Here are 100 books that The Confessions of Jean-Jacques Rousseau fans have personally recommended if you like
The Confessions of Jean-Jacques Rousseau.
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Fiona Sampson is a leading British poet and writer, a Fellow of the Royal Society of Literature, awarded an MBE for services to literature. Published in thirty-seven languages, she’s the recipient of numerous national and international awards. Her twenty-eight books include the critically acclaimed In Search of Mary Shelley, and Two-Way Mirror: The life of Elizabeth Barrett Browning, and she’s Emeritus Professor of Poetry, University of Roehampton.
Simone de Beauvoir’s Memoirs of a Dutiful Daughter is a classic. First published in France in 1958, it’s the opening volume of an autobiographical trilogy. This exploration of the childhood and young womanhood that created the world-famous writer and intellectual is compendious, descriptive – and alert at every turn, as befits the mother of existentialism, to how the emerging psyche understands the world around it.
“[Beauvoir’s] graciously written memoirs carry distinct appeal in recording the emotional and intellectual birth pangs of a fascinating woman.” —Time
A superb autobiography by one of the great literary figures of the twentieth century, Simone de Beauvoir's Memoirs of a Dutiful Daughter offers an intimate picture of growing up in a bourgeois French family, rebelling as an adolescent against the conventional expectations of her class, and striking out on her own with an intellectual and existential ambition exceedingly rare in a young woman in the 1920s.
Beauvoir vividly evokes her friendships, love interests, mentors, and the early days of the…
With over 20 years of experience as a professional artist and a successful track record of earning six figures a year from my art, I know firsthand what it takes to build a thriving artistic career. As the host of the Inspiration Place podcast, and founder of the Artist Incubator program, I’ve dedicated my life’s work to helping artists everywhere achieve their full potential and reach their goals. When you overcome the common challenges and mindset blocks that hold so many artists back and learn the practical tools and strategies you need for selling your art, you too find the same success.
This is an in-depth and well-researched exploration of the abstract expressionist movement, with a particular focus on the female artists who played a crucial role in shaping the movement. This book offers a fresh perspective on a significant period in the history of modern art and provides readers with a deeper understanding of the contributions made by women artists during this time. What I liked most about this book was the spotlight it shines on the critical role of key female artists in the abstract expressionist movement, who often get overlooked in traditional art historical narratives. Overall, Ninth Street Women is a must-read for anyone interested in learning about the groundbreaking contributions of female artists in the 20th century, and the impact of the abstract expressionist movement on contemporary art.
NINTH STREET WOMEN is the impassioned, wild, sometimes tragic, always exhilarating story of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they painted, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and groundbreaking artists to come.
They include Lee Krasner and Elaine de Kooning, whose careers were at times overshadowed by the fame of their husbands, Jackson Pollock and Willem de Kooning, but who emerged as stunning talents in their own right, as well as a younger…
Elizabeth Buchan began her career as a blurb writer at Penguin Books. She moved on to become a fiction editor at Random House before leaving to write full-time. Her novels include the award-winning Consider the Lily, The Museum of Broken Promises, and the international bestseller, Revenge of the Middle-Aged Woman, which was made into a CBS Primetime Drama. Elizabeth’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for The Times, the Sunday Times, and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She has been a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award.
I first read this many years ago and it has stayed with me. Every so often, I return to it in order to immerse myself in its wonderful prose and insights. It combines travelogue with biography, detective work with a probing inner exploration and is both an account of a physical journey and a remap of the writer’s imagination. He begins with his homage to Robert Louis Stevenson’s Travels with a Donkey and describes his own trek over the Cevennes. He starts out with the idea that he will be a poet and finishes his walk having been led "far away into the undiscovered land of other’s men and women’s lives. It led towards biography."
It is the turning point of his life and for the remainder of the book – as he hunts down his subjects which include Mary Wollstonecraft, Shelley, Gerard de Nerval, and Gautier – he goes…
Richard Holmes knew he had become a true biographer the day his bank bounced a check that he had inadvertently dated 1772. Because for the acclaimed chronicler of Shelley and Coleridge, biography is a physical pursuit, an ardent and arduous retracing of footsteps that may have vanished centuries before.
In this gripping book, Holmes takes us from France’s Massif Central, where he followed the route taken by Robert Louis Stevenson and a sweet-natured donkey, to Mary Wollstonecraft’s Revolutionary Paris, to the Italian villages where Percy Shelley tried to cast off the strictures of English morality and marriage. Footsteps is a…
Fiona Sampson is a leading British poet and writer, a Fellow of the Royal Society of Literature, awarded an MBE for services to literature. Published in thirty-seven languages, she’s the recipient of numerous national and international awards. Her twenty-eight books include the critically acclaimed In Search of Mary Shelley, and Two-Way Mirror: The life of Elizabeth Barrett Browning, and she’s Emeritus Professor of Poetry, University of Roehampton.
Drusilla Modjeska’s Stravinsky’s Lunch is an absolutely original study of art and life. Its starting and finishing points are the contrasting lives of two major Australian artists, Stella Bowen and Grace Cossington, born twelve months apart in the 1890s. Don’t be put off if you’ve never heard of them (though their work is wonderful). This brilliant book involves its author – and even the reader – in an untricksy but radical look at the self who makes.
A moving, deeply insightful study of two artists-both twentieth-century Australian women-who lived and worked in divergent realms
Drusilla Modjeska's title derives from an anecdote about the composer who, while creating a piece of music, ordered his family to remain silent while taking a meal with him-so Stravinsky could preserve his concentration on his work. Modjeska's book investigates the life patterns of women artists, most of whom have been unable to manage such a neat compartmentalization of daily life and creativity.
Stravinsky's Lunch tells the stories of two extraordinary women, both born close to the turn of the century in Australia…
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
This book about rebels itself rebels against historians such as Abrams, who view Romanticism as a single movement unified by an expressive theory of art.
Instead, Butler argues, there are many different sorts of Romantics, and they are best understood not through theories of art but through "the fierce personal and artistic politics of an age in the midst of profound change." That Age of Revolution had begun in the 1760s, and the ordering of the arts reflects debates about the social standing of the arts, not any consensus. Butler relishes these conflicts.
She pays attention to the groundswell of "art for the people" as well as "the war of the intellectuals," and she is not afraid to embrace the chaos and complications that thwart any effort to paint all arts and artists with one brush.
The Age of Revolutions and its aftermath is unparalleled in English literature. Its poets include Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats; its novelists, Jane Austen and Scott. But how is it that some of these writers were apparently swept up in Romanticism, and others not? Studies of Romanticism have tended to adopt the Romantic viewpoint. They value creativity, imagination and originality - ideas which nineteenth-century writers themselves used to promote a new image of their calling. Romantics, Rebels and Reactionaries puts the movement in to its historical setting and provides a new insight in Romanticism itself, showing that one…
I’m not a trained historian (I received my B.S. in geology and spent my career in commercial banking). However, I grew up in Europe during the 1960s and developed a passion for history. I learned to write as a banker back in the “good old” days. I enjoyed it so much that I told myself, “One day, I'm going to write a book.” Well, that day came in Nashville when I was running a small company. Then I found Leonard Pitt’s book called Walks Through Lost Paris. As we walked through the streets of Paris, I turned to my wife and said, “I can write a book like this.” And so I did.
Women played a major role in the French Revolution. Providing fuel for the core of the revolution, the female sans-culottes, poissardes, and other working-class women were instrumental in shaping the events and opinions of the revolutionaries such as Robespierre and Danton.
During the revolution, prominent women became agitators, hosted politically influential salons, led several major revolutionary clubs, wrote contemporary political position papers, organized and led women in para-military groups, and murdered key revolutionaries. The women of the French Revolution were no “shrinking violets.”
Ms. Stephens’s book is an excellent introduction to the various women who influenced the revolutionaries on a day-to-day intellectual basis. Madame Guillotine did not discriminate by gender⏤many of these women ultimately lost their heads.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
In my research and teaching, I have long been fascinated with the effects of the French Revolution on France, Europe, and the broader world. In my most recent book, Our Friends the Enemies, I sought to examine the aftermath of the wars provoked by the Revolution, which lasted (with only two short breaks) from 1792 to 1815. In particular, I wanted to reconstruct the story—which had long been overlooked by historians—of the occupation of France by the Allies who defeated Napoleon. Lasting from 1815 to 1818, this occupation was the first modern peacekeeping mission, with profound consequences for the history of France and Europe in the nineteenth century and beyond.
It is widely accepted that the French Revolution would not have occurred without the preceding Enlightenment. But what exactly was the Enlightenment? In this now classic study, Robert Darnton broadened the perspective on this question, to examine the writers, publishers, booksellers, peddlers, and smugglers responsible for the circulation of “enlightened” ideas. Often operating illegally underground or even abroad in “Grub Street,” these producers and distributors of Enlightenment played a key role in subverting the Old Regime centered on monarchy, Church, and aristocracy, which would come crashing down in 1789.
Robert Darnton introduces us to the shadowy world of pirate publishers, garret scribblers, under-the-cloak book peddlers, smugglers, and police spies that composed the literary underground of the Enlightenment.
Here are the ambitious writers who crowded into Paris seeking fame and fortune within the Republic of Letters, but who instead sank into the miserable world of Grub Street-victims of a closed world of protection and privilege. Venting their frustrations in an illicit literature of vitriolic pamphlets, libelles, and chroniques scandaleuses, these "Rousseaus of the gutter" desecrated everything sacred in the social order of the Old Regime. Here too are the workers…
I’ve worked in the field of metrology for over 40 years, and I love this field of science. During these many years, I realized that instruments have become an often invisible but always present part of our lives and, if we learn to use them correctly, they can improve our lives, while, on the contrary, if we trust them more than we should, they can easily ruin our lives. For this reason, I like to explore also the philosophical implications of metrology and how it can help justice to render fair decisions and I love to share my passion with other people.
When I introduce measurements to my students, I talk about “an exciting adventure across centuries.” I love this book because it tells the long history of measurement, starting from prehistory and arriving at our days as if it were a true, fantastic adventure humankind has lived since the beginning of its existence.
This is not a technical book, nor a book of history, in a strict sense. It is written by a journalist as an adventure novel, telling the story of a fantastic journey across generations to build our present knowledge.
I read it as a novel, eager to discover the next adventure, always discovering players and facts I ignored.
From the cubit to the kilogram, the humble inch to the speed of light, measurement is a powerful tool that humans invented to make sense of the world. In this revelatory work of science and social history, James Vincent dives into its hidden world, taking readers from ancient Egypt, where measuring the annual depth of the Nile was an essential task, to the intellectual origins of the metric system in the French Revolution, and from the surprisingly animated rivalry between metric and imperial, to our current age of the "quantified self." At every turn, Vincent is keenly attuned to the…
Historical novels, movies, and TV shows have captured my interest even as a child since the Little House books by Laura Ingalls Wilder and A Little Princess by Frances Hodgson Burnett. My love of history has sent me into historic schoolhouses, churches, castles, pirate ships, ancient Roman spas and aqueducts, and other historical sites at home and in England, Spain, and Portugal, as well as pouring over journals, biographies, and non-fiction research books. My first love is Regency England, but I have a fascination for history of all eras and countries. My passion and fascination for detail have been the driving force behind my twenty-four published Regency romances and hundreds of articles and blog posts.
A fun twist on one of my favorite historical tales,The Scarlet Pimpernel, this novel portrays the elusive hero as a brilliant, determined woman. The cast of characters is full and well-developed, including a dashing hero worthy of our heroine’s love. This story is beautifully written, has plenty of twists and turns, heart-melting romance, and a delightful happily ever after.
The roads in and out of Paris are heavily guarded, but the dead have easy passage out of the city. A ragged old woman transports the coffins of the most recent victims of the guillotine and is waved on unimpeded. Later, the same crone watches five French aristocrats step out of their coffins unscathed. Not beheaded, but spirited away to safety by that most elusive of spies: the Pimpernel. Or, as she’s known in polite society, Lady Scarlet Cavendish.
When not assuming her secret identity as a hero of the French Revolution, Scarlet presents herself as a fashionable, featherbrained young…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
This is very much the oldest of my choices, and there are some great recent books on Scotland in the 1790s, but for me, this one still stands up for detail, excitement, clarity, and pace.
I live in Edinburgh, where much of the central action in this book takes place—there were radical reform societies all over Lowland Scotland in the 1790s, but they sent delegates to national conventions in Edinburgh, and Edinburgh was where many of the state trials for treason and sedition took place.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
