60 books like The Kate in Between

Thirteen-year-old Alice moves to a new town where no one knows she has Asperger’s syndrome. When she behaves in a way her teachers feel is inappropriate she gets sent to detention. It’s there she meets Megan, a hard-core “bad girl” who becomes the only person to make a meaningful connection with Alice. 

Alice likes rules, Megan likes to break rules. Yet somehow the two girls manage to become good friends. Megan’s home life is bad and she decides to run away. Despite the angst and the inner voice telling her not to, Alice goes with Megan to protect her.

Quote: “Is a hero average in type, appearance, achievement, function, and development?” Alice asks.

This book stands out for me because it shows that we all can “go farther” than any perceived limitation, be it developmental, physical, or emotional. 

“Mommy, do I have to sit by her?”

My kid can be a real jerk. He picks a genre of child and decides they’re terrible. He’s been horrified by the existence of girls, boys, toddlers, big kids, and human babies. It’s straight-up bigotry, and it’s not okay with me. I’ve preached and preached on sharing space and being nice. Each Kindness doesn’t preach. We stand in the main character’s shoes as she decides who deserves kindness and who doesn’t. We feel the consequences.

We need more characters like Paksenarrion Dorthansdotter, the daughter of a sheep farmer who joins a mercenary company to avoid an unwanted marriage. Moon, who served as a Marine in Vietnam, gives us a perfect hero’s tale. Paksenarrion (“Paks” for short) doesn’t set out to garner fame and glory, but she works hard at what she does, and her moral compass is firmly attuned to a sense of justice and truth. Paks captures everything we want in a hero, and Moon’s understanding of infantry, siege, and melee tactics filters through in subtle yet powerful ways, from details like foot soreness on the march to how most sieges end with rebellion within the gates. Sheepfarmer’s Daughter literally has it all. Go read it today. 

Hook draws an interesting distinction in his book on heroes. He discusses two types of heroes: the eventful man and the event-making man. “The eventful man in history is any man whose actions influenced subsequent developments along a quite different course than would have been followed if those actions had not been taken. The event-making man is an eventful man whose actions are the consequence of outstanding capacities of intellect, will, and character rather than of accidents of position. This distinction tries to do justice to the general belief that a hero is great not merely in virtue of what he does but in virtue of what he is." 

This is an interesting distinction that we can profitably deliberate on. Hook was a philosophy professor for decades at NYU and he brings to the issue of heroes a grasp of the historical discussion of it.

Okay, okay, I realize that using webbing isn’t an actual way to get around, but neither is my digger. And I wouldn’t be a reader, writer, or artist today if it hadn’t been for Spider-Man. Young Kevin spent every day imagining the freedom of spinning a web and flying through the air. Even though I grew up in a small town with two steeples and a three-story inn, it was a captivating idea.

And wow does this version of the story kick things up a notch. I mean, I already love the Miles Morales version of Spidey, but Reynolds kicks it all up a notch or five. He has such a deft hand as a storyteller with a message. Never preachy, but deeply felt and funny (sort of like a super-hero version of Jerry Kraft’s New Kid) this was a ride. 

And a cover pic by Khadir Nelson? Sign… show more.

Kristen Britain’s Green Rider is an adventure that takes place in a carefully crafted medieval world.

What’s notable is the way Britain integrates medieval culture and tradition into the story. From the honor code of the Green Riders to the standard of loyalty and virtue, the novel is steeped in values commonly held in the medieval era. This adds authenticity to the story.

The series also introduces ‘fantasy flair’ in the Eletians, a group of people I could closely associate with the Elves in my own book.

The Ruins of Gorlan for me was a reminder that you never let anyone tell you, “you can’t”.

Will was a misfit, an orphan. He was too small for battle school and becoming a knight, not adept at being a diplomat, a scholar, nor even a cook. He had no idea what would become of him. It was a fear that permeates down deep. I remember how I felt when I couldn’t go into the army, was unable to go to Devry, and I didn’t want the ordinary.

For Will, it all changes and his fantastic journey begins as he’s chosen to be the ranger’s apprentice. And I cheered inside. I knew it. He didn’t give up. We didn’t give up. And found what our skills were best suited for.

No list would be complete without the writer who changed my life. It was Jason’s blog (now turned into this book) that opened a whole new world of feminist history to me. 

The book is a collection of true stories of women from history who were probably a little too wild, too sketchy, or too murderous to make the Disney Princess cut. Each story is illustrated gorgeously and researched meticulously. It’s perfect for adults and also a great gift for any teenagers who you’d like to get more into history (because what teen doesn’t love the story of teen hell-raisers from the past?). 

Peter Gibbon has, at an emotional level, a magnificent capacity to admire heroes.  He provides snippets of many heroes’ lives and he savors their accomplishments. One of the most effective aspects of his book is his rejection of the modern anti-hero mentality that disparages heroes. “Biography today is rarely about greatness,” he writes. “At best, it displays a dispassionate balance. More often, it focuses on failure…and weakness and unveils the intimate life—slighting artistic accomplishment, scientific discovery, and political achievement. At worst, contemporary biographers self-righteously excoriate any hint of impurity, prejudice, sexism, or hypocrisy.” 

Unfortunately, a la many authors on the topic, he offers no rigorous definition of “hero” or “heroism.” He says: The definition of hero remains subjective. What is extraordinary can be debated. Courage is in the eye of the beholder. Greatness of soul is elusive.” Nevertheless, there is great value in his spirited accounts of numerous heroes.

Silencing Rebecca hooks the reader from the first page with the disturbing question, what happened to Rebecca? From the first line, “silence has swallowed her whole,” through jumps into the past and present, Rebecca journeys on a twisting, winding path of self-discovery, identity, and heartbreak. At once devastating and heartfelt, with prose that’s plainly spoken yet evocative, silencing Rebecca is a novel that stays with readers, long after the last word has been read.