Fans pick 100 books like A Blessing on the Moon

McCarthy’s second novel is an underappreciated masterpiece, one that combines the author’s distinct style and notoriously difficult subject matter with a genuinely sublime vision of the world. Simultaneously a horror novel, a historical fiction, a Gnostic heresy, a cosmic joke, and act of spiritual seeking, I cannot recommend it enough.  

Millhauser’s stories are miracles. He combines the wonderstruck imagination of the fairy tale lover with surpassing technical expertise, and the result is beautiful art. This collection’s title story, for instance, is simultaneously a fairy tale, an exploration of group morality, a rigorous demonstration of the Freytagian dramatic structure, and a gripping story from start to finish.

This book lives up to its title in such unexpected, thrilling, and disturbing ways that I continue to marvel at its many accomplishments. It’s tempting to use certain genre terms to describe it: a fairy tale, horror story, thriller. It is all of those things, but it is also a brilliant psychological novel, a historical novel with few peers, and a work of such persuasive realism that it will shake you to the bone. Few books exceed their ambitions in the way this one does.

This is one of the best, most alive short fiction collections published in the 21st Century. Steinberg’s fictions are generally powerful, but the episodes and sentences that compose them tend to be compelling in their own right. So while the individual narratives in this book are brilliant short fictions on their own, the sentences or thoughts that construct them have an electrifying effect few writers can manage.

After Gary’s death, reading became unexpectedly painful. We had both loved books and reading together. The loss of that connection, combined with the brain fog that often accompanies grief, made reading difficult for a good while.

Poetry, though, was different. It wasn’t that it was easier than prose; I was still capable of losing my way mid-sentence. But poetry’s spaciousness—its distilled economy of words surrounded by large and quiet margins—helped the pages feel less overwhelming.

I love this collection by Tess Gallagher, written after the death of her husband, the short story writer and poet Raymond Carver. It is luminous. These poems do what poetry does best: speak what seems unspeakable, and make room for us to breathe as it speaks.

Zable writes of the haunted consciousness of post-conflict generations, in his case, the holocaust.

He argues that great stories must have both terror and beauty, or they merely add to the darkness. It is easy to see the terror, but what of the jewels? I grappled with this question too - how do we rightly remember victims of extreme violence? When I looked to Zable, I found a work imbued with poetry and lyricism.

Jewels and Ashes is a transcendent retracing of the terrain of his parents and grandparents.

I am recommending this book because it is a thorough investigation into the Nazi Eastern policies and their effects in the East. And also because Dr. Reitlinger was a renowned scholar.

I personally loved this book because, even though the topic is serious as it is sad, Dr. Reitlinger managed to write an authentic account of the topic with eloquence and solemnity. The book actually got me interested in the topic.

Published in 1960, I read the book in the late 1970s, and it is one of the books that made me interested in the topic – so much so that it set me on an academic path, which led me to research Nazi Germany’s occupation of eastern Europe, culminating in a work on the subject, to be published in November 2023. The book I have written is the culmination of twenty-plus years of research.

Reading Reitlinger’s work, I realized,… show more.

Elsa Thon recounts her war experiences in a cinematic tale with the eye of an artist. A teenager in Poland who had apprenticed in photo retouching, she was recruited by the Jewish underground. She left her family behind in the Warsaw Ghetto, ending up in Krakow with false papers. This was difficult for her, a deeply honest person. She writes, “I lied all the time.” She takes the reader with her on her dangerous journey, the degradation of a labour camp, and a forced march. Elsa was also a student in my seniors writing class and I found her to be generous and good-humoured, despite her painful past. She lost her whole family in the Holocaust but she writes that it was her “destiny” to survive. 

My 3rd grade teacher told me I had no artistic talent, and since I could not afford to hire an artist for my book- so I have no illustrations. Thus, I envy Eisenstein’s artistic talent in illustrating her memoir. Actually, I admire her double skills, as both a writer and an artist. Her sensitive, astute, and often humorous, analysis of her childhood with her Holocaust survivor parents was incredibly familiar to me. There were times I laughed hysterically, with tears in my eyes. Some of her anecdotes seemed as if they came right out of my own childhood recollection of family stories, such as her story about a gold wedding band that was hidden during dark days in a concentration camp, the parental silences or tears about the past, her “drug-like-addiction” to learning everything about the Holocaust, in order to envision her parents and their lives before the war,… show more.

After reading Escaping The Whale, I was eager to meet Marcia Gold as a young girl. Here again, Ruth Rotkowitz does not disappoint. The desires and dreams of Holocaust survivors for their children to have an innocent and happy childhood are not always possible. Marcia, a young girl in the 1960's experiences the impact of her parent's history and the complications they bring to the anxiety of adolescence and the emotional problems that will be part of her life in the future.