Here are 100 books that The Knife Thrower fans have personally recommended if you like
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Like most writers, I’ve been a voracious reader since I was a child; but my preferences were witches and haunted houses, rather than princesses and talking frogs. As I developed my own writing, I wanted to tell stories that were reflective of my world but with a dark twist. My first completed story was "Patchwork", about a woman emptying the marital home after the breakdown of her marriage. I went on to participate in several popular horror anthologies. I really enjoy the challenge of writing a great short story because you have to get the reader in a chokehold early and then deliver that gut punch sooner than later.
Originally published in 1978, I was still a bit young to be devouring such dark and twisted tales but this one became my own blueprint for writing short stories.
This wasn't my first SK book, I had previously read his other novels like Salem's Lot and The Stand. But once I discovered Night Shift, it was like getting a different story each and every time I opened the book.
There are no 'favorites' here because each one is sublime, but if I were forced to select 2-3 out of the 20, I'd go with "Gray Matter", "The Mangler", and "Sometimes They Come Back", mostly because these have quotes that I still see and use here and there, some 40 years later.
Stephen King’s first collection of short stories, originally published in 1978, showcases the darkest depths of his brilliant imagination and will "chill the cockles of many a heart" (Chicago Tribune). Night Shift is the inspiration for over a dozen acclaimed horror movies and television series, including Children of the Corn , Chapelwaite, and Lawnmower Man.
Here we see mutated rats gone bad (“Graveyard Shift”); a cataclysmic virus that threatens humanity (“Night Surf,” the basis for The Stand); a possessed, evil lawnmower (“The Lawnmower Man”); unsettling children from the heartland (“Children of the Corn”); a smoker who will try anything to…
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
McCarthy’s second novel is an underappreciated masterpiece, one that combines the author’s distinct style and notoriously difficult subject matter with a genuinely sublime vision of the world. Simultaneously a horror novel, a historical fiction, a Gnostic heresy, a cosmic joke, and act of spiritual seeking, I cannot recommend it enough.
By Cormac McCarthy, the author of the critically acclaimed Border Trilogy, Outer Dark is a novel at once mythic and starkly evocative, set in an unspecified place in Appalachia sometime around the turn of the century. A woman bears her brother's child, a boy; the brother leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.
I grew up in featureless suburbia, where the streets of identical bungalows seemed scrubbed of anything miraculous. Maybe that’s why I came to be fascinated, as a kid, with the idea of tiny things. Here was magic that might exist in my backyard: miniature people trooping through lawns as if they were forests, riding ladybugs, and carrying bramblethorn spears! These daydreams formed some of the first stories I wrote, as a child. And they’ve continued to fascinate me as a reader, and a writer, ever since. I’ve tried to pick stories that might have slipped out of sight amongst ‘bigger’ brethren like The Burrowersand Gulliver’s Travels. I hope you enjoy them!
A Tom Thumb-type fable, and the first story about the miniature that I remember being enthralled by. Anton B. Stanton sails a castle moat like it’s a sea, and gets captured by Pirats (I didn’t get the lame pun until I was a grown-up and buying the book for my own son). It was the first book that held out the promise of tiny, miraculous adventures happening right under my nose.
A boy no bigger than a tea cup is forced to walk the plank by his rat captors and then returns to their pirate ship to free the kidnapped water rat princess.
I grew up in featureless suburbia, where the streets of identical bungalows seemed scrubbed of anything miraculous. Maybe that’s why I came to be fascinated, as a kid, with the idea of tiny things. Here was magic that might exist in my backyard: miniature people trooping through lawns as if they were forests, riding ladybugs, and carrying bramblethorn spears! These daydreams formed some of the first stories I wrote, as a child. And they’ve continued to fascinate me as a reader, and a writer, ever since. I’ve tried to pick stories that might have slipped out of sight amongst ‘bigger’ brethren like The Burrowersand Gulliver’s Travels. I hope you enjoy them!
I just don’t know why this book isn’t talked about more. It’s so brooding and brilliant and horrifying. Heavily influenced by Philip Pullman’s masterful Clockwork (there’s sinister automata, and creepy clockmakers, and a snow-bound Germanic feel), it contains one of the most awful and terrifying antagonists in all of children’s literature. Nasty and enchanting — the very darkest and grimmest of tales.
What good is a toy that will wind down? What if you could give a toy a heart? A real heart. One that beat and beat and didn't stop. What couldn't you do if you could make a toy like that?
From the moment that the circus boy, Mathias, takes a small roll of paper from the dying conjuror, his fate is sealed. For on it is the key to a terrifying secret, and there are those who would kill him rather than have it told.
Pursued by the sinister Dr. Leiter with his exquisite doll and malevolent dwarf, preyed…
I was frustrated by stories of gilded-age women who floundered around and were pitied because of the limitations society put on them. I thought the heroine of House of Mirth was not heroine but a loser. It seemed to me there must be other women out there who weren’t just sitting around bemoaning their predicament. Since I’m a mystery writer I was especially pleased to find some women who were out there doing things, even in criminology. Finding Frances Glessner Lee was the icing on the cake when I learned that she is known as the Mother of Forensic Science. Had to be great stories there.
A book of photographs that show the Nutshell Studies in great detail.
This book inspired me to learn more about the wealthy woman who spent so much time creating these hugely detailed crime scenes.
Why? It took more research to learn that she had developed a passion for teaching investigators to follow the old saying "convict the guilty, clear the innocent, and find the truth in a nutshell.”
It seems to me this is what the investigator is always trying to do in mystery stories, like the 9 I had already written in my Emily Cabot Mysteries. If a picture is worth a thousand words, these pictures suggest a lot of stories.
The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the…
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
This book lives up to its title in such unexpected, thrilling, and disturbing ways that I continue to marvel at its many accomplishments. It’s tempting to use certain genre terms to describe it: a fairy tale, horror story, thriller. It is all of those things, but it is also a brilliant psychological novel, a historical novel with few peers, and a work of such persuasive realism that it will shake you to the bone. Few books exceed their ambitions in the way this one does.
An international bestseller and winner of the Prix Goncourt, France's most prestigious literary award, The Ogre is a masterful tale of innocence, perversion, and obsession. It follows the passage of strange, gentle Abel Tiffauges from submissive schoolboy to "ogre" of the Nazi school at the castle of Kaltenborn, taking us deeper into the dark heart of fascism than any novel since The Tin Drum. Until the very last page, when Abel meets his mystic fate in the collapsing ruins of the Third Reich, it shocks us, dazzles us, and above all holds us spellbound.
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
This novel evokes an extraordinary range of emotions. Skibell works wonders with folklore and history, turning out a tale of tales that is by turns shocking and horrifying, tender, and outrageously funny. The language is deceptively simple and beautiful. Consider this description from the murdered narrator, on returning to his plundered neighborhood after climbing out of a mass grave: “In front of every house were piles of vows and promises, all in broken pieces. How I could see such things, I cannot tell you.” The balance here—of imagination, grief, and lightness—is exquisite.
Joseph Skibell’s magical tale about the Holocaust—a fable inspired by fact—received unanimous nationwide acclaim when first published in 1997.
At the center of A Blessing on the Moon is Chaim Skibelski. Death is merely the beginning of Chaim’s troubles. In the opening pages, he is shot along with the other Jews of his small Polish village. But instead of resting peacefully in the World to Come, Chaim, for reasons unclear to him, is left to wander the earth, accompanied by his rabbi, who has taken the form of a talking crow. Chaim’s afterlife journey is filled with extraordinary encounters whose…
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
This is one of the best, most alive short fiction collections published in the 21st Century. Steinberg’s fictions are generally powerful, but the episodes and sentences that compose them tend to be compelling in their own right. So while the individual narratives in this book are brilliant short fictions on their own, the sentences or thoughts that construct them have an electrifying effect few writers can manage.
An inventive new collection from the author of Hydroplane and The End of Free Love
* A San Francisco Chronicle, Complex, Flavorwire, Vol. 1 Brooklyn, Largehearted Boy and Slaughterhouse 90210 Best Book of the Year *
In these innovative linked stories, women confront loss and grief as they sift through the wreckage of their lives. In the title story, a woman struggles with the death of her friend in a plane crash. A daughter decides whether to take her father off life support in the Pushcart Prize-winning "Cowboys." And in "Underthings," when a man hits his girlfriend, she calls it…
I’m a bit of an introverted extrovert who has a love/ hate relationship with people. I’m lucky to have wonderful family and friends, but social media baffles me and makes me question the future of mankind. I still can’t look away though. A degree in history, a love of psychology, and being a writer definitely foster my people-watching obsession. This fascination extends to fictional characters. Plot twists and world building are fantastic, but it is cheering for a character that pulls me in and keeps me hooked. As I’m also a moody reader, I love to pick the right character story to suit my mood!
Fairy tale retellings are another favorite of mine and I enjoyed this one as a light, frothy fun read. Part of the reason it worked well was Arnessa. She makes a great Cinderella by working hard and dreaming of more. Yes, there are definitely some family issues and a cute guy too. It doesn’t hurt that you can order a shot of luck at the magical coffee shop! If you need a pick-me-up during darker times, give this sweet read a chance!
A modern magical retelling of the classic Cinderella tale
After years of slaving beneath her step-mom's rule, Arnessa longs for something more.
She dreams of leaving her small town to attend a university where she can train to master her magic. Her stepmother denies this dream.
When all hope appears lost, a charming stranger enters her life, offering to guide Amessa in her studies, giving the teen confidence to stand up for herself.
An Unexpected Brew is part of a fairytale universe - inspirational tales filled with magic, rising hope, and personal discovery. These four separate adventures can be read…
I come from a large family, both immediate and extended. As a result, my writing often includes a spectrum of family relationships, from the functional to the toxic. Nurturing or gaslighting? Supportive or undermining? Fantasy is my genre of choice for playing with these dynamics because its otherworldliness creates a safe space to consider true-to-life patterns, including the default trust we grant to those closest to us, how quickly that crumbles when expectations fall short, and the echo effect our earliest interactions have upon the rest of our lives.
Everyone should have a favorite “Cinderella” story, and this fantasy romp is mine. Gingell turns the classic fairy tale upside down, maintaining its stepfamily-gone-wrong trope, but from an opposite angle. Ellen got her prince and her crown while her stepsisters Jane and Charlie received a life sentence in a magical prison. Only, she lied and schemed to do it, and now the pair of girls must plot their escape to clear their names.
I admire Jane’s quiet resolve and Charlie’s feral energy. Plus, any story with knockout lipstick earns some extra points from me.
Cinderella is married to The Prince, and the Evil Stepsisters are banished to a pocket dimension for their punishment and rehabilitation. It’s Happily Ever After.
Or is it?
Jane and Charlie have been imprisoned for two years now, serving a sentence especially chosen by their stepsister as justice for her sufferings. It seems that they’re the only two people in the world besides Ellen who know that Ellen’s “sufferings” were a carefully manipulative campaign to win a prince and a crown; the two stepsisters merely collateral damage.
But now, trouble is brewing at the castle: death threats, torn gowns, ruined…
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