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The Beast on the Broch.
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I grew up in the heart of Scotland addicted to visiting museums and exploring local stories and legends. Now as an adult I’m either to be found with my nose in a history book or out on an archaeological dig. I love to weave the lives of Scottish heroes such as Roberts Burns into books filled with fantasy and adventure for children, and to write spine-chilling tales for adults where supernatural creatures from Scottish myths lurk between the pages. I recently co-created a series of educational writing videos for school children to help them explore the history of their local area, and hopefully inspire the historical authors of the future!
A Pattern of Secrets is a wonderfully atmospheric Victorian adventure that tells the story of two children from very different worlds – one of a twelve-year-old boy living in poverty, the other of a girl with apparently everything she could want. Their paths cross when Jim’s father loses his livelihood when the factory owned by Jessie’s father closes and an unfortunate misunderstanding costs Jim’s family their savings and their home. Jim and Jessie are not so very different though, and Lindsay Littleson weaves together their stories in a beautiful dual narrative that shows how two children from very different backgrounds could have more in common than they could possibly have imagined.
12-year-old Jim has escaped from the Poor House and now he must save his little brother from the same fate. His only hope lies in a mysterious family heirloom - a Paisley patterned shawl that has five guineas sewn into its hem - the price of a new life for Jim's family. Now he must find the shawl and steal it back from the big house where the girl with the red hair lives...
Two different worlds collide in this gripping Victorian mystery as Jim and Jessie unravel the past and its pattern of secrets...
I grew up in the heart of Scotland addicted to visiting museums and exploring local stories and legends. Now as an adult I’m either to be found with my nose in a history book or out on an archaeological dig. I love to weave the lives of Scottish heroes such as Roberts Burns into books filled with fantasy and adventure for children, and to write spine-chilling tales for adults where supernatural creatures from Scottish myths lurk between the pages. I recently co-created a series of educational writing videos for school children to help them explore the history of their local area, and hopefully inspire the historical authors of the future!
Black Water is a thrilling tale of adventure by master storyteller Barbara Henderson. Thirteen-year-old Henry’s adventures trying to foil the smugglers, while facing the dangers of pistols, quicksand, and of course, the treacherous sea which could sweep him away at any moment, keep readers turning the pages to find out more!
This is a wonderful introduction to smuggling, the work of Excise men on the Scottish coast, to the job that Robert Burns did for a time, and even to some of his poetry. With an atmospheric setting and wonderful authentic narrative, this tale based on real historical events is a must-read for primary school children and a great choice for a class novel.
Down by the coast, black water swirls and hides its secrets.
Dumfries, 1792. Henry may only be twelve, but he has already begun his training in the Excise, combating smuggling like his father does. But when a large smuggling schooner is stranded nearby, the stakes are high - even with reinforcements, and the newly recruited officer, a poet called Robert Burns.
Musket fire, obstructive locals, quicksand and cannonballs-it is a mission of survival.
As it turns out: Henry has a crucial part to play.
A Scottish smuggling novella based on real events.
I grew up in the heart of Scotland addicted to visiting museums and exploring local stories and legends. Now as an adult I’m either to be found with my nose in a history book or out on an archaeological dig. I love to weave the lives of Scottish heroes such as Roberts Burns into books filled with fantasy and adventure for children, and to write spine-chilling tales for adults where supernatural creatures from Scottish myths lurk between the pages. I recently co-created a series of educational writing videos for school children to help them explore the history of their local area, and hopefully inspire the historical authors of the future!
James is sent away to live with his mill-town relatives in this nostalgic, coming-of-age novel set against the backdrop of Dundee during WW1.
Some summers were made for growing up…
Dundee, 1917. When his father goes to fight in the war, 11-year-old James is sent to live with his mill-town relatives and his cousin, Billy. At first, James feels lost and alone: his cousin hates him, the school bully is after him, and he is worried about his father’s safety. Gradually, he finds a new world of friendship, freedom, fun, and The God of All Small Boys, in a summer that will change his life forever...
I found this story both funny and sad, and altogether emotionally gripping. Highly engaging, and full of historical details of Dundee during the First World War – a sure favourite for middle grade readers.
Some summers were made for growing up...
Dundee, 1917. When his father goes to fight in the war, 11-year-old James is sent to live with his mill-town relatives and his cousin, Billy. In this unfamiliar world of poverty, bullying, and uncertainty, James fights to be accepted and learns the true value of friendship and family.
'The God of All Small Boys is the one who grows trees, with branches in just the right places, so we can climb right to the top. He invented fireworks and dogs and sticks and horses and muddy puddles. And he lets us find secret…
I grew up in the heart of Scotland addicted to visiting museums and exploring local stories and legends. Now as an adult I’m either to be found with my nose in a history book or out on an archaeological dig. I love to weave the lives of Scottish heroes such as Roberts Burns into books filled with fantasy and adventure for children, and to write spine-chilling tales for adults where supernatural creatures from Scottish myths lurk between the pages. I recently co-created a series of educational writing videos for school children to help them explore the history of their local area, and hopefully inspire the historical authors of the future!
Would you break the rules or break your promise? On the outskirts of Edinburgh, just before the outbreak of WW2, Charlie finds a starving German boy called Josef hiding in the woods near his home. Josef can’t speak English and is desperately afraid, especially of anyone in uniform. Charlie promises to help Josef find his Jewish relatives in the city. It’s a journey that will force them to face their fears, testing their new-found friendship, and Charlie’s promise, to the limit
This is a beautiful story full of heart and empathy, and a welcome reminder of the kindness of strangers and the innocence of childhood.
Would you break the rules or break your promise?
On the outskirts of Edinburgh, just before the outbreak of WW2, Charlie finds a starving German boy called Josef hiding in the woods near his home.
Josef can't speak English and is desperately afraid, especially of anyone in uniform.
Charlie promises to help Josef find his Jewish relatives in the city.
It's a journey that will force them to face their fears, testing their new-found friendship, and Charlie's promise, to the limit.
I have lived by the sea in the far north of Scotland, where I wrote The Wee Seal, and several other sea and seal themed books. I now live in Edinburgh by the sea and swim daily. I am also a storyteller with a keen interest in myth, and how myth impacts our lives. The recommendations I have given a nod to myth and their place in our life, and the sea, and how, at least in Britain, it is rarely that far away. A little wild, in a world that can feel, sometimes, too tame.
I love this book because it takes me to the far north (where I used to live).
It takes me back to the wide skies, jagged cliffs, pounding waves, miles of rough open land, and seals gazing at you from every bay and cove. I love reading old traditional tales because, as a writer, they feed me, and give me ideas for new stories.
I'm a storyteller and folktale collector. All my jobs have involved telling stories – as a community librarian, in theatre, in education, and since 2006 as a professional storyteller and writer. I work in schools, festivals, and outdoor education with all sorts of people and their animals. I have honed my skills to find the most enjoyable traditional tales that can be shared widely. I live in Scotland, where I encourage families to read and tell their favourite stories together. Storytelling is a living art form that belongs to everyone. More than anything, I love the natural world, and I bring the magnificence of nature into all my work.
This is a timeless volume of classic Scottish folktales. Judy Paterson has wisely chosen a diverse and enthralling selection of folk stories from Scotland.
Her writing style is superb for children aged 7 plus. She blends her literary skills with an intimate knowledge of Children's literacy needs. They are sensitively chosen stories, nothing overtly scary, but some are supernatural enough for bed covers to be pulled up if needed.
Children will adore the beautiful pictures and the carefully crafted attention to detail within each tale. I particularly loved her tender descriptions of horses. I recommend this book to anyone (children and adults) who want to enjoy Scottish folklore and folktales.
Read this book, and you will be initiated into the Celtic world of myths, giants, kelpies, fairies, and supernatural creatures.
A giant sea monster ... trees that can dance ... a water-horse ... a girl so clever she outwits a giant ... Welcome to the world of the Scottish folk tale - a world of talking animals, mischief-making witches, giants, trolls, bold girls, reckless boys and, of course, the Wee Folk. These stories - specially chosen to be enjoyed by 7 to 11-year-old readers - burst with adventure and glitter with magic. As old as the mountains and the glens, these well- loved tales are retold by storyteller Judy Paterson.
When I stepped off the ferry onto Mainland Orkney, a piece of myself I never knew was missing suddenly slotted into place. Orkney became my geographic soulmate and I knew that The Darkest Court trilogy’s final book—and final battle—would have to take place there. Whenever I find myself longing to return, I pick up one of these books and throw myself back into the stories and histories that caught hold of my imagination all those years ago. I hope they stir your sense of magic and wonder the same way.
The best way to learn a new place is to read its folk tales. Muir’s curated collection not only gives a sense of the community values found throughout the wide spread of Orkney islands, but also of magic and wonder that pervades the place. You can easily take a tour to the specific locations mentioned in the stories, and I can assure you that rereading the stories in those places, with Muir’s charming, poetic prose, makes them come to life in fascinating new ways.
The Orkney Islands are a place of mystery and magic, where the past and the present meet, ancient standing stones walk and burial mounds are the home of the trows. Orkney Folk Tales walks the reader across invisible islands that are home to fin folk and mermaids, and seals that are often far more than they appear to be. Here Orkney witches raise storms and predict the outcome of battles, ghosts seek revenge and the Devil sits in the rafters of St Magnus Cathedral, taking notes! Using ancient tales told by the firesides of the Picts and Vikings, storyteller Tom…
When I first visited Scotland, I drove north from Edinburgh, driving through much of the country to catch a ferry to Orkney. This northern archipelago is certainly one of the most magical places I’ve ever been to; the steep sea cliffs and standing stones, windblown grasses, and violent waves put me in a gothic state of mind. I moved to Scotland a few years later to live by the sea. Since that first visit to Orkney, I’ve written my own Scottish gothic novels, as well as presented research on the gothic at various academic conferences. It’s a topic that I’m certain will compel me for a long time to come.
I picked up this book for its Scottish setting and gothic vibes (which did not disappoint!), but I devoured the book because of the characters who I was rooting for from page one.
It’s such a surprise and pleasure to read a large cast of (queer) women, each uniquely-drawn and with their own distinct desires and personalities. The setting of the book is brilliant as well–I cannot resist a book set in a Scottish forest. The story is threaded through with folklore, adding another layer to the gothic atmosphere.
'Intriguing, atmospheric, thought-provoking' Alexandra Bell
'Beautifully crafted, thrilling and atmospheric' Rebecca Netley
In the midst of the woods stands a house called Lichen Hall.
This place is shrouded in folklore - old stories of ghosts, of witches, of a child who is not quite a child.
Now the woods are creeping closer, and something has been unleashed.
Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something.
Then she meets the mysterious mother and young boy who live in…
I’ve written almost one hundred historical romances, so when it comes to making a marriage in a book swoonworthy, I know the hard work that an author has to put in. Whether it’s enemies to lovers, instalove, grumpy/sunshine, whatever it is: I have a huge amount of respect for authors who spend the time crafting a love story that makes me absolutely desperate for the wedding.
The queen of histromcoms (yup, that's historical romcoms) Caroline Lee has a hilarious series that makes me laugh literally out loud - and so far, I've actually cried with laughter twice.
This is another governess story but this time with a Scottish laird, outrageous twins, and assassin mystery to boot. You shouldn't say no to this book.
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
This magnificent book made me realize perhaps more than any other by a Scottish female writer that the lives of working-class Scottish women are unique, important, and worth writing/reading about.
The book tells the story of Joy, a woman whose mental health is slowly crumbling before our eyes. Galloway masterfully tells this story in the first person so that we are right inside Joy’s mind. We discover a background of abuse and recent bereavement, leading to issues with alcohol abuse and anorexia.
That should all make for a depressing read, and it is of course heart-breaking at times but it is also ultimately about one woman’s search for what it takes ‘to keep breathing’. Utterly spellbinding writing from one of Scotland’s greatest writers.
From the corner of a darkened room Joy Stone watches herself. As memories of the deaths of her lover and mother surface unbidden, life for Joy narrows - to negotiating each day, each encounter, each second; to finding the trick to keep living. Told with shattering clarity and wry wit, this is a Scottish classic fit for our time.
