100 books like Spy Secrets That Can Save Your Life

This book is the first in the Jaded Trilogy. It’s set in New Zealand during the 1970s. It’s a twisty plot (which I particularly love) and there are Russian spies.

NZ in the ’70s (mid-Cold War) when nothing was as it seemed and everyone had an agenda, whether it was stealing a painting, growing and distributing weed, or counter surveillance on a Russian diplomat. And things overlapped as they do in New Zealand.

This is a fun exciting book. It reminded me of what the world was like before phones became computers back when everything was analog. As a writer of spy/PI thrillers, it was a great read. (I’m a fan, I’ve read all of Nick Spill’s work including his non-fiction.)

This book is set in the late 70’s/early 80’s in Wellington. Even the cover is a familiar image to me (my father was involved in the construction/ finishing of the building depicted).

I will say that the dialogue was hard to get used to because it is very clipped but the story set in a city that I knew at that time was great. It centres around a police officer which is something else that’s familiar to me.

I did struggle a bit with the dialogue because it was difficult to tell who was speaking if there weren’t attributes but I couldn’t put it down because I really wanted to know what happened to Felicity Daniels. Setting wise this book is a trip down memory lane and I loved the journey.

If you, like the younger me, are only familiar with James Bond 007 via the long-running film franchise, you might also be fascinated to discover the original source material, even if you don’t entirely enjoy it.

To be blunt, Ian Fleming’s novels are steeped in highly problematic historical British colonialism, not to mention being grossly misogynistic and ridiculously violent at times. But they also include a reasonable amount of actual, real-world tradecraft, and that’s what I twigged to when I started checking out the books.

This book is a quick reference to body language whereas What Every Body Is Saying is a much longer more detailed look at body language. I use both when I’m writing.

I keep this book handy because if I use it often. I use it to add authenticity to scenes like an interrogation or I want a character to appear slightly nervous or maybe as if they want out of the conversation, then The Dictionary Of Body Language is a fantastic resource.

It’s also fun if you use it in conjunction with observing people. Just take yourself somewhere there are a lot of people and watch. It’s amazing what you’ll see. And yes, I love doing that. It’s a form of research for characters. Because I’ve read this book a lot, I can usually pick fairly quickly what is going on, and then I can always check later. 

I first heard of The Disaster Diaries from an interview with author Sam Sheridan. While not a book strictly related to a grid failure, it was still about disaster and surviving the breakdown of societal norms. 

What was so amazing about the book—and something that endeared the author to me, was his humility regarding his own lack of preparedness. Here was a man who had been an EMT, a mixed martial arts fighter, a fire-fighter, and a cowboy, and yet he still didn’t feel prepared enough to survive a disaster!

What follows is a unique journey as he learns stunt driving, knife fighting, even how to steal a car, all to help him prepare for “The Big One.” 

A little levity may be required as we watch the world crumble around us. Anne Washburn’s play reads as a multi-generational game of telephone. Beginning shortly after the apocalypse, with television now obsolete, people gather round a campfire and begin retelling what they remember from random episodes of The Simpsons. In the second act, the retelling has evolved into an oral tradition far from the original. By the third act, we’re eighty years removed from the apocalypse, and the story has become its own bizarre and surreal performance. I read Mr. Burns and saw the play in person years ago, but I still think about it and laugh. It might also somehow be a fairly accurate depiction of our post-apocalyptic world.

In Seveneves the crises start coming and never stop coming.

The sudden, inexplicable destruction of the Moon and the resultant catastrophic rain of debris destroys habitability on Earth. A small population of refugees escapes into space to keep the flame of humanity alight.

Naturally, the inhospitality of interplanetary space and conflicting factions of survivors plunges the journey into resource depletion, rampant cancer, attempted coups, and a population bottleneck, but I found that the ending concludes a surprising story of human connection, even when the definition of human has radically changed. 

During lockdown I was invited to take part in an online event with three other authors, one of whom was Phoebe Morgan.

I read all three authors’ books in preparation and was quickly drawn into The Wild Girls. The locked room in this case is a luxury lodge in Botswana, the cast of characters four friends who have avoided each other for the past couple of years.

And then one of the four invites the others to celebrate her birthday with a trip to Africa, all expenses paid. But when the trio arrives the hostess is nowhere to be seen. Nor are there any staff and the lodge itself is isolated.

And then the promised party becomes a nightmarish fight for survival.  

This recommendation is a little different from the others on my list. This “Titanic in Space” story really caught my imagination. It’s intense, romantic, and wildly believable. It does have romantic tension, but nothing steamy—the characters don’t have time or the safety for messing around. That is also another reason for my recommendation. It is an action and adventure story that includes great world-building and character interactions that make sense. I also love the author’s other books, but they aren’t blush-free. I do have to flip some pages to get past the steam. But it’s the Titanic! In space! Super fun read.

This book was the granddaddy of the adventure genre. Writing in the 1700s, Defoe provided all the touch-points that have dominated the genre to the present day – desert island, castaway, man Friday, fear of man-eating beasts – almost all of which I have used in a book written in the 2020s (although my Alix did not find a man Friday). As possibly the first fictional story of human survival it created a template for all that followed. Each of the books I have mentioned, including my own, have to deal with endless problems from the mundane (what can I eat?) to the sublime (what am I here for?) and despite some occasional sermonising, Defoe showed us how to do it. I have just reread it for the fourth time, and yes, I skipped some passages, but nonetheless, it’s a rollicking good read.

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