Fans pick 100 books like Oral Tradition as History

It is virtually impossible to write or even investigate medieval southern France, especially the famous Cathar Period without delving into this classic work.

Still available in different translations, Le Roy Ladurie takes us into the life of a 14th-century French mountain village and its people in a way no one else has ever attempted. Based upon meticulous church records of contemporary individual interviews and interrogations with alleged heretics in one small village by Church Inquisitors, the author gives us a look into the lives of common people of that time that has never been equaled.

I found myself returning to this small book time and again in creating my own setting and characters (including borrowing authentic names at times) for a near-contemporary portion of the story I wanted to build within the larger framework of time and place I was focused upon.

The reader gets a true sense of the… show more.

I had been immersed in oral cultures for more than two decades when I read this book by Lynne Kelly and it was like a curtain being lifted for me. Suddenly I found affirmation that oral traditions indeed had meaning and purpose but – more than this – that they were supplemented in this by art, by dance and performance, by poetry and music. Lynne’s clever and readable book has had a lasting impact on me and the research questions I endeavor to answer. Everyone interested in human pasts should read it.

When I first read this book, not only was I struck by its central theme that ‘myths’ have meaning but also by the fact that it is our problem that we cannot today recognize myths for what they once were. All oral traditions evolve through time, sometimes over thousands of years and across hundreds of generations of retelling, but if their core is sufficiently memorable, then it can remain recognizable. It is up to us to unpack the stories we hear today, to learn how they changed through time, and try to see whether there is an empirical core in their hearts. This book is a must for anyone interested in learning more about the meaning of ‘myth’ rather than romanticizing it.

First published in 1940, Hawaiian Mythology is an astonishingly comprehensive compilation of native Hawaiian stories and beliefs that, had it not been for the systematic – even dogged – efforts of people like Martha Beckwith may have never survived to today. This is a book to dip into, especially if you find yourself in Polynesia. The stories are factual, often unembellished, which allows you a glimpse into the soul of Pacific peoples. This book also explores the connections between (remote) Hawaii and other island groups in the western Pacific whence its people came, bearing oral memories that seeded the geography of Hawaii and directed the nature of its human occupation, probably hundreds of years before Europeans even knew the Pacific Ocean existed.

When it comes to oral literature from the African continent, I haven’t seen another collection that matches this in-depth and breadth. Here you will find a fuller version of one of the Soninke epics discussed in the book by Clyde W. Ford. Here are the stories of the Akan, and many other African peoples. I particularly enjoyed the sayings and humorous anecdotes.

This collection by one of Uganda’s premier speculative fiction writer/directors features strange, wonderful worlds and deeply fascinating characters with compelling stories uncompromisingly but accessibly rooted in African perspectives and mythologies and I’ve recommended it often. Sometimes leaning literary, other times heavily genre, Dilman has a gift for layering the fantastic on top of the real. The bizarre over the mundane. The prose is direct and clear, and the descriptions are lush. Every story here makes great use of East African culture, mythology, folklore, politics, and everyday life to tell great stories which anyone can enjoy.

I couldn’t make a list like this without including Graham Greene. His introspective art of writing has shaped my own approach to fiction. This book is a brilliant portrait of Scobie, a security officer in West Africa during World War II.

A deeply religious Catholic with simple tastes, Scobie struggles with guilt toward all in his melancholy orbit: his wife Louise, whose hopes to climb the social ladder have been dashed by Scobie’s simplicity and integrity; his mistress Helen; his faithful servant Ali.

The book ends beautifully, with Scobie making the only choice consistent with his quirky beliefs and sensitivities. I could easily have added his The Power and the Glory, but I didn’t want to make this a Graham Greene list.

Wangari Maathai was awarded a Nobel Peace Prize in 2004 for her environmental activism with the Women’s Green Belt Movement.

Africa perhaps has more humanitarian, environmental, and political challenges than any other continent. Many of these arise from its colonial history and this book eloquently and forcefully presents the way this has hindered African development.

It then calls on Africans to develop and implement their own solutions rather than to have them imposed by outsiders who don’t understand the context of the continent.

As a Zimbabwean sarungano, Ndlovu is an expert storyteller, and that skill truly shows in this collection of fourteen stories chronicling the strangeness and surrealism of the lives of African women at home and abroad.

Exploring everything from the legacy of colonization to cultural appropriation and from literalized metaphors to exploring the nature of time in African thought, this is a collection that is clever and funny and emotionally astute, rendered in poetic and clear prose.

As a collection, the stories reinforce each other making this an experience to read. I highly recommend it.

The canon of anti-colonial, anti-racism writing from and about Africa includes many authors whose passion and insights are sometimes muddied by turgid or masculinist prose. For me, Rodney stands out – and stands the test of time – by the way he so masterfully weaves history into a compelling narrative that utterly demolishes the lies and conceits about supposed Western benevolence toward the continent. Scales fell from my eyes the first time (of many) I read this book. And yes, Rodney is almost as androcentric in his language, sources, and arguments as was the norm in those days. But his acknowledgment of the dignity of African women is implicit, and his discussion of the regressive elements of the colonial economy and education for African women and girls presaged a field of scholarly enquiry and activism that still intrigues me.