Here are 22 books that After Happily Ever After fans have personally recommended if you like
After Happily Ever After.
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I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
While there are other books on the “matrimonial industrial complex,” this one provides a really in-depth analysis of the cultural fascination with weddings, and I found it an absolutely engrossing account of phenomena ranging from royal weddings to “purity porn.”
What comes across here is the scale of the idealized wedding as a consumerist ritual and form of deep aspirational investment. One of the most thought-provoking aspects of the book is the notion that the cultural norms around weddings and marriage have slipped out of alignment so that there is a growing gap between the celebration of getting married and the state of being in a marriage.
This book interrogates the hyper-visibility and stubborn endurance of the wedding spectacle across media and culture in the current climate.
The wide-ranging chapters consider why the symbolic power of weddings is intensifying at a time when marriage as an institution appears to be in decline - and they offer new insights into the shifting and complex gender politics of contemporary culture. The collection is a feminist project but does not straight-forwardly renounce the wedding spectacle. Rather, the diverse contributions offer close analyses of the myriad forms and practices of the wedding spectacle, from reality television and cinematic film to wedding…
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
Written long before J.D. Vance made single women an open political target, Anthea Taylor’s book propounds skepticism in regard to the frequent cliche that they are now a privileged and celebrated class.
In fact, as she shows, this truism is part of the cultural construction of single women as a problematic population subject to evolving modes of cultural criticism and denigration. This book astutely analyzes their depiction in “chick lit,” reality tv, blogs and self-help modes. It’s smart and scholarly as well as highly readable.
Single Women in Popular Culture demonstrates how single women continue to be figures of profound cultural anxiety. Examining a wide range of popular media forms, this is a timely, insightful and politically engaged book, exploring the ways in which postfeminism limits the representation of single women in popular culture.
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
Popular culture is littered with new archetypes of wifehood, both enacted (the “MILF,” the “trad wife,” the “Mormon Wife”) and aspirational (“I’m Looking for a Man in Finance”).
Leonard’s highly accessible book provides a way of thinking about this taken-for-granted category and places it in a range of critical and historical contexts. One of the most important contributions she makes is to track the emergence of the “professional wife” as a new status designation and revenue raising identity.
A fascinating look at the changing role of wives in modern America
After a half century of battling for gender equality, women have been freed from the necessity of securing a husband for economic stability, sexual fulfillment, or procreation. Marriage is a choice, and increasingly women (and men) are opting out. Yet despite these changes, the cultural power of marriage has burgeoned. What was once an obligation has become an exclusive club into which heterosexual women with the right amount of self-discipline may win entry. The newly exalted professionalized wife is no longer reliant on her husband's status or money;…
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
This short book covers a lot of ground and has been really influential in my thinking about the “Chick Flick” as a form of popular storytelling. It’s extremely useful for coming to grips with the genre’s conventions, and it’s open to the thematic and ideological range of a set of films that are too often written off as boilerplate and conservative.
It enables readers to see the interconnectedness of celebrated screwball comedies from the 1930s, Doris Day/Rock Hudson sex comedies, “radical” romantic comedies like Annie Hall, and contemporary “neo-traditional” romances like Sleepless in Seattle. A standout section for me is the author’s close reading of You’ve Got Mail.
Romantic Comedy offers an introduction to the analysis of a popular but overlooked film genre. The book provides an overview of Hollywood's romantic comedy conventions, examining iconography, narrative patterns, and ideology. Chapters discuss important subgroupings within the genre: screwball sex comedy and the radical romantic comedy of the 1970s. A final chapter traces the lasting influence of these earlier forms within current romantic comedies. Films include: Pillow Talk (1959), Annie Hall (1977), and You've Got Mail (1998).
I wanted to write my book (below) because I often wonder, “What if?” about many things in my life. What if I’d stayed in-state for college? What if I’d never moved to California? What if I’d stayed together with my high school boyfriend? This book answered those questions for me, and I know that reading any of the books below will not only do that for you but also bring lots of reading joy.
This is one of those books where fantasy meets reality. It's about a woman who finally takes a chance on herself—instead of wondering, "What if I moved to LA to pursue my screenwriting dreams?", she is forced to go and do it. And when she does, it leads to explosive and unexpected results.
I loved the enemies-to-lovers feel of this, and the message that while life isn't perfect, we can be grateful for the good things we do have.
'A big hit of dopamine' EMILY GIFFIN *The instant New York Times bestseller!*
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She's rewriting his love story. But can she rewrite her own?
Emma has big dreams, though she hasn't let herself think about them in years. Until her big break comes along: she's offered the chance to write a screenplay with none other than her hero, Charlie-freaking-Yates! And it's a rom-com! It's the dream... Until reality sets in.
Charlie is a bonafide Hollywood movie-writing legend. He's also, as it turns out, kind of a jerk. He's only writing this movie to get a Mafia movie that he…
My writing takes readers behind the scenes of major moments in pop culture history and examines the lasting impact that our favorite TV shows, music, and movies have on our society and psyches. I investigate why pop culture matters. I have written eight books, including the New York Times bestseller Seinfeldia, When Women Invented Television, Sex and the City and Us, and my latest, So Fetch. I’ve chosen books here that share my mission not only by going behind the scenes of major films but also by chronicling their effects on people’s real lives as well as culture and society at large.
Nora Ephron’s classic rom coms When Harry Met Sally and You’ve Got Mail are, I am certain, the two movies I have rewatched the most, and I could still flip them on right now, and revel in every second, laugh again at every joke, swoon at every romantic turn. And Ephron herself, a journalist-turned-filmmaker, has been a lifelong inspiration to me.
So it’s no surprise that I adore Carlson’s look behind the making of these two films, plus Sleepless in Seattle, which I also like but is not a tentpole of my existence like the other two.
It will have you pining for a time when human relationships, not superpowers, and explosions, ruled the box office.
A backstage look at the making of Nora Ephron's revered trilogy--When Harry Met Sally, You've Got Mail, and Sleepless in Seattle--which brought romantic comedies back to the fore, and an intimate portrait of the beloved writer/director who inspired a generation of Hollywood women, from Mindy Kaling to Lena Dunham.
In I'll Have What She's Having entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a…
I’m an author and former journalist with a fascination with design and consumer culture. I’ve been writing about design and pop culture since completing an assignment on Jack Telnack’s Ford Taurus and Thunderbird designs for a national news magazine. My interest deepened when I moved to daily journalism and wrote about Raymond Loewy’s design for the S-1 Pennsylvania Railroad locomotive. When the newspaper industry began cratering in a blizzard of mergers, buyouts, and bad management, I spent 25 years working in media relations at Penn State and Juniata College. I looked for an involving side project as a respite from writing professorial profiles and found safe haven with the life and legacy of Raymond Loewy.
Populuxe was the first book I read that connected art, consumerism, and industrial design in clear, pointed, and witty language. Hine, an author as well as a critic for the Philadelphia Inquirer, covers what he calls “America’s spending spree” decade (1954-1964), by showing the connections revealed by shoppers’ choice of cars, homes, furniture, and appliances. Populuxe resonated for me because Hine wielded the tools of the critic and the historian and explained the art and design influences to be found in dishwashers, tailfins, and Naughyde. My curiosity about why people buy certain products was piqued by Hine’s analysis and showed readers that not all essays on art and design need to drip with impenetrable prose or obtuse insights.
The decade from 1954 to 1964 was one of America's great shopping sprees. Never before were there so many people able to acquire so many things, and never before was there such a choice. Thomas Hine calls it Populuxe--populism and popularity and luxury, plus a totally unnecessary "e" to give it a little class; the word itself is as synthetic as the world it denotes. With the help of more than 250 amazing and amusing pictures in black and white and color (and what colors!), Thomas Hine explores, recaptures and explains this glorious, vanished world of hopes and dreams and…
I fell in love with Paris when I first went there and walked the streets for hours. It wasn’t the Haussman boulevards or the Eiffel Tower that captured my imagination, beautiful as they are. Rather, it was the older quarters and hidden corners that fascinated me. I wanted to know who lived there and what their lives were like. When I got the chance to do a PhD, that’s what I chose. After years in the different Paris archives, I still never get tired of uncovering their secrets. I’ve written four books about Paris and have plans for more!
A wonderful evocation of many aspects of everyday life in Europe’s 2nd biggest city. Who were “the people” and where were they in the social hierarchy? This book looks at the beginnings of a consumer culture: what did ordinary families earn and what did this enable them to buy. Where and how did they live? How did working Parisians dress, what did they read, how did they spend their holidays? It’s all there!
In his collective portrait of the common people, Roche offers a rich and fascinating description of their lives--their housing, food, dress, financial dealings, literature, domestic life, and leisure time. Roche's highly readable style and use of contemporary quotations enliven the reader's view of eighteenth-century Paris and Parisians.
I’m an author and former journalist with a fascination with design and consumer culture. I’ve been writing about design and pop culture since completing an assignment on Jack Telnack’s Ford Taurus and Thunderbird designs for a national news magazine. My interest deepened when I moved to daily journalism and wrote about Raymond Loewy’s design for the S-1 Pennsylvania Railroad locomotive. When the newspaper industry began cratering in a blizzard of mergers, buyouts, and bad management, I spent 25 years working in media relations at Penn State and Juniata College. I looked for an involving side project as a respite from writing professorial profiles and found safe haven with the life and legacy of Raymond Loewy.
Bayley’s mastery of the language of design is apparent from his opening introduction to this collection of essays on American and European products. Bayley’s overview is not only essential for understanding design; it’s also a must-read for those who want to write about design. Bayley’s opinions are the gold standard, cemented by the certainty of judgment that comes so easily to British writers. He writes with reverence as well as an incisive point of view about the Eames chair, a Studebaker coupe, and dozens of other milestone products. Among the designer biographies: Wells Coates, Mies van der Rohe, and, yes, Raymond Loewy. It is the pre-eminent introduction to the field of industrial design. Once read, finding his other works (“Harley Earl,” “Ugly,” “Taste,” “Cars,” “Design A-Z,” “Sex,” “Woman as Design,” and other titles) becomes mandatory.
Industrial design from the first six decades of this century is explored in an anthology of essays on design, hundreds of photographs of consumer products ranging from pens to aircraft, and biographies of leading designers
I coined the term “slut-bashing,” the precursor to “slut-shaming,” and am passionate about exploring the ways that girls and young women behave and cope in a culture of slut-shaming. I also am curious about how they face other unique challenges—such as the risk of harassment and assault, the pressures to achieve an impossible beauty ideal, and others. All girls and women experience sexism, while many girls of color— and lesbian, queer, and trans girls— face numerous intersecting pressures. The works I recommend here are aching, powerful, and unforgettable.
This play, inspired by the experiences of a racially diverse group of New York City teenage girls, explores the intersection of slut-shaming and sexual violence. At its core, the play questions the wisdom of girls embracing the “slut” label for themselves. “Slut” may seem like a carefree term of endearment, and it is—until the moment Joey, a member of her school’s dance team, informally known as the Slut Squad, is sexually assaulted by two boys from school. She brings charges against them, and every sexually provocative thing she previously has done is used as evidence that she is lying. If you want to understand the pressures teenage girls face today, this play breaks it down for you.
SLUT: The Play offers communities and individuals the real-life insight into rape and bullying culture necessary to inspire change in the attitudes and practices surrounding girls and sexuality. The story and the performance creates much-needed space to discuss—openly and honestly—experiences with shaming, sex, and violence, thus providing a crucial antidote to slut-shaming culture.
