Here are 95 books that The Wedding Spectacle Across Contemporary Media and Culture fans have personally recommended if you like
The Wedding Spectacle Across Contemporary Media and Culture.
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I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
Written long before J.D. Vance made single women an open political target, Anthea Taylor’s book propounds skepticism in regard to the frequent cliche that they are now a privileged and celebrated class.
In fact, as she shows, this truism is part of the cultural construction of single women as a problematic population subject to evolving modes of cultural criticism and denigration. This book astutely analyzes their depiction in “chick lit,” reality tv, blogs and self-help modes. It’s smart and scholarly as well as highly readable.
Single Women in Popular Culture demonstrates how single women continue to be figures of profound cultural anxiety. Examining a wide range of popular media forms, this is a timely, insightful and politically engaged book, exploring the ways in which postfeminism limits the representation of single women in popular culture.
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
For the past 25 years, romantic comedy has largely been considered a failed genre, out of sync with a new climate of uncertainty about intimacy and couplehood.
This book challenges that oversimplified view and shows how romance narratives are shape-shifting in the 21st century. Even in an era of heteropessimism, romantic comedy continues to be an important form, and the contributors here track its increasing openness to racial and sexual minorities it traditionally overlooked.
In defiance of the alleged "death of romantic comedy," After "Happily Ever After": Romantic Comedy in the Post-Romantic Age edited by Maria San Filippo attests to rom-com's continuing vitality in new modes and forms that reimagine and rejuvenate the genre in ideologically, artistically, and commercially innovative ways. No longer the idyllic fairy tale, today's romantic comedies ponder the realities and complexities of intimacy, fortifying the genre's gift for imagining human connection through love and laughter. It has often been observed that the rom-com's "happily ever after" trope enables the genre to avoid addressing the challenges of coupled life. This volume's…
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
Popular culture is littered with new archetypes of wifehood, both enacted (the “MILF,” the “trad wife,” the “Mormon Wife”) and aspirational (“I’m Looking for a Man in Finance”).
Leonard’s highly accessible book provides a way of thinking about this taken-for-granted category and places it in a range of critical and historical contexts. One of the most important contributions she makes is to track the emergence of the “professional wife” as a new status designation and revenue raising identity.
A fascinating look at the changing role of wives in modern America
After a half century of battling for gender equality, women have been freed from the necessity of securing a husband for economic stability, sexual fulfillment, or procreation. Marriage is a choice, and increasingly women (and men) are opting out. Yet despite these changes, the cultural power of marriage has burgeoned. What was once an obligation has become an exclusive club into which heterosexual women with the right amount of self-discipline may win entry. The newly exalted professionalized wife is no longer reliant on her husband's status or money;…
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
This short book covers a lot of ground and has been really influential in my thinking about the “Chick Flick” as a form of popular storytelling. It’s extremely useful for coming to grips with the genre’s conventions, and it’s open to the thematic and ideological range of a set of films that are too often written off as boilerplate and conservative.
It enables readers to see the interconnectedness of celebrated screwball comedies from the 1930s, Doris Day/Rock Hudson sex comedies, “radical” romantic comedies like Annie Hall, and contemporary “neo-traditional” romances like Sleepless in Seattle. A standout section for me is the author’s close reading of You’ve Got Mail.
Romantic Comedy offers an introduction to the analysis of a popular but overlooked film genre. The book provides an overview of Hollywood's romantic comedy conventions, examining iconography, narrative patterns, and ideology. Chapters discuss important subgroupings within the genre: screwball sex comedy and the radical romantic comedy of the 1970s. A final chapter traces the lasting influence of these earlier forms within current romantic comedies. Films include: Pillow Talk (1959), Annie Hall (1977), and You've Got Mail (1998).
I have been a mystery fan all my life and an avid reader of Regency fiction—from the mystery authors I’ve recommended to early Regency romance writers, including Jane Austen and Georgette Heyer. When I visited England a few years ago, I dragged my travel companion to all the Regency landmarks left standing and nearly missed a tour bus because I just had to see a Regency assembly room where their dances were held! When I switched from writing fantasy (under the pen name Ally Shields) to writing historical mysteries in 2019, I spent hundreds of hours devouring non-fiction books on this fascinating period of Prince George’s regency (1811-1820).
Kate Ross's books are unique in her choice of protagonist—outwardly a self-obsessed dandy rather than a hero—and in her deftness at creating the classic whodunit.
Although Julian Kestrel's ancestry is a bit vague, he clearly moves among the upper class with ease. After rescuing a young lord from a gaming hell, he is invited to a country house party. Unfortunately, he wakes up next to the body of a beautiful but very dead woman.
The only thing disappointing about this series is its shortness. The author passed away prematurely after writing only four books.
England in the 1820s is the setting for this period mystery, which introduces the detective, Julian Kestrel. He finds the corpse of an attractive woman in his bed during an elegant country weekend at a friend's estate. He sets out to discover which of his hosts is a killer.
Weddings are stressful for even the most functional of families. I should know—it took me nearly two years to plan my own! The process of manufacturing the big day, and attending to all the trappings of the wedding industrial complex, really brings out our best and our worst. In my most recent novel, I found that a big, splashy wedding provided such a fun and fascinating way to explore the tensions and enduring love within families, friends, and couples. If done right, plots involving weddings can smash tired “bridezilla” and “monster-in-law” tropes. As we enter the summer wedding season, I hope this list of books keeps you laughing and loving!
Just like the title suggests, this novel is not all fragrant flower bouquets and three-tiered sweetness.
Thank goodness—we get enough of that on Instagram! But if you’re down for a rowdy romp that is both cynical and tender, do come along with Ginder to London, to a wedding filled with alcohol, sex, and catastrophe.
I love how Ginder crafts such compelling portraits of people who we might otherwise dismiss as shallow or unlikeable.
Paul and Alice's half-sister Eloise is getting married! In London! There will be fancy hotels, dinners at "it" restaurants and a reception at a country estate complete with tea lights and embroidered cloth napkins. They couldn't hate it more.
The People We Hate at the Wedding is the story of a more than dysfunctional family as they reunite for the wedding of their oldest daughter. As the bride's walk down the aisle approaches, Grant Ginder brings to vivid, hilarious life the power of family, the possibilities of friendship, and the complicated ways we hate the ones we love the most…
When people ask what kind of books I like to read, I can’t answer with a genre. As a kid, I’d come home from the library with mysteries, Westerns, fantasies, non-fiction books, and comic books in the same stack. I’ve always liked books that introduce me to fun characters, take these characters on fantastical adventures, make me laugh at least a little, and leave me with a sense of hope and triumph. They can be anything from cheesy romcoms to dark thrillers to complicated biographies. This is reflected in my fantasy series, Thalia’s Musings, which has been praised for its realistic treatment of abuse and also compared to Friends.
You would think a book in which a woman accidentally kills the man who tried to date-rape her and enlists her mother to help hide the body would be a gritty, intense thriller or a thought-provoking work of literary fiction full of social commentary. Sutanto turns this premise into a comedy about intergenerational female bonding, and it freakin’ works. Meddlin Chan’s manslaughter and cover-up take place against the bubbly backdrop of a Chinese-Indonesian resort wedding and a reconnection with her first love. What even is this book’s genre? Crime? Romance? Chick lit? Whatever it is, I laughed out loud through the whole thing.
"Sutanto brilliantly infuses comedy and culture into the unpredictable rom-com/murder mystery mashup as Meddy navigates familial duty, possible arrest and a groomzilla. I laughed out loud and you will too.”—USA Today (four-star review)
“A hilarious, heartfelt romp of a novel about—what else?—accidental murder and the bond of family. This book had me laughing aloud within its first five pages… Utterly clever, deeply funny, and altogether charming, this book is sure to be one of the best of the year!”—Emily Henry, New York Times bestselling author of Beach Read
I’ve been addicted to reading and writing mystery novels since I picked up my first Nancy Drew. But in addition to a good puzzle, I also love a good laugh and grew up watching classic screwball comedies. I’ve written a dozen funny cozy mysteries now with more in the works. I hope you enjoy the books on this list as much as I have!
Zany family members and weddings gone wrong provide page-turning laughs in the first book in the Meg Lanslow series. The heroine is smart, funny, and… a blacksmith. The small-town shenanigans just keep coming in this laugh-out-loud mystery, but the heart comes from the familial relationships. (No peacocks are harmed in the making of this mystery, but they do provide plenty of laughs.)
I am a contemporary romance writer, mom, queer, dog-lover, and coffee enthusiast. I have a deep love of the genre, particularly sparkly and swoony, sapphic romcoms, with a borderline obsession with happily-ever-afters. Knowing I will always have a happy ending while smiling through pages gives me the comforting hug I sometimes need. My goal is to spread queer joy in my writing and provide a safe, celebratory, and affirming space for my readers to escape reality.
Salty, spicy, funny, and totally relatable, the main character, Delilah, became the most memorable character of the year for me. The story was funny, touching, and very, very (did I mention very) sexy. It dove into family dynamic complexities and explored what being an outsider is like.
I laughed out loud multiple times, rooted for the MC even when she was making terrible decisions, and wanted to read it again the moment it ended. Super fun read and so hard to put down.
A clever and steamy queer romantic comedy about taking chances and accepting love—with all its complications—from the author of Astrid Parker Doesn't Fail.
Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.
When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding…
When writing about friendships, it was important for me to highlight the highs and the lows of friendships. This approach takes the reader on a journey with the main character as she remembers the good times while she navigates through the tough times. By sprinkling in humor, a story that could sway to the serious side and stay there is suddenly entertaining and balanced, giving the main character’s plight depth and the reader an engrossing experience.
For the Love of Friends is a fun and humorous book that delves into friendships and how the dynamics shift when friends become bridesmaids.
Throughout the years, I’ve been a bridesmaid in numerous weddings and this story rang true for me, especially trying not to get caught up in any drama. I remember some friends of the brides taking strides to prove who is the better friend.
I couldn’t put this book down with all the jaw-dropping scenes, snark, and the lengths friends will go for love.
A sharp and hilariously relatable novel about the business of weddings, the toll they can take, and the lengths one exasperated bridesmaid will go to for the love of friends.
Lily Weiss is her mother's worst nightmare: thirty-two and single-the horror! She's also a talented writer but hides behind a boring job at a science foundation. To her friends, she's reliable and selfless, which is how she winds up a bridesmaid in five weddings in six weeks. Anything for her three best friends and two (younger) siblings, right? Even if her own love life is...well, she'd rather not talk about…
