Here are 61 books that Soul Music fans have personally recommended if you like
Soul Music.
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I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.
It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
Though I’m not personally an orphan, I’ve always been drawn to books that feature them. Maybe it’s because I felt the lack of a father; mine wasn’t around much during my childhood, since he worked at a job in the city through the week. The absent or distant father is a recurring theme in my novels, including the Shakespeare Stealer series, Moonshine, The Imposter, The Year of the Hangman, and Curiosity. Of course, when you write for young readers, orphans also make ideal protagonists, since they’re forced to use their own resources to confront and resolve the story’s conflict, rather than relying on grownups.
Okay, this is really three novels, but they’re all linked, and all fascinating. Martha, the orphan, is offbeat, often unlikeable, and yet one of the most compelling characters you’re likely to find in fiction. Though Sharp is best known for The Rescuers and its sequels, this series is in a whole different universe, and definitely not for young readers. (By the way, they’re also very funny.)
They met at the Chelsea Arts Ball: he went as a paper parcel, and she as a Spanish dancer. Harry Gibson and Miss Diver fell deeply in love...
But when Mr Gibson decides he'll have to marry the hopelessly unprepossessing daughter of his colleague in order to save his ailing business, Miss Diver is cut off without a penny. She's forced in turn to take in a lodger, Mr Philips, who mistakenly takes Miss Diver for a much richer woman than she is...
Watching over them all is Miss Diver's niece Martha, a clumpy, unappealing child of a certain artistic…
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
I’ve loved this book since I was a teenager, but I always feel frustrated and angry at Miss Havisham’s entrapment of Estella and Pip. Central to the story is Satis House, a metaphor for getting stuck in life—its name is very close to Stasis.
The original end of the novel works much better for me. Pip and Estella meet by chance in the street and part for the last time. The ‘new’ ending has them go off together against a backdrop of burned-down Satis House, thus removing the irony of the book’s title. Although there is the heavy-handed metaphor of the death of the house freeing them, I prefer that it retains its static power and condemns their expectations forever.
'His novels will endure as long as the language itself' Peter Ackroyd
Dickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a…
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers he’s…
I’ve always been deeply interested in how people connect to those around them—it is something I write about constantly. My first novel, So Much Love, was about how a community reacts to terrible loss and uncertainty, and my recent book of nonfiction, These Days Are Numbered, is about how my own community—and I—reacted to the Covid-19 pandemic. I am always looking at how humans human, separately and especially together. That is one of the joys of narrative fiction for me—the way we can use it to examine our behaviour and interactions, and how we form relationships and communities. I hope these books enthrall you as much as they did me.
Yes, it’s a Victorian novel but it’s also the slenderest and sweetest one, by my lights.
Cast out from his narrow religious community by the acts of a dishonest friend, Silas Marner flees to a new village and resolves to live a life apart, money his only security. Then along comes a tiny child in need and Silas cannot help but help—even though this new challenge comes on the heels of a devastating robbery.
The man’s generosity has the effect of opening him up to the generosity of others until, little by little, he becomes a part of the community he has lived apart from for so long. There is never a bad time to read this lovely, hopeful little novella about the worst and best of human nature.
Gold! - his own gold - brought back to him as mysteriously as it had been taken away!
Falsely accused of theft, Silas Marner is cut off from his community but finds refuge in the village of Raveloe, where he is eyed with distant suspicion. Like a spider from a fairy-tale, Silas fills fifteen monotonous years with weaving and accumulating gold. The son of the wealthy local Squire, Godfrey Cass also seeks an escape from his past. One snowy winter, two events change the course of their lives: Silas's gold is stolen and, a child crawls across his threshold.
I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.
I said I would limit myself to two Discworld books, so here we have my other favourite. This is quite an early one, before the world is fully formed, but the portrayal of the wizards and their University is beginning to emerge, full of chaos and joy and demented energy. But again, this madcap, surreal mania is corralled masterfully, the characters feeling like real people with real agency, moving through a world that—while full of vivid colours and impossible, surreal things—is also somehow solid and real. It is a testament to Pratchett’s incredible storytelling powers that Ankh Morpork is more real to me than several cities I have actually, physically visited. It is unreal and yet hyper-real at the same time. You should go visit. It is wonderful.
'May well be considered his masterpiece . . . Humour such as his is an endangered species' The Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . .
All this books and stuff, that isn't what it should all be about. What we need is real wizardry.
Once there was an eighth son of an eighth son, a wizard squared, a source of magic. A Sourcerer.
I’ve never been a fan of polemics or schmaltz. But that doesn’t mean I don’t want to learn or see new perspectives or feel deep feelings; I just think humor is the best way to get past people’s defenses. (All the better to sucker punch them in the feels.) I also think the world can be a pretty dark and scary place. I love books that give us hope, enough hope to have the courage to change what we can to make the world a little brighter.
I loved this book because it combines three of my favorite things—humor, fantasy, and baking. What’s not to like about a wizard whose familiar is a sourdough starter?
There’s a small army of hilarious gingerbread men, to boot. T. Kingfisher manages a weird balance between humor, horror, and heart. Her world, like ours, has some really dark stuff in it, but she has such a deft touch that I felt cozy even during murder, political scapegoating, and siege.
Fourteen-year-old Mona isn't like the wizards charged with defending the city. She can't control lightning or speak to water. Her familiar is a sourdough starter and her magic only works on bread. She has a comfortable life in her aunt's bakery making gingerbread men dance.
But Mona's life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona's city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of…
This is a multicultural epic fantasy with a diverse cast of characters. Sickly fifteen-year-old Prince Psal, the son of warrior-king Nahas, should have been named Crown Prince of all Wheel Clan lands. But his clan disdains the disabled.
When the mysterious self-moving towers that keep humans safe from the Creator's…
I’ve always been a fan of swords and sorcery, but Urban Fantasy brings those elements into a more relatable field, turning real-world locations into sandboxes filled with magic and monsters. I might love Aragorn as a character, but I can’t fully relate to him. Now, give me an “average” guy with real-world problems, running around a modern metropolis, slinging spells, and fighting monsters in dark alleys, and I’m right there with him. Urban Fantasy opens up the imagination to anything you want. Dragons in New York? Sure. Giants using the Eiffel Tower as a baseball bat? Why the hell not? Nothing is off-limits. It’s just pure, unadulterated fun.
This book is just fun. The concept of a bored lawyer responding to an ad in the paper, offering an entire magical kingdom for only a million dollars, is pure entertainment. You can’t even buy a good house for that these days.
It’s one of the best fish-out-of-water tales I’ve read and filled with just ridiculous and hilarious fantasy tropes. Terry Brooks isn’t afraid to make fun of his own genre and does it masterfully with the world of Landover.
Here in his first non-Shannara novel, Terry Brooks has written a gripping story of mystery, magic, and adventure—sure to delight fantasy readers everywhere.
Landover was a genuine magic kingdom, with fairy folk and wizardry, just as the advertisement has promised. But after he purchased it, Ben Holiday learned that there were a few details the ad had failed to mention.
The kingdom was in ruin. The Barons refused to recognize a king, and the peasants were without hope. A dragon was laying waste the countryside, while an evil witch plotted to destroy everything.
I’m a young adult fantasy author who’s been in love with pirates since before Pirates of the Caribbean came out…and who then wrote a novel inspired by it. I grew up watching every pirate movie I could and have always wanted to hunt for treasure. I feel my most calm when I’m by the ocean, and I’m a bit of a wanderer myself—having traveled to over 60 countries and to every continent (yes, including Antarctica!). I have a master’s degree in Creative Writing and love sharing my adventures with the world.
I love a good enemies-to-lovers trope, and this one has it! Pirate Ananna nearly escapes a forced marriage into another pirate clan, but her freedom comes at a cost—an assassin sent to kill her. Hold on to your hats because this book has adventure, romance, curses, and more! You’ll fall in love with the world and the characters as they leap off the pages!
Ananna of the Tanarau abandons ship when her parents try to marry her off to an allying pirate clan: she wants to captain her own boat, not serve as second-in-command to her handsome yet clueless fiance. But her escape has dire consequences when she learns the scorned clan has sent an assassin after her.
And when the assassin, Naji, finally catches up with her, things get even worse. Ananna inadvertently triggers a nasty curse — with a life-altering result. Now Ananna and Naji are forced to become uneasy allies as they work together to break the curse and return their…
“Hope in dark places” has been the theme of my life, beginning at age 17 when my parents disowned me for my faith. I’ve walked through the “valley of the shadow of death” twice, battling cancer, and endured many other struggles, which everyone faces at some time in their lives. Reading Dragonsong by Anne McCaffrey as a teen gave me the courage to face the darkness, and so the characters in the stories I write and prefer to read do likewise.
I confess, I was a bit nervous when I began this book because the main character was not very sympathetic. But Hette’s situation is so heart-wrenching (literally, because a sorcerer has stolen her heart) I kept reading to see what happened. Her journey to recover her heart is much more than a physical adventure, though I could taste the grit and mud, shivered with cold, and sweated from the unbearable heat she struggled through. It was a joy watching this young queen learn important life lessons in totally unexpected places. I felt as if I was learning and growing along with Hette, making the reading of this book a completely satisfying experience.
Come to Germania, where a clockwork heart rules and a fool advises–and a laugh can bring both to their knees.
When Princess Hette refuses a sorcerer's proposal, he retaliates by stealing her heart—literally.
Desperate to resist his influence, Hette makes herself emotionless, stifling all feelings until she can find her heart and win it back. Only Konrad, the despised Court Fool, knows where to find the sorcerer, and he has his own curse to battle.
Riddles and magic plague their path, including a memory stealing witch, an unbeatable knight, and a magic book that would as soon drown them as…
Vivian Amberville® is a popular dark fantasy book series about a girl whose thoughts can reshape reality.
First in the series, The Weaver of Odds introduces 13-year-old Vivian to her power to alter luck, odds, and circumstances. She is a traveler between realities, whose imagination can twist reality into impossible…
I’ve never really felt like I belonged in this world. From early childhood independent play to building out entire backstories for my Lego creations, I dreamt of other worlds. As I grew, that developed into a love of history, mythology, philosophy, and the other components of worldbuilding. And being naturally inclined to ask, “What if,” there’s nothing I love more than exploring these alien worlds. What if there was a world with a dozen sentient species? What if humans didn’t even exist in that world? What if that world was overflowing with magic? It’s these sorts of questions I most enjoy pondering.
As a proud Ravenclaw, I would be remiss if I didn’t include Harry Potter in this list. But why The Goblet of Fire? Honestly, because that was my favorite book in the series. Well, Order of the Phoenix could have had that title, but someone had to go and kill Sirius Black.
When the Quidditch World Cup is disrupted by Voldemort's rampaging supporters alongside the resurrection of the terrifying Dark Mark, it is obvious to Harry Potter that, far from weakening, Voldemort is getting stronger. Back at Hogwarts for his fourth year, Harry is astonished to be chosen by the Goblet of Fire to represent the school in the Triwizard Tournament. The competition is dangerous, the tasks terrifying, and true courage is no guarantee of survival - especially when the darkest forces are on the rise.
These adult editions with glorious jacket art by Andrew Davidson are now available in hardback for…
