100 books like The End of the World Running Club

My newspaper comic strip had just finished its run, and I was looking for my next big thing. That’s when I came across Diary of a Wimpy Kid.

The drawings were simple and hilarious, and the clever writing didn’t seem to be just for kids. Greg Heffley has this flawed prickly everyman edge which makes him easy to identify with. But as good as this book and series are, I was more impressed with the new way Jeff Kinney had found to sneak comics into chapter books. 

I taught primary school children for many years, including children with a variety of learning difficulties.

It just so happened that at the time I was reading The Curious Incident I was also teaching a young boy with autistic spectrum disorder. The main character in the novel, Christopher Boone, shared so many character traits with the boy in my class that I pictured him the whole way through.

It’s not easy to write about neurodivergent people, you have to get it right as the last thing you want to do is patronize or stereotype. In my opinion, the author did an incredible job. I laughed and I cried, and I’m sure you will do the same.

There is nothing more fun than a rag-tag group of kids living in a tree house and battling monsters, zombies, and whatever else bleeds into their dimension.

Max Brallier does an amazing job of tapping into a middle grader’s pituitary. What he squeezes out is a thrilling and hilarious roller-coaster of an adventure. Just writing this makes me want to take the ride all over again. And I didn’t even mention the art yet either.

Douglas Holgate draws monsters so cool, that they are often drool inducing. Seriously. Do a Google search if you don’t believe me.

The adventures of Asterix and Obelix focus on their wild skirmishes with the Romans. It’s a wonderful series of graphic books that help strengthen the imagination while sharing a comical twist on ancient history. I grew up with these books and they inspired me to draw—and ultimately become an author.

My writing career began as an illustrator, and I now use illustrations in all of my children and middle-grade books.

I can’t help but recommend the Asterix series because without it, I may not have taken the creative path I am on today. The illustrations (originally designed by Albert Uderzo) are probably the most detailed and original you’ll ever see. It was his wildly funny and eye-popping drawings that helped the books jump off the shelf every time I visited a book store.

The author (Rene Goscinny) pieced together the wonderfully funny historical adventures, making this series my all time… show more.

This book leans a bit more toward the literary fiction category than do most books I read these days, but it’s among my top five because of two elements it develops, and poignantly so: 1) the constant threat of death for not only the narrator but also others he knows, and 2) a love story.

And the love story, much as it got to me emotionally, never once struck me as sappy. Instead, it was very realistic. Very human. Very no-b.s. As a result, altogether, this novel offers terrific storytelling.

Purists might raise their brows at seeing this series included, but I would argue this manga is so deeply queer-coded it could not be omitted. Following a horrific epidemic, vampires rise from the shadows to enslave the remains of humanity. Reckless and stubborn, Yuichiro has made a home with his fellow orphans, led by sensitive and intelligent Mikaela. When their daring escape from the vampires ends in disaster, Yuichiro's dream of ridding the world of vampires is kept alive at a devastating price. The dynamic between Yu and Mika is perfectly balanced, infused with yearning almosts and bittersweet if-onlys. At the heart of the series, you’ll find a fierce determination to protect one’s chosen family, and an unapologetic commitment to sacrifice everything – even humanity – for the sake of love. 

During a group summer vacation on a beachy East Coast hideaway, the age-old dynamics of young vs. old—and the have-a-lots vs. the have-less—are in full play. The result sounds like any number of 20th-century American literary dramas, until it becomes clear that the disasters that loom are far larger than any single-family or community. Millet’s playful, snarky novel is a portrayal of what may come as the young realize how thoroughly older generations have sold out their future. The adults may be lost, but the kids are alright.

This novel takes place thirty years after a disease has reduced most of the human population to a primitive state. A thriller with exceptional action scenes and tension, the novel features two converging plotlines that are quests through South America and the southern United States when it is almost devoid of uninfected humans. As with a lot of post-apocalyptic novels the real villains of the story are other humans—their greed and need for control. While this book came out two years after mine, it resonated with me. The themes of trust run strong in both our novels, as well as lengthy stretches of landscape without any humans. 

Call me an end-of-days junkie; I won’t deny it. 

I have a twelve-story climbing rope in my storeroom in case the building catches fire. There’s a fire blanket in there and a go-bag, too. Talking about bomb shelters does something to my blood. Preparations excite me; maybe it’s a competitive streak. When I come face-to-face with disaster, I want the groundwork taken care of so I can focus on what’s important, like grabbing my children, our passports, and snacks for the road.

Reading this book was like living through the nightmare of my dreams. Communities came together, scrounging for food and water. Disaster after disaster was ingeniously avoided with other people’s refuse, raw brain power, and the occasional bullet. Man was pitted against man, and the only prize was survival. It was everything I needed to get a true appreciation of the bricks and mortar surrounding me and the covers… show more.

In 1968 I was a seventeen-year-old kid working in Manhattan. Getting off work each evening, I’d wander around the city. Can you imagine how much fun that would be for a young boy? One night, on 42nd Street, I found a movie theater showing an obscure, black-and-white movie called, Night of the Living Dead. The first thirty minutes, the audience laughed at the film, but as the movie rolled on, and the sense of dread about this group of strangers trapped together in a farmhouse, zombies outside trying to get inside, increased, the theater went silent. The director, George Romero, admitted in interviews his movie was inspired by I Am Legend. Near the end of his life, Romero, with Krauss, wrote this comprehensive history of the zombie apocalypse.