Here are 100 books that Tell Me I'm an Artist fans have personally recommended if you like
Tell Me I'm an Artist.
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I love reading about artists and creators because I’ve been around them most of my life and they are the people I feel I understand the best – though I’m always surprised by the new crafts, facets, and ideas I learn! I grew up in and around my mother’s ceramic shop, my best friends in high school were artists and I was their dorky theater friend, and the two YA books I wrote centered on issues that face young creators. The passion of creative people and artistic friends has always driven me to do my best and not give up on my dreams.
Linka’s art-thriller is smart, compelling, and almost impossible to stop reading. Not only does it tackle being a first-year student in an art school in Los Angeles, it examines a subject that is often glamorized without being scrutinized: living in poverty as a homeless-at-times college student and artist. The myth of the starving artist is torn apart in this contemporary, empathetic, and intriguing story as we follow Sabine Reyes into the world where she thought she belonged, only to find out it’s not as picture-perfect as it seems. There’s some good romance in here, too and Linka’s sharp, penetrating stare at the character’s choices makes us, as readers, question what would we do? Who would we trust? And what happens when we’re wrong?
Winning a scholarship to California's most prestigious art school seems like a fairy tale ending to Sabine Reye's awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs. But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work-and warns her that she'll lose the merit-based award if she doesn't improve.
Desperate and humiliated, Sabine doesn't know where to turn. Then she meets Adam,…
Writer, reader, editor, reviewer, publisher… those are all parts of me. With a lifetime of experience in the “words” industry, I have a pretty good handle on what makes a book not just good, but hot. I say this with the understanding that each reader brings their own histories to the reading experience, and what one person may like, another may not. Nonetheless, I offer you my professional and personal favorites in the mystery/thriller/suspense categories. It is my sincere hope that you find these books as addictive as I’d found them. Superb and clever writing, engaging characters, unpredictable plots—yes, please! Though I occasionally step outside my comfort zone, I'm consistently drawn back to these categories.
The cover made me buy it, and the writing made me love it. An unexpected amateur sleuth, a mere teenager trying to find his missing sister, is the crux of this story filled with captivating characters and constant go-go-go. The entire plot blew my mind with its twists and tensions and completely unexpected angles. I highly recommend this revered mystery/thriller/suspense novel set during the Age of Aquarius—1968 in Laguna Beach, California.
A Thousand Steps is a beguiling thriller, an incisive coming-of-age story, and a vivid portrait of a turbulent time and place by three-time Edgar Award winner and New York Times bestselling author T. Jefferson Parker.
Laguna Beach, California, 1968. The Age of Aquarius is in full swing. Timothy Leary is a rock star. LSD is God. Folks from all over are flocking to Laguna, seeking peace, love, and enlightenment.
Matt Anthony is just trying get by.
Matt is sixteen, broke, and never sure where his next meal is coming from. Mom’s a stoner, his deadbeat…
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
I was riveted in a world of young boys searching for more than just a body. So much of coming-of-age stories delve deep into the minds of these kids as they navigate both the familiar and unfamiliar. I was lifted to a time and place that resonates with my desire for nostalgia.
#1 New York Times bestselling author Stephen King’s timeless novella “The Body”—originally published in his 1982 short story collection Different Seasons, and adapted into the 1986 film classic Stand by Me—is now available as a stand-alone publication.
It’s 1960 in the fictional town of Castle Rock, Maine. Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Most people know the slowburn romance. A spark flickers at deliberate pace until finally passion ignites. But what about the slowburn mystery? As a reader and a writer, I’m drawn to mysteries that twine as a well-drawn character, usually an amateur sleuth, gets pulled into investigating some eerie event. These mysteries begin with a straightforward query, and as the sleuth digs, the mystery grows. The pace leaves room for well-developed subplots—often, in my favorites, a slowburn romance, too. I love a book where I can settle into the world while the story gathers steam. And in the end, when that slow flame finally blazes… Oh, it’s so worth the wait.
I’m drawn to sister stories, which is something I only realized when I started writing this list, and it occurred to me that a number of my recommendations use the slowburn mystery as a means to explore sisterhood (something my own book does, as well).
I have a sister (hi, Diana!) and we have an uncomplicated and happy relationship. So maybe I subconsciously craved more drama growing up? Kidding aside, there’s something innately compelling about the dynamics between two people who may be very different or very similar, who share blood and memories, and who are tied together, for better or worse, for life.
How to Live Without You is a sister story at its best, as Emmy is the only person who’s capable of following Rose’s breadcrumbs.
In this heart-wrenching coming-of-age story about family, grief, and second chances, seventeen-year-old Emmy returns home for the summer to uncover the truth behind her sister Rose's disappearance-only to learn that Rose had many secrets, ones that have Emmy questioning herself and the sister Emmy thought she knew.
When her sister Rose disappeared, seventeen-year-old Emmy lost a part of herself. Everyone else seems convinced she ran away and will reappear when she's ready, but Emmy isn't so sure. That doesn't make sense for the Rose she knew: effervescent, caring, and strong-willed. So Emmy returns to their Ohio hometown for a summer,…
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I have a soft spot for characters who find strength by dint of superhuman effort, and the way this fifteen-year-old takes charge after the 1906 earthquake—haltingly, uncertainly, as is only plausible—makes me wish I’d met her.
Her path is steeper than the San Francisco hills, yet her refusal to ask for pity wins me over. I also admire how Edgarian uses her protagonist’s coming of age to represent San Francisco’s, a parallel delivered with a light touch.
But above all, the novel explores the fraught relation between women and power; and how Vera walks that tightrope makes compelling fiction.
New York Times bestselling author Carol Edgarian delivers “an all-encompassing and enthralling” (Oprah Daily) novel featuring an unforgettable heroine coming of age in the aftermath of catastrophe, and her quest for love and reinvention.
Meet Vera Johnson, fifteen-year-old illegitimate daughter of Rose, notorious proprietor of San Francisco’s most legendary bordello. Vera has grown up straddling two worlds—the madam’s alluring sphere, replete with tickets to the opera, surly henchmen, and scant morality, and the quiet domestic life of the family paid to raise her.
On the morning of the great quake, Vera’s worlds collide. As the city burns and looters vie…
As a contemporary fiction author, I dig down into and expose the dirty underbelly of my characters’ lives and experiences. As a reader and television viewer, I am drawn to stories that do the same. My fascination with reading and writing gritty stories about queer characters figuring their lives out stems from my own confused upbringing. I have written four full-length contemporary fiction novels that all put the main character’s experiences and choices under a microscope. Additionally, while I didn’t set out to try to destigmatize therapy and friends talking openly about their struggles, reviewers have pointed out that those are themes in my books.
Michelle writes in an authentic voice that draws the reader into her tumultuous, down and dirty story. I love Valencia because as I read the book, it feels like she is sitting next to me on a dirty curb, late at night, regaling me with stories about her youthful adventures (and misadventures) in San Francisco. Valenciawas a touchstone for me as a young author; it taught me that it’s okay to write about gritty, real-life things because, surprise, they are relatable. Valencia also helped me overcome my self-doubt about writing and getting my own unique voice out into the world.
Valencia is the fast-paced account of one girl's search for love and high times in the drama-filled dyke world of San Francisco's Mission District. Michelle Tea records a year lived in a world of girls: there's knife-wielding Marta, who introduces Michelle to a new world of radical sex Willa, Michelle's tormented poet-girlfriend Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama and Iris's ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart.
The Road from Belhaven is set in 1880s Scotland. Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small girl that she can see the future. But she soon realises that she must keep her gift a secret. While she can sometimes glimpse…
I was a teenager in the late sixties, born into a conservative household, with a huge rebellious streak. Starting with Woodstock, I was obsessed with hippie culture. Communes in particular held a special fascination for me, and later, as places of potential depravity. My sister-in-law lived in a commune in Oregon in the late 60s/early 70s. Many of the details in my novel are pulled from her life, and though she is no longer alive, her adult children shared stories from their childhoods. Her oldest daughter, whom I fictionalized as Shoshanna, became the character and voice I used to recount the family’s escape and eventual safe landing. The story still feels like uncovered family history.
I love The Age of Miracles because I was so taken with Walker’s scientific premise, that by the “slowing” of rotation, the world would come to its inevitable end. This scientifically grounded plot point was something I found arresting; it fascinated me immediately. I also loved Walker’s eleven-year-old protagonist, Julia. Julia is genuine, believable, set in her strange but also eerily recognizable nearing-the-apocalypse world. Julia also has a rich, and I felt very authentic, inner life. Her emotions rang true, and the plot not only riveted me, it broke my heart.
'It is never what you worry over that comes to pass in the end. The real catastrophes are always different - unimagined, unprepared for, unknown...'
What if our 24-hour day grew longer, first in minutes, then in hours, until day becomes night and night becomes day? What effect would this slowing have on the world? On the birds in the sky, the whales in the sea, the astronauts in space, and on an eleven-year-old girl, grappling with emotional changes in her own life..?
One morning, Julia and her parents wake up in their suburban home in California to discover, along…
As a historical novelist, my passion is world history and the story of my own family. Having survived the First World War, my Scottish grandfather went to India as a forester and my granny followed him out there; they married in Lahore. I was fascinated by their stories of trekking and camping in the remote Himalayas. They lived through momentous times: world war, Indian Independence and Partition. Grandfather Bob stayed on to work for the new country of Pakistan. Long after they’d died, I discovered their letters, diaries, and cine films from that era – a treasure-trove for a novelist! – which have helped enrich my novels set during the British Raj.
As this novel is set in 1970s Islamabad, Pakistan and the ex-pats are mainly American, it’s technically not about the British in India. But the ex-colonial legacy is there to see: Pakistan was a creation of independence from British rule and is still being affected by geo-politics. I was gripped by the description of life in the Pakistani capital; an area where my grandparents had lived and worked and through which I had travelled in the ’70s. This coming-of-age story is told by teenager Aliya, (half-Pakistani and half-Dutch) who attends the American school. Not only are the tensions of identity well portrayed but also the growing unease between the communities after a traffic accident leaves a young boy dead and world events ignite further unrest. Fascinating and unusual historical fiction.
In this intimate coming-of-age story set in the late 1970s, a young girl struggles to make sense of the chaos around her during Pakistan's political upheaval, where the military revolts, the embassy burns, and a terrible secret tears her world apart.
Eleven-year-old Aliya Shah lives a double life in Islamabad, Pakistan-at home with her Pakistani father and Dutch mother, and at the American School, where Aliya tries to downplay that she is a "half-and-half." But when a hit-and-run driver kills the son of the family's servant, Sadiq, who is also Aliya's dear friend, her world is turned upside down. After…
I’ve been fascinated by maps all my life. The map of India has always held special interest. As I’ve lived in different parts of India, I’ve seen firsthand how India is one country, but its stories are multiple. I chronicled India’s varied stories through the origins of each of its states. Similarly, I’ve curated a diverse and inclusive reading list. It covers different parts of the country and contains different types of books—graphic novel, travelog, memoir, and short story collections. The authors also cut across religion, gender, and social strata. I hope you discover a whole new India!
With a Persepolismeets Mausapproach, this graphic novel visually takes us into the daily life that locals live in Kashmir, the most militarized zone in the world. This ground-up storytelling is intimate and powerful, as it takes us behind the propaganda and gives us the insider’s view in explosive, insightful, and humorous ways. Images may be more powerful than words, and this book has haunting images that will linger long after you finish the last page.
A beautifully drawn graphic novel that illuminates the conflicted land of Kashmir, through a young boy's childhood.
Seven-year-old Munnu is growing up in Indian-administered Kashmir. Life revolves around his family: Mama, Papa, sister Shahnaz, brothers Adil and Akhtar and, his favourite, older brother Bilal. It also revolves around Munnu's two favourite things - sugar and drawing.
But Munnu's is a childhood experienced against the backdrop of conflict. Bilal's classmates are crossing over into the Pakistan-administered portion of Kashmir to be trained to resist the 'occupation'; Papa and Bilal are regularly taken by the military to identification parades where informers will…
James Malloy is a ferry captain--or used to be, until he was unceremoniously fired and replaced by a "girl" named Courtney Farris. Now, instead of piloting Brenton Island’s daily lifeline to the glitzy docks of Newport, Rhode Island, James spends his days beached, bitter, and bored.
Hi! We are writers currently living in Los Angeles after 18 years in New York. We wrote Margot Mertzafter reading American Girls: Social Media and the Secret Online Lives of Teenagersby Nancy Jo Sales. It was the first time we heard of boys cultivating and curating non-consensual nude pics, effectively treating them like Pokemon cards. It was infuriating, especially when we realized there are no federal laws to protect victims of revenge porn at the time. So it became a focus of our work. We love a main character who’s angry but also funny, and desperately seeking change.
The logline sounds like the most depressing character study you’ll ever read. A story of a pregnant teenager, Jane, who lives with her mom after the death of her father. Jane spends her days delivering pizzas and her nights drinking beers alone in a shed behind their house. But thanks to the prose, and the pacing of the plotting, this book is both funny, engaging, and something of a psychological thriller. Especially when Jane becomes obsessed with one of her regulars, a stay-at-home mom. We marveled at Kyoung Frazier’s ability to put us in the head of Jane, in a way that we actually wanted to stay there.
