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I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.
I’m kicking off with a novel that isn’t a conventional crime story, in that there’s no detective, but there are several heinous crimes, all of which are resolved by the end.
It’s not an exaggeration to say I envy anyone who hasn’t yet read Fingersmith. Unashamedly drawing on the sensation fiction of Wilkie Collins, it has a twist that saw me actually yelping out loud in surprise. But the book is so much more than that.
Starting in London, 1862, we are introduced to Sue Trinder, a young woman entrenched in the criminal underworld. When she agrees to join forces with the sinister Gentleman to hoodwink a young heiress, Sue has no idea exactly what she’s involving herself in.
This book has it all. It’s beautifully written, with phenomenal pace and intrigue, but also with a wonderful love story at its core. If you haven’t read it, what on…
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
Though I’m not personally an orphan, I’ve always been drawn to books that feature them. Maybe it’s because I felt the lack of a father; mine wasn’t around much during my childhood, since he worked at a job in the city through the week. The absent or distant father is a recurring theme in my novels, including the Shakespeare Stealer series, Moonshine, The Imposter, The Year of the Hangman, and Curiosity. Of course, when you write for young readers, orphans also make ideal protagonists, since they’re forced to use their own resources to confront and resolve the story’s conflict, rather than relying on grownups.
Okay, this is really three novels, but they’re all linked, and all fascinating. Martha, the orphan, is offbeat, often unlikeable, and yet one of the most compelling characters you’re likely to find in fiction. Though Sharp is best known for The Rescuers and its sequels, this series is in a whole different universe, and definitely not for young readers. (By the way, they’re also very funny.)
They met at the Chelsea Arts Ball: he went as a paper parcel, and she as a Spanish dancer. Harry Gibson and Miss Diver fell deeply in love...
But when Mr Gibson decides he'll have to marry the hopelessly unprepossessing daughter of his colleague in order to save his ailing business, Miss Diver is cut off without a penny. She's forced in turn to take in a lodger, Mr Philips, who mistakenly takes Miss Diver for a much richer woman than she is...
Watching over them all is Miss Diver's niece Martha, a clumpy, unappealing child of a certain artistic…
Richard Vetere’s teleplay adaptation of his published stage play The Marriage Fool, starring Walter Matthau, Carol Burnet, and John Stamos, now streaming on Amazon.He co-wrote the movie The Third Miracle, which is a screenplay adaptation of his own novel. It was produced by Francis Ford Coppola, directed by Agnieszka Holand, and stars Ed Harris and Anne Heche released by Sony Picture Classics. His screenplay Caravaggio, an adaptation of his own published stage play, won the Golden Palm Award for Best Screenplay at the Beverly Hills International Film Festival in 2021. In 2005, the Frank Melville Library at Stony Brook University created the Richard Vetere Collection, an archive of his work.
You cannot mention a coming-of-age novel without mentioning this classic.
Pip is an orphan who meets an escaped prisoner in a graveyard, does him a good deed, then is made a gentleman from an inheritance he knows nothing about. All of us enter our youth with great expectations and some of us are lucky enough, or unlucky, to meet our own beautiful Estella or the damaged and doomed Miss Havisham or the worldly and wise attorney Mister Jaggers.
Set in London where the worlds of extreme poverty and privilege co-exist side by side, we experience this world firsthand as Pip does wondering, all the time, if we can survive it unscathed. Ignore all other movie adaptations since they will only disappoint. Screen the 1946 version directed by David Lean. It is a great film.
'His novels will endure as long as the language itself' Peter Ackroyd
Dickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a…
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers he’s the only human being who can prevent the end of the world, and not just on his planet! In the multiverse, infinite Earths will be destroyed.
★★★★★ "Funny, yet deep, this is definitely worth venturing into the multiverse for."
Amazing Stories says: "Snarky as Pratchet, insightful as Stephenson, as full of scathing social commentary as Swift or Voltaire, and weirdly reminiscent of LeGuin, Alpha Max is the only multiverse novel you need this month, or maybe ever."
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers…
I’ve always been deeply interested in how people connect to those around them—it is something I write about constantly. My first novel, So Much Love, was about how a community reacts to terrible loss and uncertainty, and my recent book of nonfiction, These Days Are Numbered, is about how my own community—and I—reacted to the Covid-19 pandemic. I am always looking at how humans human, separately and especially together. That is one of the joys of narrative fiction for me—the way we can use it to examine our behaviour and interactions, and how we form relationships and communities. I hope these books enthrall you as much as they did me.
Yes, it’s a Victorian novel but it’s also the slenderest and sweetest one, by my lights.
Cast out from his narrow religious community by the acts of a dishonest friend, Silas Marner flees to a new village and resolves to live a life apart, money his only security. Then along comes a tiny child in need and Silas cannot help but help—even though this new challenge comes on the heels of a devastating robbery.
The man’s generosity has the effect of opening him up to the generosity of others until, little by little, he becomes a part of the community he has lived apart from for so long. There is never a bad time to read this lovely, hopeful little novella about the worst and best of human nature.
Gold! - his own gold - brought back to him as mysteriously as it had been taken away!
Falsely accused of theft, Silas Marner is cut off from his community but finds refuge in the village of Raveloe, where he is eyed with distant suspicion. Like a spider from a fairy-tale, Silas fills fifteen monotonous years with weaving and accumulating gold. The son of the wealthy local Squire, Godfrey Cass also seeks an escape from his past. One snowy winter, two events change the course of their lives: Silas's gold is stolen and, a child crawls across his threshold.
I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.
I said I would limit myself to two Discworld books, so here we have my other favourite. This is quite an early one, before the world is fully formed, but the portrayal of the wizards and their University is beginning to emerge, full of chaos and joy and demented energy. But again, this madcap, surreal mania is corralled masterfully, the characters feeling like real people with real agency, moving through a world that—while full of vivid colours and impossible, surreal things—is also somehow solid and real. It is a testament to Pratchett’s incredible storytelling powers that Ankh Morpork is more real to me than several cities I have actually, physically visited. It is unreal and yet hyper-real at the same time. You should go visit. It is wonderful.
'May well be considered his masterpiece . . . Humour such as his is an endangered species' The Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . .
All this books and stuff, that isn't what it should all be about. What we need is real wizardry.
Once there was an eighth son of an eighth son, a wizard squared, a source of magic. A Sourcerer.
Growing up, my mother worked for a local vet, which means I got to live with diabetic cats, baby bunnies, parrots, a brain-damaged squirrel, a dog with a mobility device, and much more. As a reader and eventually a writer, I’ve loved stories about the relationships between humans and their nonhuman companions. For me, relationships are the heart of a story. Relationships between people are great, but you can do so much with relationships between, say, a goblin and a magical fire-spider, or a young girl and a sentient telepathic kite, or Cinderella and the glass sword that holds the spirit of her mother…
Mona is a fourteen-year-old wizard with power over bread and other baked goods.
She has a sourdough starter named Bob for a familiar. Do I need to say more?
Well, there’s more. Mona creates animated gingerbread companions, bread golems, and more. It’s a fun and creative and thoroughly entertaining idea. The story can be dark at times, but how can you resist a book with lines like, “Death by sourdough starter. Not a good way to go.”
Fourteen-year-old Mona isn't like the wizards charged with defending the city. She can't control lightning or speak to water. Her familiar is a sourdough starter and her magic only works on bread. She has a comfortable life in her aunt's bakery making gingerbread men dance.
But Mona's life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona's city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of…
My fascination with dragons began at a young age and has intensified over the years. I think I’ve watched every movie with a dragon in it and read many of the books. I've tried to incorporate as much as I can, plus my own little twists, into each species of dragon in my world. The most excited I've been about dragons was while watching a special documentary on Discovery Channel. They explained how dragons could fly, the mechanics behind them breathing fire, and what their diet consisted of. It was a great speculative show but had enough science to make you wonder! I hope you enjoy the books on my list!
The dragons are only a small part of this very popular book, but it is very memorable. The challenge that Harry (and others) must complete is very creative. The dragons in this story are closer to beasts than sentient creatures, and it forces the character and reader to realize that the dragons must be defeated with intelligence, not brute force. Although this is quite different from many stories, including mine, I can appreciate the difference and the value it brings to the trial Harry is trying to complete.
When the Quidditch World Cup is disrupted by Voldemort's rampaging supporters alongside the resurrection of the terrifying Dark Mark, it is obvious to Harry Potter that, far from weakening, Voldemort is getting stronger. Back at Hogwarts for his fourth year, Harry is astonished to be chosen by the Goblet of Fire to represent the school in the Triwizard Tournament. The competition is dangerous, the tasks terrifying, and true courage is no guarantee of survival - especially when the darkest forces are on the rise.
These adult editions with glorious jacket art by Andrew Davidson are now available in hardback for…
I first got fascinated with fantasy as a very reluctant high school reader. I didn’t like to read all that much because I was a slow reader and it was a laborious task for me. A high school friend offered me a fantasy book to read sophomore year and I couldn’t put it down. That one book started me on a reading journey that has never stopped. I also studied English, became a teacher, and finally began writing my own fantasy. These books took a reluctant reader in high school to the man and author I am today. I hope my own work does the same for future writers.
As a reader, I was on the slow side. I tended to analyze the text too much, I think.
By the time I came across the Magic Kingdom of Landover series, I still shied away from the giant fantasy tomes because I was intimidated that they were too long, and it would take me too long to get through them. I looked for smaller fantasy books and I came across Terry Brooks. I was intrigued by his Sword of Shanara series, but I settled on the Magic Kingdom of Landover instead.
These books are about a lawyer who buys a magic kingdom and is ported away to the kingdom to have an adventure. Talk about wishing you could go to another realm! In this series, the protagonist literary travels to another realm. After I completed this series, I was becoming more confident in my reading, and I was just about…
Here in his first non-Shannara novel, Terry Brooks has written a gripping story of mystery, magic, and adventure—sure to delight fantasy readers everywhere.
Landover was a genuine magic kingdom, with fairy folk and wizardry, just as the advertisement has promised. But after he purchased it, Ben Holiday learned that there were a few details the ad had failed to mention.
The kingdom was in ruin. The Barons refused to recognize a king, and the peasants were without hope. A dragon was laying waste the countryside, while an evil witch plotted to destroy everything.
“Hope in dark places” has been the theme of my life, beginning at age 17 when my parents disowned me for my faith. I’ve walked through the “valley of the shadow of death” twice, battling cancer, and endured many other struggles, which everyone faces at some time in their lives. Reading Dragonsong by Anne McCaffrey as a teen gave me the courage to face the darkness, and so the characters in the stories I write and prefer to read do likewise.
I confess, I was a bit nervous when I began this book because the main character was not very sympathetic. But Hette’s situation is so heart-wrenching (literally, because a sorcerer has stolen her heart) I kept reading to see what happened. Her journey to recover her heart is much more than a physical adventure, though I could taste the grit and mud, shivered with cold, and sweated from the unbearable heat she struggled through. It was a joy watching this young queen learn important life lessons in totally unexpected places. I felt as if I was learning and growing along with Hette, making the reading of this book a completely satisfying experience.
Come to Germania, where a clockwork heart rules and a fool advises–and a laugh can bring both to their knees.
When Princess Hette refuses a sorcerer's proposal, he retaliates by stealing her heart—literally.
Desperate to resist his influence, Hette makes herself emotionless, stifling all feelings until she can find her heart and win it back. Only Konrad, the despised Court Fool, knows where to find the sorcerer, and he has his own curse to battle.
Riddles and magic plague their path, including a memory stealing witch, an unbeatable knight, and a magic book that would as soon drown them as…
I’m a young adult fantasy author who’s been in love with pirates since before Pirates of the Caribbean came out…and who then wrote a novel inspired by it. I grew up watching every pirate movie I could and have always wanted to hunt for treasure. I feel my most calm when I’m by the ocean, and I’m a bit of a wanderer myself—having traveled to over 60 countries and to every continent (yes, including Antarctica!). I have a master’s degree in Creative Writing and love sharing my adventures with the world.
I love a good enemies-to-lovers trope, and this one has it! Pirate Ananna nearly escapes a forced marriage into another pirate clan, but her freedom comes at a cost—an assassin sent to kill her. Hold on to your hats because this book has adventure, romance, curses, and more! You’ll fall in love with the world and the characters as they leap off the pages!
Ananna of the Tanarau abandons ship when her parents try to marry her off to an allying pirate clan: she wants to captain her own boat, not serve as second-in-command to her handsome yet clueless fiance. But her escape has dire consequences when she learns the scorned clan has sent an assassin after her.
And when the assassin, Naji, finally catches up with her, things get even worse. Ananna inadvertently triggers a nasty curse — with a life-altering result. Now Ananna and Naji are forced to become uneasy allies as they work together to break the curse and return their…
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