100 books like Single Women in Popular Culture

While there are other books on the “matrimonial industrial complex,” this one provides a really in-depth analysis of the cultural fascination with weddings, and I found it an absolutely engrossing account of phenomena ranging from royal weddings to “purity porn.” 

What comes across here is the scale of the idealized wedding as a consumerist ritual and form of deep aspirational investment. One of the most thought-provoking aspects of the book is the notion that the cultural norms around weddings and marriage have slipped out of alignment so that there is a growing gap between the celebration of getting married and the state of being in a marriage.

For the past 25 years, romantic comedy has largely been considered a failed genre, out of sync with a new climate of uncertainty about intimacy and couplehood.

This book challenges that oversimplified view and shows how romance narratives are shape-shifting in the 21st century. Even in an era of heteropessimism, romantic comedy continues to be an important form, and the contributors here track its increasing openness to racial and sexual minorities it traditionally overlooked.

Popular culture is littered with new archetypes of wifehood, both enacted (the “MILF,” the “trad wife,” the “Mormon Wife”) and aspirational (“I’m Looking for a Man in Finance”). 

Leonard’s highly accessible book provides a way of thinking about this taken-for-granted category and places it in a range of critical and historical contexts. One of the most important contributions she makes is to track the emergence of the “professional wife” as a new status designation and revenue raising identity.

This short book covers a lot of ground and has been really influential in my thinking about the “Chick Flick” as a form of popular storytelling. It’s extremely useful for coming to grips with the genre’s conventions, and it’s open to the thematic and ideological range of a set of films that are too often written off as boilerplate and conservative.

It enables readers to see the interconnectedness of celebrated screwball comedies from the 1930s, Doris Day/Rock Hudson sex comedies, “radical” romantic comedies like Annie Hall, and contemporary “neo-traditional” romances like Sleepless in Seattle. A standout section for me is the author’s close reading of You’ve Got Mail.

What is public relations actually all about: the good, the bad, and the ugly? I found this book by Lee Edwards to be one of the most thoughtful texts ever written about an increasingly important profession. Taking the stance that public relations is not only used by organisations, but is deeply embedded in our society and culture, this book provides a comprehensive overview of how it shapes our lives and societies in all kinds of ways. It’s a powerful and challenging read.

For anyone tempted to label good listening as “soft skills,” this book will prove you wrong! Even though the book was published in 2010, Goulston positions listening as a vital skill all the more needed in today’s fractious times.

Each chapter is structured with a high-stakes story, “Usable Insights,” and “Action Steps,” with excellent, researched info in between. From the chapter titled “Nine Core Rules for Getting Through to Anyone,” I personally learned so much from this book that I could apply to my daily interactions—particularly those with my very argumentative teenage daughter!

Pitch Anything is an established work in the pitching and negotiation book categories. It is not perfect, but it is one of the best books for introducing entrepreneurs to the importance of pitching, selling, and negotiating persuasively. Entrepreneurs must pitch to attract co-founders and early team members, to obtain early stage funding, to close customers and other commercial partners, to close later stage funding rounds, and, ultimately, to go public or exit in a sale. While Pitch Anything is a good book, the brashness of some of its advice, particularly around what Klaff calls “frames,” do not fit all persons or situations. Some contexts require full-on Machiavellian tactics; others warrant more of a “Winning Friends and Influencing People” approach. Nonetheless, it is useful to understand which situation you are in and the available plays to run.

Armed with those caveats, I suggest readers of Pitch Anything read Chapter… show more.

This book by Standage is less about papermaking and more about gossip, sharing social media, and how papyrus paper allowed for the emergence of the first social media ecosystem in the world. It also serves as a justification for the Kingdom of Paper. 

Almost three thousand years after the beginning of which came ‘Cicero’s Web’ which served as a social medium. Cicero, the Roman orator and insatiable letter writer, in the 1st Cent BC created a papyrus paper web that provided an example later used by the early Christians, and with the advent of pulp paper would serve the world until the time of Gutenberg in 1450, after which paper reigned for over a half-century until 1969 when Internet traffic began. 

It follows the use of letters. pamphlets, books, and newspapers as paper fueled the growth of social media during the evolution of Western civilization.

When my friend’s dad died suddenly from a pancreatic cancer diagnosis, I had no clue how to help. It felt incredibly awkward, risky, and confusing: Do I text her? Give her space? Ask if she wants a hug. Or say the common, “Let me know if there’s anything I can do” (which, it turns out, is not helpful).

Later, I devoured the stories Anna collected about the 5 topics we tend to be hush-hush about death, sex, money, family, and identity. Reading a diverse set of snapshots from the most challenging aspects of being a human made me no longer want to tread lightly around tough conversations. In fact, I want to welcome them.

When my partner’s friend died young, as awkward as it felt to talk about it initially, I knew it was crucial to allow a space to share memories, expose feelings, and verbally process the events. When… show more.

So many books on negotiation and communication basically say, “Imitate me!” And then, if the author’s advice doesn’t work for you, you must be the problem. Damali’s book and approach are the ones I wish I had existed when I was at Harvard Law School and in the years after when I was teaching well-regarded negotiation frameworks but feeling like something was missing.

Reading Damali’s observation that what makes you different might just become your superpower was the “finally!” moment I’d been waiting for. Instead of telling you to be more like someone else, Damali models and lays out a way for you to be most effective—by being yourself.