Here are 100 books that The Adventures of Tom Sawyer fans have personally recommended if you like
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
This is a gritty depiction of a young boy whose decisions are far from a child’s resolve. The portrait McCarthy gives the reader left me with trail dust in my throat it was so gritty. I was uprooted from my easy, protected life and transformed into the world of 16-year-old Billy as he chooses the hard way.
His decisions have consequences, but his resolve is strong.
In The Crossing, Cormac McCarthy fulfills the promise of All the Pretty Horses and at the same time give us a work that is darker and more visionary, a novel with the unstoppable momentum of a classic western and the elegaic power of a lost American myth.
In the late 1930s, sixteen-year-old Billy Parham captures a she-wolf that has been marauding his family's ranch. But instead of killing it, he decides to take it back to the mountains of Mexico. With that crossing, he begins an arduous and often dreamlike journey into a country where men meet ghosts and violence…
From books to television, one of my favorite qualities of good writing is a rich, inter-generational cast of characters, especially ones that feature significant roles for characters young and old. These stories do not span multiple generations; instead, they showcase characters of all ages interacting at one time, which makes for dynamic plots and relationships.
What’s so neat about this book is that it doesn’t just capture a light-hearted and moving glimpse into English academia; it provides glimpses into a man’s—an institution in himself—relationships with his wife, coworkers, and students.
I enjoyed the progression of time. Several generations of students interact with the aging, albeit the same, “Mr. Chips.” There’s something neat about that.
Nine Stories Told Completely in Dialogue is a unique collection of narratives, each unfolding entirely through conversations between its characters. The book opens with "God on a Budget," a tale of a man's surreal nighttime visitation that offers a blend of the mundane and the mystical. In "Doctor in the…
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
I was riveted in a world of young boys searching for more than just a body. So much of coming-of-age stories delve deep into the minds of these kids as they navigate both the familiar and unfamiliar. I was lifted to a time and place that resonates with my desire for nostalgia.
#1 New York Times bestselling author Stephen King’s timeless novella “The Body”—originally published in his 1982 short story collection Different Seasons, and adapted into the 1986 film classic Stand by Me—is now available as a stand-alone publication.
It’s 1960 in the fictional town of Castle Rock, Maine. Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern…
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
This was one of my favorite books as a child and probably one reason I became an anthropologist of mining.
Though I wouldn’t have put it this way at the time, I found it fascinating that in a place where everything is doing the same job, especially a highly dangerous and damaging job, other aspects of culture coalesce around that job and its meanings—things like religion, kinship, gender, leisure, ecology, etcetera. I was deeply moved by the description of the vast slag heap that slowly came to tower over the town, eventually engulfing the narrator’s small house.
All six episodes of the BBC adaptation of Richard Llewellyn's classic novel set in a Welsh mining community at the turn of the century. Gwilym (Stanley Baker) and Beth Morgan (Siân Phillips) work their hardest to provide for their children, but these are the years before the unions improved the miner's lot, and times are very hard indeed. However, the community in which the Morgans live is a close-knit one, and they are grateful for all the help they receive, especially from the Rev. Gruffydd (Gareth Thomas).
My experience as a teacher of history, literature, art, and music placed me in close contact with young people and their friendships, passions, worries, and joys. Then I had children of my own. Teaching and parenting also made me more deeply aware of my own youth, and of the importance of relationships in the formation of the young. Each of my chosen books highlights these qualities through beautifully crafted prose. Their stories, characters, and settings have a special place in my heart, and have inspired me as a writer. And whenever I reread them, I realise I still have a lot to learn.
I’m not really a fan of Australian fiction, but I did enjoy Alan Marshall’s books.
Crippled by polio himself, Marshall had first-hand experience, which I found helpful for writing my book, especially since I Can Jump Puddles is also set in the early decades of the twentieth century.
More importantly, I find his gutsy approach to life in a tough rural environment, his no nonsense attitude, and his humour inspirational.
Sor Juana Ines de la Cruz, this brilliant 17th century nun flew through Mexico City on the breeze of poetry and philosophy. She met with princes of the Church, and with the royalty of Spain and Mexico. Then she met a stunning, powerful woman with lavender eyes, la Vicereine Maria…
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
This is by far my favorite novel by John Grisham. I loved that he delivered a sensational narrative of Luke Chandler, the son of a poor cotton farmer. The boy must learn to deal with life faster than a seven-year-old should ever have to, as life on the farm comes with many obstacles and plenty of secrets he must manage to juggle.
It is masterfully told, and the life as Luke sees it is well depicted. I recommend this highly.
#1 NEW YORK TIMES BESTSELLER • Until that September of 1952, Luke Chandler had never kept a secret or told a single lie. But in the long, hot summer of his seventh year, two groups of migrant workers — and two very dangerous men — came through the Arkansas Delta to work the Chandler cotton farm. And suddenly mysteries are flooding Luke’s world.
A brutal murder leaves the town seething in gossip and suspicion. A beautiful young woman ignites forbidden passions. A fatherless baby is born ... and someone has begun furtively painting the bare clapboards of the Chandler farmhouse,…
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
I love all things nostalgic. It is merely a memory and can never truly be recaptured, or can’t it. This nostalgic look back into a world familiar and warm invites the reader to immerse themselves into a time they might find evocative.
The choices are similar, consequences no less pivotal in shaping one’s world.
A collection of humorous and nostalgic Americana stories—the beloved, bestselling classics that inspired the movie A Christmas Story
Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.
In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage “You can never go back.” Bending the ear…
I am a long-time journalist and have been passionate about understanding history ever since taking a wonderful AP course in European history in high school. I have read many historical books, both fiction and nonfiction, so it makes sense that my first novel, Rebecca of Ivanhoe, is historical fiction. To be a good journalist and citizen, you have to know and understand history to inform your reporting and try to prevent the bad moments of history from repeating themselves.
James is an inventive retelling of the Huckleberry Finn saga from the point of view of a slave who lives on the same Virginia plantation as Huck Finn. James runs away when he learns he is about to be sold and separated from his beloved wife and daughter. Huck Finn finds James hiding in a nearby cave, and together, they embark on many adventures and close calls.
I’m not going to spoil the ending for you; suffice it to say that James divulges a startling secret to Huck as he tries to elude a massive manhunt just as the country plunges into civil war. This book kept me glued to each page.
'Truly extraordinary books are rare, and this is one of them' - Roddy Doyle, Booker Prize-winning author of Paddy Clarke, Ha Ha Ha
James by Percival Everett is a profound and ferociously funny meditation on identity, belonging and the sacrifices we make to protect the ones we love, which reimagines The Adventures of Huckleberry Finn. From the author of The Trees, shortlisted for the Booker Prize, and Erasure, adapted into the Oscar-winning film American Fiction.
The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new…
Vanderough University prepares its graduates for life on Mars. Herbert Hoover Palminteri enrolls at VU with the hope of joining the Martian colony in 2044 as a member of its esteemed engineer corps. But then Herbert is tapped to join a notorious secret society: the Order of the Scepter and…
As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
So what if his worldview never makes sense to anyone but himself? I see Holden Caulfield as the quintessential benchmark for a bad boy, shucking off the last few days at the boarding school that expelled him to wander around Manhattan in a daze. Some readers don’t like him so much that they are personally invested in attacking him and what he represents.
But what is it that he represents, exactly? When I look beyond the surface of his false bravado, he’s a character deeply affected by the death of his brother and is setting out on a quest to understand how to be a real person in a world of phonies. Many of us, as teenagers, also have moments of feeling misunderstood and alone. I know I did, and so did Holden.
