Here are 67 books that The Red Parts fans have personally recommended if you like
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I’ve been writing poetry for most of my life and only recently began a real crash course in fiction with my first novel. It’s the hardest thing I’ve ever done, but not for the reasons I thought. In poetry, you learn to locate meaning, but you don’t learn narrative structure. Who knew being an existential genius was easier than finishing a sentence? Once I started studying literature that I felt embodied both, I was able to visualize how my poetic voice wasn’t just applicable, but useful, in the world of fiction.
Novellas are a perfect place to start for poets who are interested in writing longer, more narrative work. They’re slim, lyrical, and less daunting. I read this novella in college & haven’t stopped thinking about it since. It takes place in what I can only refer to as a “Sleeping Brothel” where elderly men pay to sleep beside young women. The story is haunting, but it doesn’t take cheap horror shots. Instead, it delves into the complexity of loneliness, the shared vulnerability of sleep, and the human need for comfort.
Three surreal, erotically charged stories from Nobel Prize winner Yasunari Kawabata.
In the three long tales in this collection, Yasunari Kawabata examines the boundaries between fantasy and reality in the minds of three lonely men. Piercing examinations of sexuality and human psychology—and works of remarkable subtlety and beauty—these stories showcase one of the twentieth century’s great writers—in any language—at his very best.
I’ve been writing poetry for most of my life and only recently began a real crash course in fiction with my first novel. It’s the hardest thing I’ve ever done, but not for the reasons I thought. In poetry, you learn to locate meaning, but you don’t learn narrative structure. Who knew being an existential genius was easier than finishing a sentence? Once I started studying literature that I felt embodied both, I was able to visualize how my poetic voice wasn’t just applicable, but useful, in the world of fiction.
This French novella was written in the early ’90s but translated in 2019 to English for the first time. It lacks structure and is full of plot holes, but Serre’s writing is equal parts whimsical and erotic. It feels a bit like she wrote it in one sitting during some kind of fever dream but that’s why it feels like a poem. If you’re into chaotic women and turn of the century kink, then this is for you.
In a large country house shut off from the world by a gated garden, three young governesses responsible for the education of a group of little boys are preparing a party. The governesses, however, seem to spend more time running around in a state of frenzied desire than attending to the children's education. One of their main activities is lying in wait for any passing stranger, and then throwing themselves on him like drunken Maenads. The rest of the time they drift about in a kind of sated, melancholy calm, spied upon by an old man in the house opposite,…
I’m a novelist and a professor of black queer and feminist literature at Georgetown University. But the truth is, my connection to these books goes deeper than that. These books give me life. When I was a little girl, I spent more days than I can count scouring my mother’s small black feminist library in the basement of our home in Harlem, poring over the stories of girls like me: fat, black, queer girls who longed to see themselves written in literature and history. Now I get to create stories like these myself, and share them with others. It’s a dream job, and a powerful one. It thrills me every time.
Justin Torres’s exquisite novel will make you want to beam and bawl and fight in all the best ways.
It tells the story of a clear-eyed, tender-hearted boy navigating a world where true safety is hard to find. As he comes of age in rural New York State in the 1980s, messages about masculinity, race, sexuality, and the expectations of family swirl around him, often violently, punctuating the world of inquisitive play he and his two older brothers create together.
We witness as Torres’s narrator fights for a vision of his own freedom, a complex fight that resists tidy endings, offering echoing truths instead.
Three brothers tear their way through childhood - smashing tomatoes all over each other, building kites from rubbish, hiding when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn - he's Puerto Rican, she's white. Barely out of childhood themselves, their love is a serious, dangerous thing. Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another. From the intense familial unity felt by a child to the profound alienation he endures as he begins…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
Now that he is in his eighties, she contemplates her obligation to an absentee father. The Truth About Unringing Phones is an exploration of responsibility and culpability told in experimental and fragmented essays.
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket. Now that he is in his eighties, she contemplates her obligation to an absentee father.
The Truth About Unringing Phones: Essays on Yearning is an exploration of responsibility and culpability told in experimental and fragmented essays.
While it only simmers in the background of Demi-Gods, I find myself returning to this theme in my fiction — of mothers behaving badly. The topic fascinates me because we live in a society that idealizes the Mother. So much so that we have removed sex and desire from this archetype. We even made Mary, the “universal mother,” a virgin. As someone with a womb, society expects me to have children. (I don’t yet.) Fiction has provided a space for me to disentangle my own thoughts around motherhood — on what I might claim for myself, and what I absolutely refuse to take on.
Many of the characters in this story collection work in unappreciated, underpaid, and unseen labor: as caregivers, nurses, cleaners, switchboard operators, administrators, substitute teachers. The stories are rooted in Berlin’s own experience as a mother, worker, and alcoholic.
A lot of authors are famous for writing “working class” stories — but many of them are men. I love this collection because it centers the story on working-class women, who often happen to be mothers raising their children alone.
Lucia Berlin didn’t receive much attention as an author in her lifetime, but she writes with a skill, shrewdness, and vulnerability that places her among the very best. While some of the stories in this collection are sorrowful, others are funny, even uplifting. Whether from laughter or sadness, I was frequently moved to tears.
The world just goes along. Nothing much matters, you know? I mean really matters. but then sometimes, just for a second, you get this grace, this belief that it does matter, a whole lot.
With an introduction from Lydia Davis
Lucia Berlin's stories in A Manual for Cleaning Women make for one of the most remarkable unsung collections in twentieth-century American fiction.
With extraordinary honesty and magnetism, Lucia Berlin invites us into her rich, itinerant life: the drink and the mess and the pain and the beauty and the moments of surprise and of…
As a cozy mystery lover with a sweet tooth, I devour dozens of mystery novels every year (many featuring food) and I love to sample new series while also following my long-time favorites. I have also written and published more than 15 cozy mysteries of my own, many of which have a culinary theme. Although I grew up in Vancouver, British Columbia, I now live in a small town and I have a particular fondness for cozy small-town mysteries set by the ocean, as well as those featuring scrumptious treats.
All Fudged Upfeatures one of the most charming real-life settings I’ve come across in cozy mysteries.
The series takes place on the delightful Mackinac Island, where there are horse-drawn carriages instead of cars and plenty of historic buildings like the McMurphy Hotel and Fudge Shop.
The main character, Allie McMurphy, spends her days whipping up batches of fudge, keeping the hotel running, and solving murders whenever her sweet puppy finds a body.
Welcome to the Historic McMurphy Hotel and Fudge Shop--where life is sweet, revenge is sweeter, and murder is here to to stay. . .
You Can't Fudge An Alibi
Allie McMurphy is up to her neck in renovations at the grand old hotel that's been in her family for generations. With its quaint Victorian charm--and world-famous fudge shop--the place is one of Mackinac Island's most beloved landmarks.
Sure, every family has a skeleton or two in the closet. But Allie didn't expect to find an actual corpse inside hers, especially one Joe Jessup, who had a long-running feud with her…
I’m a nerd by temperament (raised by a psychologist and a librarian, what else could I be?) and by profession (decades working as a U.S. diplomat and an academic administrator honed my people-watching faculties to a fine edge). So, of course, I’ve always been drawn to my opposite: that cynical loner whose pursuit of justice requires hard fists and a bent moral compass. Private eye mysteries are my perfect place. In them, I can exercise my passion for intellectual puzzles and my love for thrilling action. I enjoy the combination of social commentary and sheer entertainment I find when I dive into reading (or writing) a private eye mystery.
Ex-cop August Snow scrabbles through the rubble of his beloved Detroit to solve a twisted murder case no one wants him to pursue. Snow is everything I like in my PIs: witty, empathetic, combat-ready, and damaged by life’s cruel blows. The action is extremely gritty, the social commentary dark and biting. The flavorful descriptions of Snow’s Mexicantown neighborhood and its contrast with the snooty suburbs tugged at my Midwestern heart.
From the wealthy suburbs to the remains of Detroit’s bankrupt factory districts, August Snow is a fast-paced tale of murder, greed, sex, economic cyber-terrorism, race and urban decay.
Tough, smart, and struggling to stay alive, August Snow is the embodiment of Detroit. The son of an African-American father and a Mexican-American mother, August grew up in the city’s Mexicantown and joined the police force only to be drummed out by a conspiracy of corrupt cops and politicians. But August fought back; he took on the city and got himself a $12…
Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
Writing about crime is understandably fraught. Some true crime stories are told with genuine care and attention to impact, while others are definitely…not.
In Jane, Nelson finds a way to grapple with the death of her aunt and the impact it is had on her and her family. It was a guiding light for me when I thought about ways to tell an unwieldy story about murder.
Nelsonleans on honesty, compassion, and curiosity to stay safely away from the most common true crime traps, and the result is a wonderful, affecting book.
Part elegy, part true crime story, this memoir-in-verse from the author of the award-winning The Argonauts expands the notion of how we tell stories and what form those stories take through the story of a murdered woman and the mystery surrounding her last hours.
Jane tells the spectral story of the life and death of Maggie Nelson’s aunt Jane, who was murdered in 1969 while a first-year law student at the University of Michigan. Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area between 1967 and 1969. Nelson was born…
Like myself, each of these novels involved older professional Black women protagonists. Each of these authors presented multidimensional women experiencing circumstances that surpass culture and ethnicity. As women age, not only do we take on new roles, but we physically and emotionally change. I appreciate books with relatable characters coping with issues I experience—menopause, aging parents, an empty nest. Reading mysteries with fictional characters dealing with situations I experience makes me feel less isolated.
Detroit is where Charlene “Charlie” Mack runs a private detective business. Her life is as complex as the Motor City. Charlie struggles with her sexuality while caring for her ailing mother. A theft investigation leads Charlie and her team down to Birmingham, Alabama. Reading about Charlie’s exploits in Detroit rekindled memories of eating Ethiopian food in Detroit and taking the train from Michigan to Toronto, Canada. I lived in Montgomery, Alabama and remember visiting the Dexter Avenue Baptist Church.
Finalist for the 29th Annual Lambda Literary Award for Lesbian Mystery.
Charlene "Charlie" Mack is a PI in Detroit. Born and raised in the city that America forgot, Charlie has built a highly respected private investigation firm through hard work, smart choices, and relentless ambition. Her team of investigators is highly skilled and trustworthy, but she secretly struggles with her sexual orientation and a mother with early-onset Alzheimer's. When Charlie and her crack team head to Birmingham, Alabama following the trail of a missing person, what should be a routine case turns into a complex chase for answers. Shady locals…
Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusualpet.
The conventional wisdom is that middle-grade girls read books a lot more than boys do. Maybe so... but if there’s any book that could encourage more boys to read, you couldn’t do much better than this goofball adventure story. In 1895, Stan, a clueless but earnest eleven-year-old, is sent to a mining camp in northern Michigan with his “sweet Mama,” his snarky cousin Geri, and his no-nonsense grandma. Between the unfamiliar milieu and his wildly overactive imagination, Stan undergoes an endless string of indignities that convince him he’s the victim of every evil under the sun, even as he searches for his long-lost father and struggles to become the man he aspires to be. Hilarious, engaging, and full of heart, this is one for everybody (including girls!). And don’t miss the sequel,I Almost Died. Again.
For history lovers and journal fans comes a “hilarious and heartbreaking . . . 99–100% fantastic” (A Fuse #8 Production, School Library Journal) story about a boy on a mission to find his long-lost father in the logging camps of Michigan.
There are many things that 11-year-old Stanley Slater would like to have in life—most of all, a father. But what if Stan’s missing dad isn’t “dearly departed” after all?
Armed with his stupendous scrapbook, full of black-and-white 19th-century advertisements and photos, Stan’s attempt to locate his long-lost hero/cowboy/outlaw dad is a near-death adventure fraught with pesky relatives, killer lumberjacks,…
Like many, I am a sucker for a Happy Ever After. I want to drift upon the clouds of peaceful surrender. But let's face it, we hurdle back to reality and face plant. And because of that, I write romance with the heartache of truth. I gravitate toward contemporary romance because of the tough topics characters face as they find love. I’ve written seven romance novels and one YA. I run three writing groups and work for Munchkin Lane developing/designing Early Childhood Readers. I have a master’s degree in creative writing with an emphasis in Young Adult and a bachelor's in creative writing.
I love that this story is set around cherry harvest. The description and storytelling were done in broad strokes of imagery. This story stayed with me because of the grief and longing one of the main character struggles with. Seeing through the perspective of the little girl was entertaining. All the characters had extraordinary personalities. I loved this book because it was a universal truth. Life is a hill with boulders of various sizes, set on fire, headed straight for you. Staying put is only going to get you knocked the F@#! Out.
“A stunning story about family and hope that unfolds unexpectedly but beautifully, like a Michigan summer sunset over an orchard.” —Viola Shipman, bestselling author of The Clover Girls and The Secret of Snow
In cherry season, anything is possible…
Everything Hope knows about the Orchard House is from the stories of her late mother. So when she arrives at the northern Michigan family estate late one night with a terrible secret and her ten-year-old daughter in tow, she’s not sure if she’ll be welcomed or turned away with a shotgun by the aunt she has never met.
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