Here are 79 books that The Complete Poems of Emily Dickinson fans have personally recommended if you like
The Complete Poems of Emily Dickinson.
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I am on a self-discovery journey, and each day, I discover more of why I am here on earth. The books I mentioned all have themes related to the human condition. I write to express what I understand. I love writing about characters and their journeys. I love all animals, and dogs are a great comfort. I’d like to see animal abuse come to an end in my lifetime. I write about people who have fallen from great heights and how saving animals and others in need saves them. We need to love more.
I loved the arduous human journey that became a great spiritual one. It was about how Buddha became Buddha. That can only happen when one goes beyond their own comforts and reaches within for faith to continue to understand yourself and others. This book deeply influenced my writing and my life.
Here the spirituality of the East and the West have met in a novel that enfigures deep human wisdom with a rich and colorful imagination.
Written in a prose of almost biblical simplicity and beauty, it is the story of a soul's long quest in search of he ultimate answer to the enigma of man's role on this earth. As a youth, the young Indian Siddhartha meets the Buddha but cannot be content with a disciple's role: he must work out his own destiny and solve his own doubt-a tortuous road that carries him through the sensuality of a love…
The first time I left home, at 21, I ran out of money after three months, but I was so dead set on staying abroad that I pushed on. I ended up being gone for 18 months and traveled through 40 countries. Before I turned 30, I completed 10 six-month trips abroad, each with a long overland journey built-in, and hit close to 100 countries. Most of my travel was in the last decade before cell phones and the internet. I’ve been a member of The Explorers Club for twenty+ years and chair its Southwest Chapter.
I reread this book once a decade, and each time, I get more out of it. It follows a man named Larry Darrell who searches for a deeper meaning to life—spiritual enlightenment.
It’s a wonderful book, and I am sure it has inspired others to look a little deeper into what they hold important. I empathized with Larry’s disenchantment with the “good” life, and I felt, at times, I could glimpse his elusive goal within Larry's story.
The fact that it entailed giving up all possessions and hitting the road seemed perfect to me.
Larry Darrell is a young American in search of the absolute. The progress of this spiritual odyssey involves him with some of Maugham's most brillant characters - his fiancee Isabel, whose choice between love and wealth have lifelong repercussions, and Elliot Templeton, her uncle, a classic expatriate American snob. The most ambitious of Maugham's novels, this is also one in which Maugham himself plays a considerable part as he wanders in and out of the story, to observe his characters struggling with their fates.
The first person I ever trusted in the world was a high-school English teacher, a woman named Margaret Muth. She plucked me out of a trash-can, literally and figuratively. When I was seventeen years old, she told me: “Books will teach you. They will help you. Choose books the way you choose the risks you take in life: do it patiently, thoughtfully. Then give yourself to them with a whole heart. This is how you learn.” This is one sentence, from one teacher, given to a teenager of decidedly crude and primitive material—one sentence that changed his whole life for the better. Bless her.
It is something of a commonplace that the most important subjects in life are somehow the least amenable to the long essay. Where are the great books on love, grace, revelation, understanding, or peace?
And what about childhood? Everyone has one, and many people want to be parents, but where are the transformative and indispensable books on this subject? Now we have one, at last, this capacious, passionate, searching, learned book, by one of the most gifted prose stylists writing in English in the present day. It’s beautiful to read, and essential for our cultural moment.
While traveling the world in order to write her award winning book Wild, Jay Griffiths became increasingly aware of the huge differences in how childhood is experienced in various cultures. One central riddle, in particular captured her imagination: why are so many children in Euro-American cultures unhappy – and why is it that children in traditional cultures seem happier?
In A Country Called Childhood, Griffiths seeks to discover why we deny our children the freedoms of space, time and the natural world. Visiting communities as far apart as West Papua and the Arctic as well as the UK, and delving…
The first person I ever trusted in the world was a high-school English teacher, a woman named Margaret Muth. She plucked me out of a trash-can, literally and figuratively. When I was seventeen years old, she told me: “Books will teach you. They will help you. Choose books the way you choose the risks you take in life: do it patiently, thoughtfully. Then give yourself to them with a whole heart. This is how you learn.” This is one sentence, from one teacher, given to a teenager of decidedly crude and primitive material—one sentence that changed his whole life for the better. Bless her.
An extraordinary book by an extraordinary woman. Saira Shah recounts her journeys in Pakistan and Afghanistan, in the context of her upbringing in a family with deep roots in the region. She is on the ground during the rise of the Taliban and the fight against the Russian occupation, and the story is hair-raising, enlightening, revelatory, informed, and insightfully detailed. Ms. Shah went on to make the celebrated documentary Beneath the Veil, risking her life daily to shoot video during the first phase of Taliban control. Unforgettable, and indispensable for understanding Afghanistan.
Imagine that a jewel-like garden overlooking Kabul is your ancestral home. Imagine a kitchen made fragrant with saffron strands and cardamom pods simmering in an authentic pilau. Now remember that you were born in London, your family in exile, and that you have never seen Afghanistan in peacetime.
These are but the starting points of Saira Shah’s memoir, by turns inevitably exotic and unavoidably heartbreaking, in which she explores her family’s history in and out of Afghanistan. As an accomplished journalist and documentarian–her film Beneath the Veil unflinchingly depicted for CNN viewers the humiliations forced on women under Taliban rule–Shah…
The first person I ever trusted in the world was a high-school English teacher, a woman named Margaret Muth. She plucked me out of a trash-can, literally and figuratively. When I was seventeen years old, she told me: “Books will teach you. They will help you. Choose books the way you choose the risks you take in life: do it patiently, thoughtfully. Then give yourself to them with a whole heart. This is how you learn.” This is one sentence, from one teacher, given to a teenager of decidedly crude and primitive material—one sentence that changed his whole life for the better. Bless her.
A book about a saint of the eighth century, whose life and declarations offer an in-depth and clear portrait of the Sufi path. Her miracles were casual and instrumental, her encounters serve for all of us as material for reflection, and her sayings are beautiful and transformative of the mind. Two examples: “I will not serve God as a laborer, in expectation of my wages.” And “Lord, if I worship you from desire for Paradise, deny me Paradise; if I worship you from fear of Hell, cast me into Hell.”
Born in Basra in the 8th century of an impoverished family, orphaned and sold into slavery, Rabia al-Adawiyya, rose to become one of the greatest Sufi teachers. An extraordinary kaleidoscope of myth and reality, of imagination and fact... is it not of importance that a woman of such stature and independence of mind existed so early in the story of Islam, to show what women could be, and how they could be regarded?
The first person I ever trusted in the world was a high-school English teacher, a woman named Margaret Muth. She plucked me out of a trash-can, literally and figuratively. When I was seventeen years old, she told me: “Books will teach you. They will help you. Choose books the way you choose the risks you take in life: do it patiently, thoughtfully. Then give yourself to them with a whole heart. This is how you learn.” This is one sentence, from one teacher, given to a teenager of decidedly crude and primitive material—one sentence that changed his whole life for the better. Bless her.
This rare book is a collaboration between Ms. Sabella, an artist, and Rosemerry Trommer, a poet. A series of drawings, all distinct and all of three lines only, are given corresponding three-line poems, and the result is enlivening, mischievous, moving, full of insight and subtlety, and graced with declarations of love and startling bolts of beauty. It’s a short book and it’s a most excellent companion and a gentle powerhouse.
Poetry. Art. Illustrated by Jill Sabella. EVEN NOW pares Rosemerry Wahtola Trommer's expansive work down to three lines, each paired with a spare 'japanese-style' brush-stroke drawings by artist Jill Sabella. The image-poem pairs float on the page and evoke fundamental thoughts, feelings of long ago, bonfires burning out of control, tough hope, and the possibility of Spring.
"I like this book a lot, EVEN NOW, by Rosemerry Trommer & Jill Sabella. It shows some of their wonderful talent. And the title- poem brings to mind a Rumi translation that I feel is of such worth it may someday appear in…
It took me awhile to understand that I was on a spiritual path. I started out as an actor, and working in the theater brought me joy. But as time passed, and I turned to writing novels, the same questions kept emerging: “Who am I?” “Why am I here?” I began to see that I was on a spiritual journey. With A Poet of the Invisible World, I finally felt ready to write about that journey. Nouri’s adventures chart the twists and turns—as well as the deep rewards—of the spiritual path. It’s a book that’s very close to my heart.
There are no other poems like Rainer Maria Rilke’s Duino Elegies. Lyrical and intense, they express the poet’s struggle with existence, and his deep belief in the transformative power of suffering. Rilke asks the question that all spiritual seekers ask: “Look, I live. And for what?” He offers the answer that we live to strengthen the soul. In the Duino Elegies, Rilke encourages the reader to use his or her suffering to become closer to God. Reading his work helps the seeker to understand that the spiritual journey is on a larger scale than that of one’s fleeting life.
Who, if I cried out, would hear me among the angelic orders? and even if one of them pressed me suddenly to his heart: I'd be consumed in that overwhelming existence. For beauty is nothing but the beginning of terror, which we can just barely endure, and we stand in awe of it as it coolly disdains to destroy us. Every angel is terrifying. -from "The First Elegy"
Over the last fifteen years, in his two volumes of New Poems as well as in The Book of Images and Uncollected Poems, Edward Snow has emerged as one of Rainer Maria…
I was 5 when I saw my grandfather die. He drank morphene from a bottle, to stop his cancer pains, and soon after he stopped breathing. In the silent peace that followed, I realized that I too shall die one day, and life on earth will continue. The questions, Who am I? Where do I come from?What am I doing here? andWhere will I go when I die?felt like the most important questions to find answers to before I die. The book,In Search of the Miraculous: Healing into Consciousness,was writtenfifty years later, and is the fruit of my search and discovery of answers to these questions.
I was 25 when I came across a well-known book by P.D. Ouspensky, In Search of the Miraculous: Fragments of an Unknown Teaching.
This book is based on the teachings of a spiritual teacher Georges Gurdjieff. Reading this book was a turning point in my life. It gave me hope and direction, and revived my quest in self-discovery.
This book is a delightful must-read for anyone who is searching to find life’s meaning and familiarize themselves with an esoteric understanding of life.
I write historical fiction set in New England and based on the lives of real people. My New England roots go back to the 1630s when my English ancestors first came to the region so I’m steeped in its traditions and literature. I love doing the research for my books, especially when my characters lead me in new directions. I spent ten years digging into the conflict between the Puritans and the indigenous Natives and in the process discovered a largely forgotten story that has long-lasting implications for our day.
When Caleb’s Crossing came out I couldn’t wait to read it. Not only was it written by one of my favorite authors, it was inspired by a true story and set in the same place and time period as the novel I was working on. Brooks’ depiction of the love between a Puritan minister’s daughter and the son of a Wampanoag leader is fraught with tension as two very different cultures collide. The novel brings to life the forces driving the conflict through the characters of Bethia and Caleb as they struggle to navigate a perilous time and the looming prospect of war.
A bestselling tale of passion and belief, magic and adventure from the author of The Secret Chord and of March, winner of the Pulitzer Prize.
Bethia Mayfield is a restless and curious young woman growing up in Martha's vineyard in the 1660s amid a small band of pioneering English Puritans. At age twelve, she meets Caleb, the young son of a chieftain, and the two forge a secret bond that draws each into the alien world of the other. Bethia's father is a Calvinist minister who seeks to convert the native Wampanoag, and Caleb becomes a prize in the contest…
In my writing about science, I am always keen to include the artistic and literary dimension that links the science to the broader culture. In Huygens, a product of the Dutch Golden Age, I found a biographical subject for whom it would have been quite impossible not to embrace these riches. This context – including painting, music, poetry, mechanics, architecture, gardens, fashion and leisure – is crucial to understanding the life that Huygens led and the breakthroughs he was able to make.
His earlier and best-known book, The Embarrassment of Riches, may offer a more comprehensive synopsis of the culture of the Dutch Republic’s Golden Age, including everything from the fashions, drinking and dice games that paradoxically thrived amid the strictures of Calvinism to the interpretations placed on passing natural events such as comets in the sky or the appearance of a whale on the beach. But Schama here gives us a loving and humane portrait of its greatest artist, doing in words what Rembrandt did in paint for his subjects, presenting his humanity with truth and dignity enlivened by inimitable splashes of colour and brilliant strokes of the pen. Using the paintings themselves as his window, Schama allows us not only to see back in time to this astonishing period, but to view it as those who lived through it must have seen it.
This dazzling, unconventional biography shows us why, more than three centuries after his death, Rembrandt continues to exert such a hold on our imagination. Deeply familiar to us through his enigmatic self-portraits, few facts are known about the Leiden miller's son who tasted brief fame before facing financial ruin (he was even forced to sell his beloved wife Saskia's grave). The true biography of Rembrandt, as Simon Schama demonstrates, is to be discovered in his pictures. Interweaving of seventeenth-century Holland, Schama allows us to see Rembrandt in a completely fresh and original way.
