realise, like I did, that Rwizi also subverts the quest, turning over everything it has stood for by presenting us with a man who refuses to become a warrior but agrees to embark on a quest anyway.
A band of outcasts going on a treacherous journey to obtain something that will save their people? Take my money already.
"Thrillingly refreshing, a propulsive story built around a fascinating cast of characters...brutal and beautiful and bold and Black in every way." -Tor.com
Magic is women's work; war is men's. But in the coming battle, none of that will matter.
Men do not become mystics. They become warriors. But eighteen-year-old Salo has never been good at conforming to his tribe's expectations. For as long as he can remember, he has loved books and magic in a culture where such things are considered unmanly. Despite it being sacrilege, Salo has worked on a magical device in secret that will awaken his latent…
I was born and raised in Benin City, Nigeria, surrounded by storytellers who offered me a healthy diet of oral, written, and visual tales. I grew up fascinated with stories of all kinds, especially the fantastic. When I began to tell my own stories, I gravitated toward the speculative, returning to where I first learned about stories. My novels David Mogo, Godhunter and Son of the Storm offer glimpses into the way I braid history and speculation. I have an MFA in Creative Writing from the University of Arizona, and am currently a professor of the same at the University of Ottawa in Ontario, where I live.
If you seek more quests, you will find another exciting one in Utomi’s Forever Desert series, beginning with the novella about the Ajungo Empire.
However, to describe this story simply as a quest (for water, no less) would do no justice to the complex, exciting work Utomi does in borrowing not only from desert empires of the Sahara, but also from popular media (as the Mad Max-esque romp through the desertscape and anime-inspired battles demonstrate).
This novella is a testament to the breadth of manner and shape that Africa-inspired epic fantasy tales can take. Long may it continue.
They say there is no water in the City of Lies. They say there are no heroes in the City of Lies. They say there are no friends beyond the City of Lies. But would you believe what they say in the City of Lies?
In the City of Lies, they cut out your tongue when you turn thirteen, to appease the terrifying Ajungo Empire and make sure it continues sending water. Tutu will be thirteen in three days, but his parched mother won't last that long. So Tutu goes to his oba and makes a deal: she provides water…
I played rugby union for Durham University and at Rosslyn Park FC in London. Then I became a reporter and editor, for Rugby News magazine and on Fleet Street sports desks. In March 2002, six months after 9/11 and a year before the invasion of Iraq, my Park team played against the cadets of the United States Military Academy. Years later, settled in New York, I decided to find out what happened to those West Point rugby players in the 9/11 wars, and what their experiences might tell us about sports, war, brotherhood, loss, and remembrance.
Junger wrote War, about Afghanistan. But as I found the West Point rugby players’ stories wouldn’t leave me alone, so Junger stayed with those he found in Kunar province.
In Tribe, he considers the ties that bind – notably a focus on the “energy of male conflict and male closeness”. Junger “once asked a combat vet if he’d rather have an enemy or another close friend”. The vet looked at Junger like he was crazy. “‘Oh, an enemy, 100%,’ he said. ‘I’ve already got a lot of friends.’
He thought about it a little longer. ‘Anyway, all my best friends I’ve gotten into fights with – knock-down, drag-out fights. Granted we were always drunk, but think about that.’ He shook his head as if even he couldn’t believe it.”
From the author of THE PERFECT STORM and WAR comes a book about why men miss war, why Londoners missed the Blitz, and what we can all learn from American Indian captives who refused to go home.
Tribe is a look at post-traumatic stress disorder and the challenges veterans face returning to society. Using his background in anthropology, Sebastian Junger argues that the problem lies not with vets or with the trauma they've suffered, but with the society to which they are trying to return.
One of the most puzzling things about veterans who experience PTSD is that the majority…
I am an associate professor at Nottingham Trent University and my interest in the Mongols first began many years ago during my MA at Royal Holloway University. I had always been interested in the historic relationships between nomadic and agricultural societies, but what I found fascinating about the Mongols was the sheer speed and range of their expansion—how could they have conquered the greater part of the Asia within only a few decades? Exploring how the Mongols grappled with the realities of ruling such a vast imperium remains a very thought-provoking issue, so too is the question of how the peoples they overthrew accommodated themselves to Mongol rule.
The Mongols only form one part of Nomads in the Middle East which paints on a far broader canvas, looking at the long-term history of relations between nomads and agricultural societies in the Middle East. Spanning from the seventh century all the way up to the modern era, and discussing peoples as diverse as the Bedouin, the Seljuk Turks, and of course the Mongols, Beatrice Forbes Manz provides an incredible overview of the role played by nomadic societies in shaping this region. For those interested in the Mongols, this book helps us to take a step back and a take panoramic view of their actions within a much longer timeline.
A history of pastoral nomads in the Islamic Middle East from the rise of Islam, through the middle periods when Mongols and Turks ruled most of the region, to the decline of nomadism in the twentieth century. Offering a vivid insight into the impact of nomads on the politics, culture, and ideology of the region, Beatrice Forbes Manz examines and challenges existing perceptions of these nomads, including the popular cyclical model of nomad-settled interaction developed by Ibn Khaldun. Looking at both the Arab Bedouin and the nomads from the Eurasian steppe, Manz demonstrates the significance of Bedouin and Turco-Mongolian contributions…
I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
A novel that reads like a reportage, almost a documentary, on contemporary (the Nineties) life in Kenya for the small and influential (but not rich) community of “white Kenyans”: some native of Kenya, some adoptive sons and daughters of the country that invented the safari a century ago and that is the main hub for all news organizations in the continent. So, reporters, conservationists, dreamers, adventures, misfits, eccentrics populate this hugely evocative and partially autobiographical book that has some of the best “sound bites” on the question we are often asked: Why You Love Africa?
In the vast space of East Africa lives a close-knit tribe of expatriates. They all meet at dinner parties; they share the same doctors and eat at the same restaurants; they sleep with each other and take the same drugs.
Set in contemporary Nairobi, Rules of the Wild is at once a sharp-eyed dissection of white society in modern Kenya and the moving story of a young woman, Esme, struggling to make sense of her place in Africa, and her feelings for the two men she loves - Adam, a second generation Kenyan who is the first to show her…
I’m a Sibert Honor author and write books for kids and teens about nature. Ever since I saw an elephant skull on the savanna in Kenya, I’ve been fascinated by elephants. When my daughter was an undergrad, she worked with Katy Payne and the Elephant Listening Project, and I knew I had to write about ELP’s astounding work—one of the only groups working with forest elephants. I hope you enjoy the QR codes in Eavesdropping on Elephants. Katy and her colleagues were very generous with their work. The more I write the more I discover our connections to our natural world that humble me and fill me with gratitude.
Katherine Roy’s beautifully illustrated picture book includes lots of fun information for elephant lovers. We follow an infant elephant as he learns how to survive on the plains, including his place in the family, how to walk and use his trunk, how to communicate with the herd, and how to stay cool in the scorching sun. A unique portrait of an elephant’s life.
Africa is not an easy place to live, even for the enormous elephants that call it home. Foraging for food and water and fighting off predators are only a few of the many skills that these giants must acquire as part of the long learning process that begins immediately after birth. Thankfully, they have a large familial network in place to teach them how to wash and drink and whiffle and roar - everything they need to know about how to be an elephant. Award-winning author-illustrator Katherine Roy's How to Be an Elephant delves into the intricate family dynamics at…
I am a philologist with a passion for Atlantic cultural history. What started with a research project on the African-American Pinkster tradition and the African community in seventeenth-century Dutch Manhattan led me to New Orleans’ Congo Square and has meanwhile expanded to the African Atlantic islands, the Caribbean, and Latin America. With fluency in several foreign languages, I have tried to demonstrate in my publications that we can achieve a better understanding of Black cultural and religious identity formation in the Americas by adopting a multilingual and Atlantic perspective.
This edited volume studies Black festive traditions in the Americas that are rooted in African interpretations of early-modern Iberian customs. It shows how, from the beginning of the transatlantic slave trade, enslaved and free Africans in the Americas used Catholic brotherhoods as spaces for cultural and religious expression, social organization, and mutual aid. By demonstrating that the syncretic development of certain Black performance traditions in the Americas is a phenomenon that already set in on African soil, it breaks with previous scholarship that (mis)interpreted these festive traditions in the Americas as new, Creole syncretisms. I am convinced that this pioneering book will strongly affect the way future generations of scholars will come to understand Black cultural and religious identity formation in the Americas.
This volume demonstrates how, from the beginning of the Atlantic slave trade, enslaved and free Africans in the Americas used Catholicism and Christian-derived celebrations as spaces for autonomous cultural expression, social organization, and political empowerment. Their appropriation of Catholic-based celebrations calls into question the long-held idea that Africans and their descendants in the diaspora either resignedly accepted Christianity or else transformed its religious rituals into syncretic objects of stealthy resistance.
In cities and on plantations throughout the Americas, men and women of African birth or descent staged mock battles against heathens, elected Christian queens and kings with great pageantry, and…
Becoming immersed in oral cultures was a massive wake-up call for me! Taught to privilege the written over the spoken word, as most literate people are, it took me years of living in the Pacific Islands, travelling regularly to their remoter parts, to appreciate that people who could neither read nor write could retain huge amounts of information in their heads – and explain it effortlessly. We undervalue orality because we are literate, but that is an irrational prejudice. And as I have discovered from encounters with oral traditions throughout Australia and the Pacific, India, and northwest Europe, not only are oral traditions extensive but may be thousands of years old.
The second edition of this book is the one I read, more than thirty years ago, and it taught me a respect for oral traditions that I had not then fully rationalized. Literate people often disparage those who can neither read nor write, suggesting they could not possibly have any useful knowledge to contribute to a literate world. This is what I have termed ‘the arrogance of literacy’ and is something Vansina, following decades of familiarity with African oral traditions, shows to be baseless. Orally communicated knowledge was key to survival and to understanding one’s place in the world. This is a pioneering study that should never be forgotten.
Jan Vansina's 1961 book, Oral Tradition, was hailed internationally as a pioneering work in the field of ethno-history. Originally published in French, it was translated into English, Spanish, Italian, Arabic, and Hungarian. Reviewers were unanimous in their praise of Vansina's success in subjecting oral traditions to intense functional analysis.
Now, Vansina-with the benefit of two decades of additional thought and research-has revised his original work substantially, completely rewriting some sections and adding much new material. The result is an essentially new work, indispensable to all students and scholars of history, anthropology, folklore, and ethno-history who are concerned with the transmission…
