Here are 100 books that A Blessing on the Moon fans have personally recommended if you like
A Blessing on the Moon.
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I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
McCarthy’s second novel is an underappreciated masterpiece, one that combines the author’s distinct style and notoriously difficult subject matter with a genuinely sublime vision of the world. Simultaneously a horror novel, a historical fiction, a Gnostic heresy, a cosmic joke, and act of spiritual seeking, I cannot recommend it enough.
By Cormac McCarthy, the author of the critically acclaimed Border Trilogy, Outer Dark is a novel at once mythic and starkly evocative, set in an unspecified place in Appalachia sometime around the turn of the century. A woman bears her brother's child, a boy; the brother leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
Millhauser’s stories are miracles. He combines the wonderstruck imagination of the fairy tale lover with surpassing technical expertise, and the result is beautiful art. This collection’s title story, for instance, is simultaneously a fairy tale, an exploration of group morality, a rigorous demonstration of the Freytagian dramatic structure, and a gripping story from start to finish.
Included in this short story collection is "The Sisterhood of the Night", now a major motion picture. From the bestselling author of Martin Dressler, this volume explores the magnificent obsessions of the unfettered imagination, as well as the darker, subterranean currents that fuel them.
With the panache of an old-fashioned magician, Steven Millhauser conducts his readers from the dark corners beneath the sunlit world to a balloonist's tour of the heavens. He transforms department stores and amusement parks into alternate universes of infinite plentitude and menace. He unveils the secrets of a maker of automatons and a coven of teenage…
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
This book lives up to its title in such unexpected, thrilling, and disturbing ways that I continue to marvel at its many accomplishments. It’s tempting to use certain genre terms to describe it: a fairy tale, horror story, thriller. It is all of those things, but it is also a brilliant psychological novel, a historical novel with few peers, and a work of such persuasive realism that it will shake you to the bone. Few books exceed their ambitions in the way this one does.
An international bestseller and winner of the Prix Goncourt, France's most prestigious literary award, The Ogre is a masterful tale of innocence, perversion, and obsession. It follows the passage of strange, gentle Abel Tiffauges from submissive schoolboy to "ogre" of the Nazi school at the castle of Kaltenborn, taking us deeper into the dark heart of fascism than any novel since The Tin Drum. Until the very last page, when Abel meets his mystic fate in the collapsing ruins of the Third Reich, it shocks us, dazzles us, and above all holds us spellbound.
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
This is one of the best, most alive short fiction collections published in the 21st Century. Steinberg’s fictions are generally powerful, but the episodes and sentences that compose them tend to be compelling in their own right. So while the individual narratives in this book are brilliant short fictions on their own, the sentences or thoughts that construct them have an electrifying effect few writers can manage.
An inventive new collection from the author of Hydroplane and The End of Free Love
* A San Francisco Chronicle, Complex, Flavorwire, Vol. 1 Brooklyn, Largehearted Boy and Slaughterhouse 90210 Best Book of the Year *
In these innovative linked stories, women confront loss and grief as they sift through the wreckage of their lives. In the title story, a woman struggles with the death of her friend in a plane crash. A daughter decides whether to take her father off life support in the Pushcart Prize-winning "Cowboys." And in "Underthings," when a man hits his girlfriend, she calls it…
I am an artist, writer, and director of The Wellspring Studio, LLC. When my husband and creative partner, the singer/songwriter Garrison Doles, died unexpectedly just a few years after we were married, I found that I very much did not want to read about grief. I especially did not want to read about managing it or coping with it. Still, there were books that mysteriously found their way to me and drew me in, not with strategies for getting through the grief but with creative, poetic, artful, sometimes offbeat tellings of living with sorrow. These are some of my favorites among them.
After Gary’s death, reading became unexpectedly painful. We had both loved books and reading together. The loss of that connection, combined with the brain fog that often accompanies grief, made reading difficult for a good while.
Poetry, though, was different. It wasn’t that it was easier than prose; I was still capable of losing my way mid-sentence. But poetry’s spaciousness—its distilled economy of words surrounded by large and quiet margins—helped the pages feel less overwhelming.
I love this collection by Tess Gallagher, written after the death of her husband, the short story writer and poet Raymond Carver. It is luminous. These poems do what poetry does best: speak what seems unspeakable, and make room for us to breathe as it speaks.
Gallagher's seventh collection of poetry and the first to follow the powerful Moon Crossing Bridge, in which she eulogises her dead husband Raymond Carver. Dear Ghosts conjures the spirits of the past as a communion for the present day - the deceased beloved, a long-dead father and the victims of holocaust and war. With these spirits beside her, Gallagher confronts her own illness and mortality and celebrates new love and friendship in spare lyrics and sprawling narratives, each punctuated by her feisty resilience and signature grace.
I was 12 years old when, in Amsterdam on a family holiday, I was taken to see the Anne Frank House. Until then I knew very little about WW2, the Nazis, and the Holocaust. After viewing the ‘secret annexe’ my father bought me The Diary of Anne Frank, which was on sale there, and I started reading it in the car as we drove off. The book sparked my deep lifelong interest in that chapter of history. Many years later I discovered that my own mother also had an extraordinary wartime story. By then I was a journalist and knew I’d have to write a book about it—Deadly Carousel.
This autobiography showed me that a tale of survival against the odds, in the most dangerous of times, can also be highly entertaining. To avoid deportation to the death camps, Jewish teenager Lothar Orbach assumes a fake Aryan identity and launches into a precarious underground existence in the heart of the Nazi empire, living off his wits, dodging the authorities and mixing with various shady characters. In my favourite episode, he and his hustler pal Tad meet two sex-starved teenage sisters, the daughters of a prominent Nazi family living in the elegant house of a deported Jewish professor. As the parents are away, Lothar and Tad move in and fulfil the girls’ lusty desires in return for homecooked meals…until the day they stuff two suitcases with food, clothes, alcohol and jewellery, and scarper back underground. Marvellous.
Now in book form, this is the intensely moving first-person account of "the Auschwitz Memoirist's extraordinary manuscript" described in Philip Roth's Patrimony: A True Story.
This is the true story of a young man born at the wrong time in the wrong place. Lothar Orbach's family proudly traces its German heritage back to the fifteenth century, but that is no help to a Jewish boy coming of age in Hitler's Berlin.
At the center of this world gone mad is Lothar, outwardly a cagey, amoral street thug, inwardly a sensitive, romantic youth, devoted son, and increasingly religious Jew, clinging to…
I am Professor Emeritus in the School of Social Sciences and Humanities at Loughborough University. I have written widely in the areas of social and cultural history, the sociology of art and culture, and media and communication studies. Recent projects have involved books on song and music in the workplace, popular culture, cultural studies, advertising and racism, and blackface minstrelsy. I co-wrote Media and the Management of Change with Emily Keightley, the last volume in a trilogy on media and memory and the interaction of memory and imagination.
A predominant amount of work in memory studies has focused on national memory cultures. The shift in this anthology is towards small, local or regional memories and towards vernacular sites of remembering. Its contributors attend in the main to personal and familial forms of memory, and thus on the narrative modes and media associated with them. The chapters cover a fascinating range of topics, making for a diverse volume united by a key preoccupation with the locatedness of memory, rather than referring broadly across a whole national context or to a huge sweeping range of memory and remembering. This is a very welcome shift, bringing to the fore everyday objects of memory that have tended to be less predominant—hence ‘peripheral’, in the sense of being swept aside or overshadowed. Redressing this allows for a more complex understanding of relations between public and private memory and remembering practices, across varying temporal…
After a period of intense work on national memory cultures, we are observing a growing interest in memory both as a social and an individual practice. Memory studies tend to focus on a particular field of memory processes, namely those connected with war, persecution and expulsion. In this sense, the memory - or rather the trauma - of the Holocaust is paradigmatic for the entire research field. The Holocaust is furthermore increasingly understood as constitutive of a global memory community which transcends national memories and mediates universal values. The present volume diverges from this perspective by dealing also with everyday…
Elizabeth Rynecki is the great-granddaughter of Polish-Jewish artist, Moshe Rynecki (1881-1943). She grew up with her great-grandfather's paintings prominently displayed on the walls of her family home and understood from an early age that the art connected her to a legacy from "the old country": Poland. Elizabeth has a BA in Rhetoric from Bates College ('91) and an MA in Rhetoric and Communication from UC Davis ('94). Her Master's thesis focused on children of Holocaust survivors. Her book, Chasing Portraits: A Great-Granddaughter’s Quest for Her Lost Art Legacy, was published by NAL/Penguin Random House in September 2016. Her documentary film, also titled Chasing Portraits, had its world premiere in Poland in 2018 and has screened at numerous film festivals across North America. The film can be streamed on Amazon, iTunes, Kanopy, and OvidTV.
Glenn Kurtz’s grandparents traveled to Poland in August 1938, one year before the outbreak of the Second World War, to visit family. They filmed parts of that trip, including 3 minutes in Poland, footage that ultimately became one of the last records of a once vibrant Jewish community. Decades later, Kurtz painstakingly set out to identify the people in the film. He ultimately located seven living survivors, including an eighty-six-year-old man who appeared in the film as a thirteen-year-old boy. A heartfelt and powerful telling of what it means to rescue history and stories of survival.
Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome colour film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community, an entire culture that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four year journey to identify the people in his grandfather's haunting images. His search takes him across the…
Adena Astrowsky is the grandchild of two Holocaust survivors. Her grandmother often spoke to her about her experiences during the Holocaust, which had a profound impact on her life. She continues to honor her grandmother's life by speaking about her grandmother’s survival and lessons learned from the Holocaust.
A beautifully written and compelling true story about the author’s heroine, her mother. The memoir shares with the reader the unspeakable horrors and tragic times that her mother lived through and witnessed – and of course, the impact of those events on the author, herself. The book is a testament to persistence, hope, and strength.
With the Nazi occupation of Kovno (Lithuania), her life changed forever. Zlata Santocki Sidrer was Jewish, but she survived the horrors of the Holocaust. Gone was her normal life and her teenage dream of becoming a doctor. Instead, she witnessed untold deprivations, massacres, imprisonment, hunger and slave labor before being transported to the Stutthof Concentration Camp. Her story of the death march is a testament to her fighting spirit and the limits of human endurance. Yet the challenges did not end with liberation.
Lovingly compiled from recorded interviews and researched by her eldest daughter, Ettie, this is an account of…
Simon Hammelburg is a Dutch author, journalist, and songwriter. During the seventies, he started his career as a news broadcaster with AVRO Broadcasting (Radio & TV) in Holland. He worked as an anchor as well as a travelling journalist. In the eighties, he became the United States Bureau Chief for Dutch and Belgian radio and television, as well as several newspapers and weeklies. He specialized in the psychological aftermath of the Shoah (Holocaust).
A compelling story of the way one man in our callous times truly assumed the role of his brothers' keeper, in spite of obstructions from Nazi supporters, unsympathetic governments, time, and fading memories. The Murderers Among Us is an inspiring book -- the stirring life of a man who pursued justice in the heyday of expediency. Simon Wiesenthal was lying in a ward full of corpses when Allied troops reached Mauthausen Concentration Camp. His wife was lost in the vast confusion of postwar Europe, the rest of his family victims of the gas chambers. His own loss and the horrors he had witnessed made Wiesenthal vow to spend the rest of his life bringing Nazi war criminals to justice.
