Here are 100 books that The Collector fans have personally recommended if you like
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Even before recently becoming a dad, I was passionate about reducing the risks of nuclear war. I am also firmly committed to pursuing—yet never fully knowing—the answers when it comes to achieving that. I think that trying to figure out why things happened as they did in the Cold War can sometimes help illuminate partial answers. The late Michael Krepon referred to the period 1985–1992 as the high tide of nuclear agreements and risk reduction, and I retain optimism that it can happen again. Deterrence is equally important. I have spent the past decade working on historical projects covering national security and negotiating sides of the Cold War equation.
I love this book because it tells the story of individuals working on a complicated and unprecedented problem. In December 1991, an independent Ukraine suddenly became the state with the third-largest nuclear arsenal in the world. What should its leaders do? Forever after, political scientists have debated a question in the abstract: “Should Ukraine keep its nukes”?
After Russia’s partial invasion in 2014 and full-out invasion in 2022, the question was, “Should Ukraine have kept its nukes?” And Budjeryn does a fantastic job demonstrating how the reality was far more complicated than that framing. It was a messy path to the 1992 Lisbon Protocol and 1994 Budapest Memorandum, by which Ukraine joined the 1968 Nuclear Non-Proliferation Treaty and the 1991 START agreement.
Budjeryn focuses on the human element and an era of uncertainty. I commend this book to anyone who concludes from Russia’s brutality in Ukraine: this is a…
The collapse of the Soviet Union unleashed the specter of the largest wave of nuclear proliferation in history. Why did Ukraine ultimately choose the path of nuclear disarmament?
The collapse of the Soviet Union in 1991 left its nearly 30,000 nuclear weapons spread over the territories of four newly sovereign states: Belarus, Kazakhstan, the Russian Federation, and Ukraine. This collapse cast a shadow of profound ambiguity over the fate of the world's largest arsenal of the deadliest weapons ever created. In Inheriting the Bomb, Mariana Budjeryn reexamines the history of nuclear predicament caused by the Soviet collapse and the subsequent…
I have loved espionage and crime thrillers—beach reads and lit fiction—since my early teens. If the plots involve ordinary people being pulled into extraordinary events with action and romance, then I’m hooked. I have studied Ian Fleming and James Bond and have taught university classes on the subject. I believe that we can learn a lot about our culture, society, and human nature from a well-written novel. I enjoy the flexibility the genre allows and I have added resonant events, history, music, and connections to my Welsh homeland in my novels.
I am intrigued by espionage plots that involve amateur spies and Ambler, inspired by the earlier gentleman spy genre, excelled at placing ordinary people in extraordinary situations. Ambler does this superbly in Cause with his main protagonist Nicholas Marlow, a down-on-his luck engineer, finds himself pulled into a deadly spy plot in pre-war fascist Italy. Ambler’s plotting is taut and engaging—more so given when it was written and the subject matter. Along with his rather naïve, romantic Marlow there are Fascist secret police, Nazi agents, and Soviet spies—who are actually the forces of good—(remember the time and the European situation!) Ambler’s influence on the post war espionage thriller writers is pretty clear here. Fleming even namechecks him, having Bond read Ambler’s Mask of Dimitrious (also a great book) in From Russia With Love.
Nicky Marlow needs a job. He’s engaged to be married and the employment market is pretty slim in Britain in 1937. So when his fiancé points out the Spartacus Machine Tool notice, he jumps at the chance. After all, he speaks Italian and he figures he’ll be able to endure Milan for a year, long enough to save some money. Soon after he arrives, however, he learns the sinister truth of his predecessor’s death and finds himself courted by two agents with dangerously different agendas. In the process, Marlow realizes it’s not so simple to just do the job he’s…
It’s common to talk about why you love the subject you research. I have no love for nuclear weapons. They are, however, central to understanding international politics since 1945. The nuclear age is one of inconsistencies. Nuclear weapons drive many crises but may make major wars between nuclear states less likely. They generate reassurance and anxiety among allies in almost equal measure. The books in this list all grapple with the nuclear shadow’s shape and scale. Most combine an analytical framework with historical study, but all are attuned to theory and strategy. As for me, I’m an associate professor at Virginia Tech, where I research and teach on international relations.
It’s hard to overstate just how influential Marc Trachtenberg’s A Constructed Peace, and really all of his writing, has been on my thinking. I constantly return to its pages and find fresh insights each time. I’m drawn in by the writing style, but the substance is even more impressive. The book—examining British, French, Soviet, West German, and U.S. policy—was what first opened my eyes to the centrality of Germany and debates on nuclear control in the origins and evolution of the Cold War. U.S. efforts to offset the Soviet challenge and reduce the U.S. continental commitment by reviving West Germany and then essentially providing it with nuclear weapons contributed to some of the Cold War’s most dangerous crises.
Aiming to unravel events leading to the Cold War, this book argues against the theory that it was a simple two-sided conflict between America and Russia. The author contends that the German question, especially in the nuclear field, was largely responsible, and a relatively stable peace took shape only when these issues were resolved. The book should be of interest to students of the Cold War, those concerned with the problem of war and peace, and in particular with the question of how a stable international order can be constructed.
I am a great African-American writer because I have not spent eons in jail (taught writing classes there), never been shot by the police (yet), and I have a number of interesting books for sale ranging from Urban, Erotic, Science-Fiction, Fiction and Pan-African Occult. My books have been used in writing classes in colleges, universities, and prisons. I was one of the panelists for Professor Justin Gifford's presentation at the Modern Language Association Conference at the Hilton, LA Live. Also, I participated in a California State University, Dominguez Hills (CSUDH) event, celebrating the 50th Anniversary of the “Watts Rebellion”. I have agreed to let this university archive my works.
This Cretan writer, who is most often identified as a Greek, asks us to probe our deepest identity, to be honest with ourselves. I think that that should be the first premise of an honest writer…an honest person. When you are born you are told early what to believe. Why you should believe. Who you and what you should believe or not believe in. At some point in your own life, you must resolve what you yourself accept for your own belief system. You should determine what is or is not important to you. Only then can you live YOUR LIFE.
Kazantzakis's autobiographical novel Report to Greco was one of the last things he wrote before he died. It paints a vivid picture of his childhood in Crete, still occupied by the Turks, and then steadily grows into a spiritual quest that takes him to Italy, Jerusalem, Paris, Vienna, Berlin, Russia and the Caucasus, and finally back to Crete again. At different times Nietzshe, Bergson, Buddha, Homer and Christ dominate as his spiritual masters.
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
A novel about a young woman who worked on the atomic bomb and fell in love with one of the other scientists on the project who breaks her heart into a million pieces so she abandons her career and takes up as a shop-girl? Add in an FBI agent who is on the tail of the cad and wants her help in finding him? Count me in!
Fields is terrific at creating mood and the 1950s milieu. And the unexpected romance between Rosalind, the one-time scientist, and Charlie, the FBI agent, is both moving and immensely satisfying—these are two wounded souls who manage to find each other and by the end, you’re out of your chair and cheering.
The stunning novel about our fiercest loyalties, deepest desires and the power of forgiveness
'A highly-charged love story' DELIA OWENS, bestselling author of WHERE THE CRAWDADS SING
'This story has everything. Just thinking about it makes me feel that lovely feeling where your heart seems to skip a beat' 5***** Reader Review ________
Chicago, 1950: Rosalind Porter is unfulfilled, heartbroken and angry.
Five years ago her career as a scientist was sabotaged by the man who also broke her heart: former Manhattan Project colleague Thomas Weaver.
Now, out of the blue, Thomas gets back in touch: he urgently needs to…
As a kid, I always wanted to be a Secret Service agent. As an adult, I became one. The job introduced me to the classified and shadowy world of national security. I traveled the globe, working in places I'd only read about in novels and meeting people who seemed like well-written characters from a book. When I was assigned as a liaison agent to the Joint Terrorism Task Force, I attended numerous FBI and CIA schools—even the facility known as The Farm. But through it all, I read! When I retired and had time to think about what I did, I figured I'd try writing.
During my time working in the FBI Joint Terrorism Task Force, we would "throw out a line to see if anything bit." By that, I mean we'd leak information into the terrorism community to see their response.
That response often determined which direction we'd take an investigation. That's what the plot of The Russia House does. The CIA and Britain's Secret Intelligence Service get a taste of information from an inside Russian military source, but can it be believed?
John le Carre's first post-glasnost spy novel, The Russia House captures the effect of a slow and uncertain thaw on ordinary people and on the shadowy puppet-masters who command them
Barley Blair is not a Service man: he is a small-time publisher, a self-destructive soul whose only loves are whisky and jazz. But it was Barley who, one drunken night at a dacha in Peredelkino during the Moscow Book Fair, was befriended by a high-ranking Soviet scientist who could be the greatest asset to the West since perestroika began, and made a promise. Nearly a year later, his drunken promise…
I covered the FBI and CIA for years, first as a print reporter in Washington and then as the head of the NBC News investigative unit. So I have covered my fair share of spy scandals, and with my colleague Pete Williams helped NBC break the story of Robert Hanssen’s arrest. I was immediately drawn to the Ana Montes Cuba spy story when it broke and then learned that Montes had bought her condo from my close friend and college roommate, John. That meant I had spent hours inside Ana’s DC apartment, and that odd connection rooted me in her story in a deeper way.
If you’re like me, you can’t consume enough news about Robert Hanssen, the FBI Special Agent who sold out his country to Russia.
Elaine Shannon, the longtime Time Magazine correspondent, and Ann Blackman relied on more than 150 interviews in telling Hanssen’s story of deceit and depravity. They reveal the dramatic story of an ex-KGB officer stealing Hanssen’s KGB file, Hanssen’s obsession with kinky sex, and his (ironic) affiliation with the ultra-conservative and moralistic Catholic society, Opus Dei.
Two veteran Time reporters present a riveting glimpse into the life of Robert Hanssen, a seemingly quintessential surburban father and a trusted and loyal FBI agent who, after fifteen years of extremely damaging espionage, betrayed his family, his church, and his country - and got away with it, destroying the confidence of the FBI. 125,000 first printing.
I am teacher of Russian History in the University of York and have been in both countries many times. Russia’s war against Ukraine is something that has touched me personally and professionally in the most profound way: witnessing Russia’s aggression against Ukraine has been heartbreaking. Understanding why that war happened and what its consequences will be is of vital importance for anyone interested in the modern world, in justice, and the future of Europe. These books offer clear, passionate, and compelling accounts of the war, explaining the historical background, the immediate causes, the principle actors, and the Russian way of waging of the war.
Luke Harding is a journalist who has spent many years as The Guardian correspondent in Ukraine including the present war.
The book is a mixture of historical analysis and on-the-spot reporting which makes it read like a thriller. It is vivid and at times harrowing, particularly the reports from Bucha after the massacres there. Harding pulls no punches, arguing the brutality of the war comes from Putin himself: ‘His apparent goal: the annihilation of a country, a culture and its citizens.’
Complicit in this genocidal operation are the Russian media elite who frequently openly call for the extermination of the Ukrainian nation. An excellent account from an impeccable source.
A FINALIST FOR THE ORWELL PRIZE FOR POLITICAL WRITING
The first book of reportage from the front line of the Ukraine war. This is a powerful, moving first draft of history written by the award-winning Guardian journalist and #1 New York Times bestselling author of Collusion and Shadow State.
'An excellent, moving account of an ongoing tragedy.' ANNE APPLEBAUM
'Compelling, important and heartbreaking.' SIMON SEBAG MONTEFIORE
'Essential reading.' ELIOT HIGGINS, founder of Bellingcat
'Brilliant.' ANDREY KURKOV
For months, the omens had pointed in one scarcely believable direction: Russia was about to invade Ukraine. And yet, the world was stunned by…
I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
Set in Moscow on the eve of the Russian Revolution, this novel’s plot does not scream “funny,” but it’s one of the most deeply funny books I’ve ever read.
An English printer living in Russia wakes up one day to find that his wife has left him and taken their children away, and revolutionaries have broken into his shop to print manifestoes.
From this unlikely setup, Fitzgerald spins a hilarious tale of loss, love, and redemption.
From the Booker Prize-winning author of ‘Offshore’, ‘The Blue Flower’ and ‘Innocence’ comes this Booker Prize-shortlisted tale of a troubled Moscow printworks .
Frank Reid had been born and brought up in Moscow. His father had emigrated there in the 1870s and started a print-works which, by 1913, had shrunk from what it was when Frank inherited it. In that same year, to add to his troubles, Frank’s wife Nellie caught the train back home to England, without explanation.
How is a reasonable man like Frank to cope? How should he keep his house running? Should he consult the Anglican…
Growing up in a rural area influenced by both Protestantism and Catholicism, I found that the daily habits of devoutly religious people were often contradictory to the basic practices of their religion. I also discovered that people were every day forced to adjust their beliefs and behaviors depending on which microcosm within the culture they were in at a given moment participating. People unable to play by these ever-shifting cultural rules would quickly lose respect. This scared the hell out of me, as I was never good at adjusting to different social situations on the fly, but I also found it interesting, and it therefore became the primary theme of my book.
Does it even matter whether you’re right or wrong? Is it important to be honest with yourself? Is fairness something anyone should value? Is it important to have good manners?
Questions like these spring into the mind of the reader continuously while working through the pages of Notes from the Underground. Though Dostoevsky doesn’t necessarily provide clear answers to any of these questions, his Underground Man is certainly ready and willing to brood on them. It’s always a little terrifying remembering how relatable he can be.
Award-winning translators Richard Pevear and Larissa Volokhonsky give us a brilliantly faithful rendition of this classic novel, in all its tragedy and tormented comedy. In this second edition, they have updated their translation in honor of the 200th anniversary of Dostoevsky’s birth.
One of the most remarkable characters in literature, the unnamed narrator of Dostoevsky's most revolutionary novel is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.
