Here are 100 books that The Red Parts fans have personally recommended if you like
The Red Parts.
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As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below).
This book wrecked me; it’s such a deep dive into the lives of the woman brutally murdered by Jack the Ripper. Rubenhold reconstructs their lives with great empathy, bringing them to the forefront of the story. The five were real women who felt love, pain, and hope—not faceless victims of sensationalized murder.
These women are often portrayed as “five prostitutes” in pop culture, but Rubenhold shows that there is no evidence of sex work for most of the women. This book pulls back the curtain on the tension, violence, poverty, and heartbreak in Victorian London. This book brought me to absolute tears.
THE #1 SUNDAY TIMES BESTSELLER WINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION 2019 'An angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth. Powerful and shaming' GUARDIAN
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888.
I’ve been writing poetry for most of my life and only recently began a real crash course in fiction with my first novel. It’s the hardest thing I’ve ever done, but not for the reasons I thought. In poetry, you learn to locate meaning, but you don’t learn narrative structure. Who knew being an existential genius was easier than finishing a sentence? Once I started studying literature that I felt embodied both, I was able to visualize how my poetic voice wasn’t just applicable, but useful, in the world of fiction.
Novellas are a perfect place to start for poets who are interested in writing longer, more narrative work. They’re slim, lyrical, and less daunting. I read this novella in college & haven’t stopped thinking about it since. It takes place in what I can only refer to as a “Sleeping Brothel” where elderly men pay to sleep beside young women. The story is haunting, but it doesn’t take cheap horror shots. Instead, it delves into the complexity of loneliness, the shared vulnerability of sleep, and the human need for comfort.
Three surreal, erotically charged stories from Nobel Prize winner Yasunari Kawabata.
In the three long tales in this collection, Yasunari Kawabata examines the boundaries between fantasy and reality in the minds of three lonely men. Piercing examinations of sexuality and human psychology—and works of remarkable subtlety and beauty—these stories showcase one of the twentieth century’s great writers—in any language—at his very best.
As a child, I lived in 1950’s London. Despite the ravages of WWII, the city retained many of its Victorian buildings and its foggy atmosphere. I found it enchanting. Reading books sent in England around the 19th century connected me to the city long after my family moved to Ireland. If I felt homesick for the Angel or Camden Town, a book would take me back. Thanks to The Hound, I became captivated by Gothic tales and by what my mum called ‘A juicy mystery.’ This apple didn’t fall far from that tree. It’s a good thing I became a writer, or who knows how I would have ended up!
There are few joys to match happening upon a fabulous book by accident. This was the case in Kate Summerscale's work. I knew nothing about it when I picked it up, but I liked the premise. I started to read it on the bus going home and finished it in two days.
This real 1860 murder inspired many writers, from Dickens to Conan Doyle, and I can see why. It contains all those elements so dear to the hearts of mystery lovers like me: a corpse, a detective, and a closed circle of suspects in a country manor. This is a book I will reread, probably more than once.
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WINNER OF THE SAMUEL JOHNSON PRIZE FOR NON-FICTION
THE NUMBER ONE BESTSELLER
A RICHARD AND JUDY BOOK CLUB PICK
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'A remarkable achievement' - Sunday Times
'A classic, to my mind, of the finest documentary writing' - John le Carre
'Absolutely riveting' - Sarah Waters, Guardian
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On a summer's morning in 1860, the Kent family awakes in their elegant Wiltshire home to a terrible discovery; their youngest son has been brutally murdered. When celebrated detective Jack Whicher is summoned from Scotland Yard he faces the unenviable task of identifying the killer - when the grieving family are the…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
I’ve been writing poetry for most of my life and only recently began a real crash course in fiction with my first novel. It’s the hardest thing I’ve ever done, but not for the reasons I thought. In poetry, you learn to locate meaning, but you don’t learn narrative structure. Who knew being an existential genius was easier than finishing a sentence? Once I started studying literature that I felt embodied both, I was able to visualize how my poetic voice wasn’t just applicable, but useful, in the world of fiction.
This French novella was written in the early ’90s but translated in 2019 to English for the first time. It lacks structure and is full of plot holes, but Serre’s writing is equal parts whimsical and erotic. It feels a bit like she wrote it in one sitting during some kind of fever dream but that’s why it feels like a poem. If you’re into chaotic women and turn of the century kink, then this is for you.
In a large country house shut off from the world by a gated garden, three young governesses responsible for the education of a group of little boys are preparing a party. The governesses, however, seem to spend more time running around in a state of frenzied desire than attending to the children's education. One of their main activities is lying in wait for any passing stranger, and then throwing themselves on him like drunken Maenads. The rest of the time they drift about in a kind of sated, melancholy calm, spied upon by an old man in the house opposite,…
I’m a novelist and a professor of black queer and feminist literature at Georgetown University. But the truth is, my connection to these books goes deeper than that. These books give me life. When I was a little girl, I spent more days than I can count scouring my mother’s small black feminist library in the basement of our home in Harlem, poring over the stories of girls like me: fat, black, queer girls who longed to see themselves written in literature and history. Now I get to create stories like these myself, and share them with others. It’s a dream job, and a powerful one. It thrills me every time.
Justin Torres’s exquisite novel will make you want to beam and bawl and fight in all the best ways.
It tells the story of a clear-eyed, tender-hearted boy navigating a world where true safety is hard to find. As he comes of age in rural New York State in the 1980s, messages about masculinity, race, sexuality, and the expectations of family swirl around him, often violently, punctuating the world of inquisitive play he and his two older brothers create together.
We witness as Torres’s narrator fights for a vision of his own freedom, a complex fight that resists tidy endings, offering echoing truths instead.
Three brothers tear their way through childhood - smashing tomatoes all over each other, building kites from rubbish, hiding when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn - he's Puerto Rican, she's white. Barely out of childhood themselves, their love is a serious, dangerous thing. Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another. From the intense familial unity felt by a child to the profound alienation he endures as he begins…
While it only simmers in the background of Demi-Gods, I find myself returning to this theme in my fiction — of mothers behaving badly. The topic fascinates me because we live in a society that idealizes the Mother. So much so that we have removed sex and desire from this archetype. We even made Mary, the “universal mother,” a virgin. As someone with a womb, society expects me to have children. (I don’t yet.) Fiction has provided a space for me to disentangle my own thoughts around motherhood — on what I might claim for myself, and what I absolutely refuse to take on.
Many of the characters in this story collection work in unappreciated, underpaid, and unseen labor: as caregivers, nurses, cleaners, switchboard operators, administrators, substitute teachers. The stories are rooted in Berlin’s own experience as a mother, worker, and alcoholic.
A lot of authors are famous for writing “working class” stories — but many of them are men. I love this collection because it centers the story on working-class women, who often happen to be mothers raising their children alone.
Lucia Berlin didn’t receive much attention as an author in her lifetime, but she writes with a skill, shrewdness, and vulnerability that places her among the very best. While some of the stories in this collection are sorrowful, others are funny, even uplifting. Whether from laughter or sadness, I was frequently moved to tears.
The world just goes along. Nothing much matters, you know? I mean really matters. but then sometimes, just for a second, you get this grace, this belief that it does matter, a whole lot.
With an introduction from Lydia Davis
Lucia Berlin's stories in A Manual for Cleaning Women make for one of the most remarkable unsung collections in twentieth-century American fiction.
With extraordinary honesty and magnetism, Lucia Berlin invites us into her rich, itinerant life: the drink and the mess and the pain and the beauty and the moments of surprise and of…
A retired English teacher has come home to Appalachia, a land of industrial disaster and natural beauty. He has been enticed with stories of Wildcat’s transformation: of the collective action embodied in Hotel Wildcat as well as the artisanal pursuits springing to life in the old iron mill. But in…
As an ex-police officer, I have experienced many of the things that I write about, albeit in the modern age: I’ve investigated scenes of sudden and violent death, attended post-mortems, and chased the odd suspected criminal through the streets. After a few years on the beat, I left the force and went to university as a mature student, where I received a PhD for my research into early modern law and literature. I now combine my love of all things true crime with my passion for early modern legal history in the books I write about historical crime, murder, and violent death.
Although the trials in this book may be fictional, they are based on true cases from the author’s decades of experience as a high court judge.
I could not help but be immersed in the drama of these murder trials and the gory details one tends to shy away from. Indeed, these stories were so gripping I found each case flew by!
Along the way, I learned a lot about English law, the courts, and the humanity of those embroiled in the criminal justice system.
THE INSTANT SUNDAY TIMES BESTSELLER WINNER OF THE CWA GOLD DAGGER FOR NON-FICTION 2023
'Lifts the lid on what it's like to dispense justice ... a gripping insight ... beautifully crafted ... grim tales lifted by humour and honesty.' The Times
Wendy Joseph's gripping account of the law at work reads like a cliffhanger.' Sunday Times
'Absolutely superb. 5 stars for sheer readability alone. Her Honour entertains as she educates us about murder, about the law and about how we human beings are shaped as we create the culture we live with.' PHILIPPA PERRY, author of THE BOOK YOU WISH…
As an ex-police officer, I have experienced many of the things that I write about, albeit in the modern age: I’ve investigated scenes of sudden and violent death, attended post-mortems, and chased the odd suspected criminal through the streets. After a few years on the beat, I left the force and went to university as a mature student, where I received a PhD for my research into early modern law and literature. I now combine my love of all things true crime with my passion for early modern legal history in the books I write about historical crime, murder, and violent death.
I am fascinated by crime scenes, how they are meticulously processed by investigators, and how even the smallest pieces of evidence can blow a case wide open.
I honestly felt like I was being led step-by-step through the bloody murder scene featured in this book and was stunned by the bizarre mystery the lead detectives began to unravel from an extremely strange and unusual crime scene.
The full true story of the lululemon murder and what really happened to Jayna Murray and Brittany Norwood--photos included.
It was a crime that shocked the country. On March 12, 2011, two young saleswomen were found brutally attacked inside a lululemon athletica retail store in Bethesda, Maryland, one of the nation’s wealthiest suburbs.
Thirty-year-old Jayna Murray was dead—slashed, stabbed, and struck more than three hundred times. Investigators found blood spattered on walls, and size fourteen men’s shoe prints leading away from her body.
Twenty-eight-year-old Brittany Norwood was found alive, tied up on the bathroom floor. She had lacerations, a bloody…
As a cozy mystery lover with a sweet tooth, I devour dozens of mystery novels every year (many featuring food) and I love to sample new series while also following my long-time favorites. I have also written and published more than 15 cozy mysteries of my own, many of which have a culinary theme. Although I grew up in Vancouver, British Columbia, I now live in a small town and I have a particular fondness for cozy small-town mysteries set by the ocean, as well as those featuring scrumptious treats.
All Fudged Upfeatures one of the most charming real-life settings I’ve come across in cozy mysteries.
The series takes place on the delightful Mackinac Island, where there are horse-drawn carriages instead of cars and plenty of historic buildings like the McMurphy Hotel and Fudge Shop.
The main character, Allie McMurphy, spends her days whipping up batches of fudge, keeping the hotel running, and solving murders whenever her sweet puppy finds a body.
Welcome to the Historic McMurphy Hotel and Fudge Shop--where life is sweet, revenge is sweeter, and murder is here to to stay. . .
You Can't Fudge An Alibi
Allie McMurphy is up to her neck in renovations at the grand old hotel that's been in her family for generations. With its quaint Victorian charm--and world-famous fudge shop--the place is one of Mackinac Island's most beloved landmarks.
Sure, every family has a skeleton or two in the closet. But Allie didn't expect to find an actual corpse inside hers, especially one Joe Jessup, who had a long-running feud with her…
I love escaping into a story I know will have a dependably happy ending. I’m an avid reader of cozy mysteries because life is hard. I don’t need my fiction to be a mirror image of the horrors of the daily news. I like puzzling through the clues, trying to solve the mysteries before the characters reach the solution. Series are fun because you really get to know the protagonist and the people in his or her world. They become old friends. The best cozy mystery authors rise above the formula and create unique characters, plots, and settings.
I love my local library and its bookmobile. This cozy mystery series has both. Even better, it has a clever cat. I enjoy getting a behind-the-scenes look at library operations.
Eddie, the cat, begins as a stowaway on the Michigan bookmobile and quickly becomes a huge attraction for library patrons. Minnie Hamilton and Eddie are in a unique position to discover bodies on their rural bookmobile route. There is a long romance arc in the series that slowly builds to a sweet conclusion. In a unique living situation, Minnie lives on a houseboat during the summer and in her aunt’s B&B during the winter.
I like how Eddie is involved with uncovering the mysteries in a perfectly logical way, considering he is a cat.
