82 books like The Last Invitation

In Pieces is the first of a two-book series. The romance develops in this book while subplots thicken. I was quickly drawn to the characters and early American setting. I felt immersed in the ambience of the Boston waterfront during the Federalist years. Themes of redemption, forgiveness and understanding weave through the novel and affect more than the hero and heroine. For example, the hero’s family grapples with his growing interest in Catholicism. As the love story reaches resolution, another subplot deepens: a need for American spies to help protect the young country. I ended the book feeling as though the characters had become friends. In Pieces is subtitled Molly Chase Book 1 and fits the Christian historical fiction genre as well as Catholic historical romance.

This book although released back in 1999 it is still relevant today. The author speaks openly and honestly about the different emotions including guilt and loneliness which really resonated with me. The book is full of stories of pain and heartache that I could relate to as well as courage and inspiration. This book is honest and felt like a group therapy session that I didn’t want to leave at times. This book doesn’t hide the brutality of suicide, the stigma, the tragedy, and most of all the suffering and pain of those left behind. 

Tanya Harmer is a noted diplomatic historian who focuses on the left-wing presidency of Salvador Allende in Chile during the early 1970s. Allende, as most people know, was violently overthrown in a CIA-backed coup d’etat in 1973. That event ushered in 15 years of brutal dictatorship and transformed Chile’s experiment with democratic socialism into the first example of neoliberalism in Latin America and the world. Harmer’s biography of Allende’s youngest daughter, Beatriz, is a brilliant, intimate portrait of a young activist torn between loyalty to her Socialist (and non-violent) father and the appeal of Cuba’s revolutionary fervor, with its emphasis on violent insurrection against the old order. It is a tragedy, much like the 1960s itself.

I’ve always loved stories that explore the themes of love and loss and how they entwine as one. All The Bright Places is no exception to this. Be warned; you may shed some tears!

The emotional connection you create with this book is something I tried to tap into with my own writing, and I hope that the authenticity of All The Bright Places is something that can be found in my own work. I love this book with my whole heart. I often write characters with past trauma, which becomes apparent as they begin working on themselves through the plot's unravelling.

I see so many similarities between my own characters to that of Violet Markey, a main character in All The Bright Places. She is what I consider to be an inspiration to my own writing from the very beginning. It’s truly an emotional tale filled with important topics… show more.

This was one of my favourite books of 2018. This one deals with the impact of suicide on a tight-knit community, while quietly following Shane as he discovers his sexual identity and love for his best friend, David. The author, Adam Garnet Jones, is an Indigiqueer screenwriter, director, bead-worker, and novelist from Edmonton Alberta. While his Indigenous identity includes Cree, Métis, and Kahnawake

Mohawk, his traditional ancestry is complicated by the fact that his home reserve no longer exists. The land and community were forcibly enfranchised by the Canadian government in 1958.

Tender Branson, the last survivor of the Creedish Church cult, has hijacked an airplane, which is flying on autopilot. His mission now is to dictate his life story onto its black box before the plane crashes.

Survivor is an innovative and erudite social commentary, brimming with satirical observations. Amongst the targets for its irreverent dark humour are death, The Bible, and suicide hotlines. In this reader’s opinion, Survivor is a work of undoubted genius, and one of the author’s best novels.

Have you ever traveled somewhere, and something doesn’t feel right? There is a world of travelers, nomads, and homeless who live lives none of us can explain or understand. Their world includes strange disappearances or accidents, and authorities who ignore or hide the truth. If you start digging for answers, it might make some people uncomfortable. This is a riveting yarn of a sister who refuses to just let it go and move on with her life. Her fierce determination for answers leads her into her own fight for survival. A can’t put it down thrill ride.

Betty Rollin is best known as the award-winning national correspondent for NBC. Writing about her personal life, she sure knows how to tell a story. Long before any state recognized a legal option for assisted dying, a few brave people navigated the risks of helping a loved one exit life on their own terms. Betty and her husband, Ed, were two such people, and they were especially courageous in publicizing what they did. Last Wish was a bestseller when it came out in 1985 and again in 1999. It became an ABC TV movie in 1992 starring Patty Duke and Maureen Stapleton. Both the story and the storytelling, are captivating. Betty’s mom got the peaceful death she desired, and we got a wonderful, even humorous story of love, loyalty, and international daring. 

This is a sobering account of what has happened to far too many blue-collar, non-college-educated workers in America.

Wracked with economic uncertainty, shunted aside, feeling left out and powerless, many have turned to alcohol, drugs, and suicide. The greed of the opioid industry—the doctors, the pharmacies, the corporate pushers—has led to an extraordinary increase in deaths among white blue-collar workers.
For working men and women, once the backbone of American economic vibrancy, capitalism, and globalization has not worked, but has crushed families and prospects for a better life.

A powerful indictment, but one we need to hear and comprehend.

Gayle Brandeis’s intimate memoir of wrestling with her mother’s suicide following a long mental illness kept me company in the ways it mirrored my own experience. It is sometimes easier to mourn a stranger’s pain, as you edge towards your own grief. Brandeis’s reading through her mother’s letters, with their paranoid delusions and grandiose aspirations, “passionate and creatively punctuated,” rang true to my father’s crazy literary outpourings. Her experiences of entering her mother’s home to witness the evidence of her last activities, to the almost physical trauma of learning the stark details of her mother’s suicide method, comforted me in their familiarity. The suicide of a mentally ill parent leaves a lot of guilt and confusion in its wake. Anger and resentment aren’t what one “should” feel after a death of a parent, but Brandeis doesn’t sugarcoat the complex mess of emotions that needs to be untangled.