Fans pick 100 books like Spy Secrets That Can Save Your Life

This book is the first in the Jaded Trilogy. It’s set in New Zealand during the 1970s. It’s a twisty plot (which I particularly love) and there are Russian spies.

NZ in the ’70s (mid-Cold War) when nothing was as it seemed and everyone had an agenda, whether it was stealing a painting, growing and distributing weed, or counter surveillance on a Russian diplomat. And things overlapped as they do in New Zealand.

This is a fun exciting book. It reminded me of what the world was like before phones became computers back when everything was analog. As a writer of spy/PI thrillers, it was a great read. (I’m a fan, I’ve read all of Nick Spill’s work including his non-fiction.)

This book is set in the late 70’s/early 80’s in Wellington. Even the cover is a familiar image to me (my father was involved in the construction/ finishing of the building depicted).

I will say that the dialogue was hard to get used to because it is very clipped but the story set in a city that I knew at that time was great. It centres around a police officer which is something else that’s familiar to me.

I did struggle a bit with the dialogue because it was difficult to tell who was speaking if there weren’t attributes but I couldn’t put it down because I really wanted to know what happened to Felicity Daniels. Setting wise this book is a trip down memory lane and I loved the journey.

The first section of this book feels so accurate in its depiction of the Smersh (death to spies) training camp that I hardly missed 007 at all, who appears on page 95 in part two of the book. I first came across James Bond when my sister, who was three years my senior, got me to see the 1963 film. I was twelve at the time. I wonder what today’s politically correct regime would have to say about that? My sister was probably underage as well but looked older, so she passed muster.

This book is my favorite of Fleming’s Bond books. I have read it many times, yet when I pick it up to start again, there is that air of excitement; I can almost smell the exotic location of Istanbul, Bond being pitched against a dangerous adversary, and, to top it all, the remarkable character, Colonel Rosa Klebb,… show more.

This book is a quick reference to body language whereas What Every Body Is Saying is a much longer more detailed look at body language. I use both when I’m writing.

I keep this book handy because if I use it often. I use it to add authenticity to scenes like an interrogation or I want a character to appear slightly nervous or maybe as if they want out of the conversation, then The Dictionary Of Body Language is a fantastic resource.

It’s also fun if you use it in conjunction with observing people. Just take yourself somewhere there are a lot of people and watch. It’s amazing what you’ll see. And yes, I love doing that. It’s a form of research for characters. Because I’ve read this book a lot, I can usually pick fairly quickly what is going on, and then I can always check later. 

I first heard of The Disaster Diaries from an interview with author Sam Sheridan. While not a book strictly related to a grid failure, it was still about disaster and surviving the breakdown of societal norms. 

What was so amazing about the book—and something that endeared the author to me, was his humility regarding his own lack of preparedness. Here was a man who had been an EMT, a mixed martial arts fighter, a fire-fighter, and a cowboy, and yet he still didn’t feel prepared enough to survive a disaster!

What follows is a unique journey as he learns stunt driving, knife fighting, even how to steal a car, all to help him prepare for “The Big One.” 

A little levity may be required as we watch the world crumble around us. Anne Washburn’s play reads as a multi-generational game of telephone. Beginning shortly after the apocalypse, with television now obsolete, people gather round a campfire and begin retelling what they remember from random episodes of The Simpsons. In the second act, the retelling has evolved into an oral tradition far from the original. By the third act, we’re eighty years removed from the apocalypse, and the story has become its own bizarre and surreal performance. I read Mr. Burns and saw the play in person years ago, but I still think about it and laugh. It might also somehow be a fairly accurate depiction of our post-apocalyptic world.

I was hesitant to pick up this book. Previously, I had enjoyed several of Neal Stephenson’s novels while finding others a bit of a slog. I was skeptical of the premise of Seveneves (the Moon is mysteriously destroyed with disastrous consequences for Earth) because it seemed too simplistic and apocalyptic. Oh boy, was I wrong!

This book delves into the politics of hard choices, the costs of survival, and the small and large-scale tragedies that come during the unrest. The science in this book is astounding: orbital mechanics, genetic engineering, space construction, geophysics and biology, and on and on. But the humans at the heart of the story will win you over. This book stayed with me for a LONG TIME. Unforgettable. 

During lockdown I was invited to take part in an online event with three other authors, one of whom was Phoebe Morgan.

I read all three authors’ books in preparation and was quickly drawn into The Wild Girls. The locked room in this case is a luxury lodge in Botswana, the cast of characters four friends who have avoided each other for the past couple of years.

And then one of the four invites the others to celebrate her birthday with a trip to Africa, all expenses paid. But when the trio arrives the hostess is nowhere to be seen. Nor are there any staff and the lodge itself is isolated.

And then the promised party becomes a nightmarish fight for survival.  

Can continental drift lead to mass extinctions of life? In this book, Wignall expounds his provoking hypothesis that gigantic volcanic eruptions, triggered by the arrangement of the world’s landmasses in a single super-continent, led to eighty million years of episodic environmental crises that devastated life again and again. He describes the latest scientific evidence for this volcano-extinction connection and takes us with him on his own exciting field experiences studying these volcanic events in remote corners of the world.

I love how this book elevates lying into an art form. Following the convention of the era, Defoe published the work as if it were written by its main character, Robinson Crusoe. Crusoe stands out from its peers for the subtlety of its mimicry. I envy how natural and easy Defoe makes writing look.

The book reveals the novel’s roots in other genres, such as satire, journalism, religious writing, and personal narrative. Defoe excelled at all of these, and I find the strange convergence mesmerizing. It’s possible to see the outlines of these earlier traditions even as something like a modern novel comes into view.

With apologies to Oprah and James Frey, this book helps me remember that the best writers have always been a bit loose with the truth.