100 books like The Bitter and Sweet of Cherry Season

I learned to read at four and have been telling stories ever since. Books were my escape from unhappiness into a new and endless world. Left to myself, I’d read ten or so weekly, and my mind was packed with characters, dialogue, jokes, prose, and poetry like an over-brimming literary reservoir. Words are my thing, and I am an avid collector of them. I was reading David Copperfield at eight and specialised in 18th and 19th-century literature at university. I’ve written five books and am working on the sixth. I love writing humour but have also authored Jane Austen Fan Fiction and poetry. Without books, my world is nothing.

Like many, I am a sucker for a Happy Ever After. I want to drift upon the clouds of peaceful surrender. But let's face it, we hurdle back to reality and face plant. And because of that, I write romance with the heartache of truth. I gravitate toward contemporary romance because of the tough topics characters face as they find love. I’ve written seven romance novels and one YA. I run three writing groups and work for Munchkin Lane developing/designing Early Childhood Readers. I have a master’s degree in creative writing with an emphasis in Young Adult and a bachelor's in creative writing. 

Like many, I am a sucker for a Happy Ever After. I want to drift upon the clouds of peaceful surrender. But let's face it, we hurdle back to reality and face plant. And because of that, I write romance with the heartache of truth. I gravitate toward contemporary romance because of the tough topics characters face as they find love. I’ve written seven romance novels and one YA. I run three writing groups and work for Munchkin Lane developing/designing Early Childhood Readers. I have a master’s degree in creative writing with an emphasis in Young Adult and a bachelor's in creative writing. 

Like many, I am a sucker for a Happy Ever After. I want to drift upon the clouds of peaceful surrender. But let's face it, we hurdle back to reality and face plant. And because of that, I write romance with the heartache of truth. I gravitate toward contemporary romance because of the tough topics characters face as they find love. I’ve written seven romance novels and one YA. I run three writing groups and work for Munchkin Lane developing/designing Early Childhood Readers. I have a master’s degree in creative writing with an emphasis in Young Adult and a bachelor's in creative writing. 

As I’ve reached middle age, I’ve found that many books about this period are about trying to regain lost youth or the hardships that aging can bring. I want to read more books about women who have lived through some things and are more powerful (and funnier!) because of it. In my writing, I try to highlight the stories of women with a little bit of history behind them and show that a long life–if we’re lucky–is also a full one. I hope you enjoy the books on this list as much as I have! 

Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusual pet.

As an ex-police officer, I have experienced many of the things that I write about, albeit in the modern age: I’ve investigated scenes of sudden and violent death, attended post-mortems, and chased the odd suspected criminal through the streets. After a few years on the beat, I left the force and went to university as a mature student, where I received a PhD for my research into early modern law and literature. I now combine my love of all things true crime with my passion for early modern legal history in the books I write about historical crime, murder, and violent death.

Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.

Few things bother me more than the negative stereotypes that portray Detroit as a deserted city in ruins - a crime-infested, neglected place where residents don’t care about their connections to the city’s history or its future. Detroit is a proud, living city. As a historical archaeologist at Wayne State University, I’ve been on the front lines of leading community-based archaeology projects in Detroit for the past decade. These projects involve advocacy for more inclusive historic preservation efforts, youth training initiatives, collaborative exhibits, and lots of interactions with the media and public. I view historical archaeology as a tool for serving local community interests, unearthing underrepresented histories, and addressing the legacies of social justice issues.

I’ve always been fascinated by the role of women in war: men may be on the front lines, but women deal with its impact and often struggle to have equal standing. I was inspired by stories told by my mother who was a nurse in World War II and participated in surgery under gunfire and helped liberate a POW camp in Germany. Yet, no one wanted to hear from her because she was “just a nurse.” Fast forward to Vietnam where women were still being marginalized. I wrote The Fourteenth of September to even the playing field by telling a story that was largely based upon my own experience in college during l969-1970.