100 books like Ten Rules for Faking It

Sylvia Barry is our invention, a solitary witch who writes queer romance from her lighthouse keep. As a pair of co-authors, one of us grew up with the dry humor of Terry Pratchett and Douglas Adams, and the other grew up with fanfiction and romance tropes. We came together to write quirky, queer romances that are playful and ironic but also deal with deeper themes of self-discovery, trauma healing, and community. Rivals-to-lovers and grumpy/sunshine are our favorite tropes to write, especially in dual (or more!) POV, because the Yearning is always juicy, and we play off each other’s energy as we write our opposing characters.

The two people I love most, my husband and my son, manage obsessive-compulsive disorder. Their struggles constantly inspire me and illustrate the courage it takes to navigate everyday life with an invisible disability. We don’t talk enough about that courage. Instead, society passes judgment and shares OCD jokes. There’s nothing funny about a chronic, potentially fatal illness that demands lifelong management. After all, we don’t laugh at diabetics, and people aren’t defined by their disabilities. (Think of Helen Keller’s achievements!) My passion is to create characters who chip away at the stigma, shame, and stereotypes of mental illness. They also prove the mantra, “You are not your disorder.” Amen.

The two people I love most, my husband and my son, manage obsessive-compulsive disorder. Their struggles constantly inspire me and illustrate the courage it takes to navigate everyday life with an invisible disability. We don’t talk enough about that courage. Instead, society passes judgment and shares OCD jokes. There’s nothing funny about a chronic, potentially fatal illness that demands lifelong management. After all, we don’t laugh at diabetics, and people aren’t defined by their disabilities. (Think of Helen Keller’s achievements!) My passion is to create characters who chip away at the stigma, shame, and stereotypes of mental illness. They also prove the mantra, “You are not your disorder.” Amen.

The two people I love most, my husband and my son, manage obsessive-compulsive disorder. Their struggles constantly inspire me and illustrate the courage it takes to navigate everyday life with an invisible disability. We don’t talk enough about that courage. Instead, society passes judgment and shares OCD jokes. There’s nothing funny about a chronic, potentially fatal illness that demands lifelong management. After all, we don’t laugh at diabetics, and people aren’t defined by their disabilities. (Think of Helen Keller’s achievements!) My passion is to create characters who chip away at the stigma, shame, and stereotypes of mental illness. They also prove the mantra, “You are not your disorder.” Amen.

My mom says I always had my head in a book. In fact, I got in trouble once for reading a questionable book while sitting in the choir stand at church. I’ve always been a reluctant rule-follower. Reading allowed me to explore worlds that I wasn’t allowed to talk about, let alone visit. Even now, as an adult, my life is pretty boring. But the books I read and the stories I write—that’s where it all goes down, baby!

As a queer millennial myself, I’m fascinated by the many different approaches writers of my generation have taken to queerness. American millennials have, I think, a unique perspective—when we were kids, gay jokes were prevalent everywhere on TV. Now same sex marriage is legal. On the other hand, there has also been a hard swing of the pendulum, and LGBTQ rights are being curtailed once again. Celebrating the plurality of queer contemporary stories is important to me, a reminder that we’re always going to be here, and that just as queer artists always have, we’ll continue having an impact on the cultural landscape.  

I’m genuinely fascinated by human nature and why we behave the way we do, the things that make us act within or out of character, and at what point they become a part of who we are rather than just a lapse in judgment or an isolated incident. Relationships in particular fascinate me because of the way they force us to reckon with our behavior towards ourselves and other people. I love seeing how writers explore and examine those relationships, whether before, after, or during them, and how they allow their characters to move through those moments. Often, despite how far-fetched some of the scenarios may feel, I find myself within their pages.

I’ve known since I was 5 years old that my passion in life was helping people be all they came to this planet to be. I have been working with individuals, couples, businesses, and groups, and teaching courses for 54 years. Having had many years of my own psychotherapy, and 17 years into practicing traditional psychotherapy, I was not happy with the results, so I prayed for a teacher or a process that would really work. 38 years ago, I met Dr. Erika Chopich and we co-created the powerful Inner Bonding process, brought to us by our higher guidance, that rapidly heals on a very deep level, far beyond traditional psychotherapy. 

I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.

One might read for many reasons, but one of the main reasons for me is to connect and relate to the character. Female voices are very underheard, and I feel incredibly passionate about changing that and creating and reading stories where the female protagonists have strong voices and are not afraid to be heard. I think it’s important that we continue to create female characters that are raw and real and that portray subjects and feelings that need to be heard more.