Here are 77 books that The Constant Rabbit fans have personally recommended if you like
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As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
An aspect of contemporary criticism I deeply despise is the inability of critics to take independent views of their subjects and be misled by matters like publicity and awards. Criticism is good for the arts but not necessarily for commercial interests and my own approach has been to provoke, even at the risk of becoming unpopular.
Epstein is a less-known writer and critic (in relation to the others) but he is witty and audacious in critiquing the most celebrated writers. The title of his book is provocative since it suggests that prejudices are natural but wanted as long as they are justified though argument, which is my preferred way of expressing myself.
In this collection of essays, the author of "The Middle of My Tether" considers the various influences upon writing in the recent past that have systematically lessened its glory
Reading certain texts in the Bible growing up began my love for all things supernatural. The more I studied the subject and understood the worldview of the biblical authors and of other ancient cultures, the more I began to see these scenes in vivid color. With my passion for theological study (personally and as part of a master’s program), my work as a police officer, and my love for fantasy fiction perfectly positions me to write stories in which deep supernatural elements intersect with the gritty and real space of everyday life.
Adeyemi’s book features wonderful powers and magic, all set in an epic setting.
The masterful way she writes, the supernatural world she paints, and her expert use of story elements all caused me to emote out loud in fits of “oh my god!”, “don’t do it!”, and “I can’t stand (insert person)!” while reading the book.
I’m always a sucker for writers who construct worlds in which powers fall into categories.
I love the idea of wondering which type of power would be best and which one would I want to have in real life.
Tomi Adeyemi conjures a stunning world of dark magic and danger in her West African-inspired fantasy debut Children of Blood and Bone. Winner of the Tonight Show Summer Reads with Jimmy Fallon.
They killed my mother. They took our magic. They tried to bury us. Now we rise.
Zelie remembers when the soil of Orisha hummed with magic. When different clans ruled - Burners igniting flames, Tiders beckoning waves, and Zelie's Reaper mother summoning forth souls.
But everything changed the night magic disappeared. Under the orders of a ruthless king, anyone with powers was targeted and killed, leaving Zelie without…
I am fascinated by how and why extremist thought enters the mainstream. It is what drew me to researching American fascist sympathizers in the 1920s and 1930s, and it is what scares me about the direction of politics in the United States today. When I am not hanging out with my family in Washington, DC, I am teaching in the American studies department at the University of Amsterdam. It’s a long commute, but my students make it worth it. I love to teach courses about protest traditions and democratic challenges in the United States in the twentieth century up until the present.
This book is both timeless and a product of a specific moment (the post-war era). First to the timeless stuff: the authoritarian personality that Adorno and his co-authors describe remains alive and kicking in 2022. He is obsessed with appearing tough, power-hungry, incapable of self-criticism, and presents himself as a victim of other peoples’ malfeasance. As for the more dated stuff, Freud lurks behind the authors’ interpretations; reading this book, I am struck by how differently post-war Americans understood gender and sexuality than we do today. This book poses searching questions about the extent to which authoritarianism and proto-fascism are ingrained in modern life.
What makes a fascist? Are there character traits that make someone more likely to vote for the far right? The Authoritarian Personality, written in the shadow of Fascism and the Holocaust, looked to analyse the rise of Fascism in Europe through the specific psychological traits that make people prone to authoritarianism. Based on extensive empirical studies of Americans conducted by a team which included the leading member of the Frankfurt School Theodor Adorno, The Authoritarian Personality ranked a range of character traits on what it called the 'F scale' (F for fascist). These included conventionalism, anti-intellectualism, superstition and occultism, power…
I am a former children’s librarian who writes books for children and young adults. I love history, especially black history. We didn’t get much in school when I was a child, so I’ve been catching up on some of what I missed. I am particularly drawn to under-told stories about people who deserve more recognition for their contributions. I’m proud that some of those people are members of my own family.
Based on actual slave documents, Ashley Bryan, through his accomplished paintings and poetry, imagines the lives of eleven men and women sold at auction in 1828. We learn the market prices of the eleven, but Bryan goes deep, showing us the true value of each unique individual. The soul and spirit of this lovely book lay in the astounding resilience, the survival of hope and dreams in the hearts and minds of these enslaved people. Amidst the ugliness of slavery, Bryan manages to leave me uplifted, even joyful — joyful about the unwavering human belief in and desire for freedom.
Imagine being looked up and down and being valued as less than chair. Less than an ox. Less than a dress. Maybe about the same as...a lantern.
You, an object. An object to sell.
In his gentle yet deeply powerful way, Ashley Bryan goes to the heart of how a slave is given a monetary value by the slave owner, tempering this with the one thing that CAN'T be bought or sold-dreams. Inspired by the actual will of a plantation owner that lists the worth of each and every one of his "workers", Bryan has created collages around that document,…
I’ve devoted my academic career and personal life to the limits and possibilities of white liberal approaches to civil rights reform. Trained in U.S. history and published in American Jewish history, I look closely at how ethnic groups and religious minorities interact with their racial and gender status to create a sometimes-surprising perspective on both history and our current day. At times powerful and at other times powerless, Jews (and other white ethnics) navigate a complex course in civil rights advocacy.
Another classic, Lipsitz’s book turns so many white-centered social justice assumptions on their heads. In chapters that explore incidents well known in American popular culture, and a 20th-anniversary edition that brings his subject to the current day, Lipsitz offers a much-needed correction to well-meaning social justice advocates.
George Lipsitz's classic book The Possessive Investment in Whiteness argues that public policy and private prejudice work together to create a possessive investment in whiteness that is responsible for the racialized hierarchies of our society. Whiteness has a cash value: it accounts for advantages that come to individuals through profits made from housing secured in discriminatory markets, through the unequal educational opportunities available to children of different races, through insider networks that channel employment opportunities to the friends and relatives of those who have profited most from past and present discrimination, and especially through intergenerational transfers of inherited wealth that…
I’ve published many books for children, but this one is truly special. The Everybody Club is a collaboration with my dear friend Linda Hayen in memory of her daughter, Carissa. As a child, Carissa started a real-life Everybody Club. The first members were toys, dolls, the family cat, and her brothers, one of whom had severe disabilities. Carissa died in a car accident at the age of 16, and this book is Linda’s way of sharing her daughter’s generous spirit with the world. A note for adults at the end of the book shares this backstory.
Kindness multiplies. These words (from the endnotes) come to life in the stirring story portrayed in I Walk With Vanessa: A Story About a Simple Act of Kindness. The new girl in school is bullied, but another girl’s decision to walk her to school creates a community outpouring of empathy—and joy. The story itself has no words, but the illustrations offer many opportunities for discovery and discussion. One of my all-time favorites!
This simple yet powerful picture book--from a New York Times bestselling husband-and-wife team--tells the story of one girl who inspires a community to stand up to bullying. The perfect back-to-school read for every kid, family and classroom!
Don't miss the companion book, I Forgive Alex, about the importance of compassion and forgiveness.
Inspired by real events, I Walk with Vanessa explores the feelings of helplessness and anger that arise in the wake of seeing a classmate treated badly, and shows how a single act of kindness can lead to an entire community joining in to help. By choosing only pictures…
In fifth grade, I chose to play the clarinet. After a lot of cracked reeds and squeaky notes, I switched to choir. I still love to sing! I love books that explore young people’s first experiences with music, whether it’s as a star or as a way to express one’s true self. Music takes many forms, and for me, that includes the arrangement of sounds in a sentence. When I write for young people, I look for the musicality of words, how they flow, and how variety can make a story pop. Try reading aloud your own work or a favorite book and listen to the rhythm of language.
Sometimes, a beautiful voice can be expressed through the spoken word rather than in song.
This is a lovely story about Amina, a twelve-year-old Pakistan American with perfect pitch. Amina’s best friend urges her to sign up for a solo, but Amina prefers to accompany on the piano.
I love that Hena Khan builds Amina’s acceptance of who she is! Uncle’s melodious reading of the Quran changes Amina’s attitude, and she and her brother agree to participate in a statewide Quran recitation competition.
But when their Islamic Center is vandalized, the community rallies, and Amina finds the courage to recite the opening verses at the competition.
It isn’t perfect, but what she wins is a new self-confidence to sing.
"For inspiring empathy in young readers, you can't get better than this book." -R. J. Palacio, author of #1 New York Timesbestseller Wonder
"Amina's anxieties are entirely relatable, but it's her sweet-hearted nature that makes her such a winning protagonist." -Entertainment Weekly
A Pakistani-American Muslim girl struggles to stay true to her family's vibrant culture while simultaneously blending in at school after tragedy strikes her community in this "compassionate, timely novel" (Booklist, starred review) from the award-winning author of It's Ramadan, Curious George and Golden Domes and Silver Lanterns.
As a former middle school language arts teacher, I’ve witnessed firsthand the struggles some students face trying to be accepted and the heartbreak they experience when they are not. Every child deserves to be seen and appreciated for who they are and not be excluded or ostracized due to factors over which they have little control. I write and promote picture books about friendship, acceptance, and inclusion because everyone deserves to be included…always.
Two things first drew me to this story. First, in our hall closet there is also a big umbrella—a big white, blue-striped umbrella which when opened is roomy enough for all our family members. Second, I love the metaphors in the book…the umbrella = shelter, rainy weather = troubles/hard times, and the variety of characters under the umbrella = family, friends, strangers, and the best part is no one is left out from beneath the umbrella as it simply gets bigger to accommodate everyone’s needs. What a compassionate, empathetic message of inclusion.
“A subtle, deceptively simple book about inclusion, hospitality, and welcoming the ‘other.’” —Kirkus Reviews
“A boundlessly inclusive spirit...This open-ended picture book creates a natural springboard for discussion.” —Booklist
“This sweet extended metaphor uses an umbrella to demonstrate how kindness and inclusion work...A lovely addition to any library collection, for classroom use or for sharing at home.” —School Library Journal
In the tradition of Alison McGhee’s Someday, beloved illustrator Amy June Bates makes her authorial debut alongside her eleven-year-old daughter with this timely and timeless picture book about acceptance.
By the door there is an umbrella. It is big. It is…
A reader. A librarian. A writer. I majored in History/English in college, partly because I love historical novels. When my editor asked that my second book be set during the California Gold Rush, I knew I wanted to write from the Mexican point of view - I’m a quarter Mexican. I soon found myself deep in research, learning about those years when Mexico owned what is now the American Southwest. Writing Daughter of Madrugada left me wondering: were some of my own ancestors displaced by American encroachment?
This is one of the funniest, and saddest, books ever. When Kenny starts telling the story, it’s dead winter in Flint. Michigan. Cold enough to make your spit freeze. Momma, who grew up in Alabama, begins yearning for the South. By reputation, Momma’s momma is the strictest, meanest grandma ever. Kenny - who’s never met her - decides Grandma Sands must look like a troll. Dad and Momma decide that Grandma Sands is the perfect person to straighten out big brother Byron, who shows signs of turning into a juvenile delinquent. So... Join the Watsons. Get in their car (also known as the Brown Bomber), listen to the tires roll onto I-75, and imagine what’s going to happen when Byron meets his doom.
Celebrate the 25th anniversary of the Newbery and Coretta Scott King Honoree about an unforgettable family on a road-trip during one of the most important times in the civil rights movement.
When the Watson family-ten-year-old Kenny, Momma, Dad, little sister Joetta, and brother Byron-sets out on a trip south to visit Grandma in Birmingham, Alabama, they don't realize that they're heading toward one of the darkest moments in America's history. The Watsons' journey reminds us that even in the hardest times, laughter and family can help us get through anything.
I am the author of several novels—in addition to the one featured here, Impact, It Wasn't Enough (Finalist for the Eric Hoffer Award), Exile, and What Happened to Tom (on Goodreads' "Fiction Books That Opened Your Eyes To A Social Or Political Issue" list).I was a columnist for The Philosopher Magazine for eight years, PhilosophyNow for two years, and the Ethics and Emerging Technologies website for a year ("TransGendered Courage" received 35,000 hits, making it #3 of the year, and "Ethics without Philosophers" received 34,000 hits, making it #5 of the year), and I've published a collection of think pieces titled Sexist Shit that Pisses Me Off.
Although I endorse Rothblatt's ideal of a sex-irrelevant society, I think he fails to fully comprehend the subordination by sex that females currently experience. And if he hadn't been so rich (like Jenner), he might not have voluntarily become a member of that sexed underclass. (I suspect his money has largely insulated him from the negative effects of being perceived as a woman.) That said, this 1995 book is a pioneering classic. (Though I think the subtitle should have been "A Manifesto on the Freedom from Gender" — not " A Manifesto on the Freedom of Gender".)
Rothblatt makes a case for the adoption of a new sexual model that accommodates every shade of gender identity. She reveals that traditional male and female roles are dictated neither by genetics, genitals, nor reproductive biology, but rather by social attitudes that originated in early patriarchal cultures and that have been institutionalized in modern law, and she calls a new acceptance of human sexuality in all its prismatic variety. 10 charts.
