50 books like Shadeslinger

Unsouled is probably the book on my this list that most directly inspired how I approached the magic system within my own story.

It follows Lindon, a boy with only limited access to magic, who sets off on a journey to power up enough to save his homeland. I loved how each of the characters developed their own set of unique skills specific to them, which they then had to figure out how to level up over time as well as apply in various situations, many of which aren’t always obvious.

Given his initially weak access to magic, Lindon is also forced to get creative in order to defeat foes much more powerful than he is. I always appreciate any book that focuses on the clever applications of its magic.

Iron Prince is unique in this list (and among most progression fantasy books) in that it takes place in the distant future, on one of many planets in a galaxy at war.

Instead of mystical cores or game or system-imposed leveling constructs, individuals are given CADs (combat assistance devices) that largely do the same thing. 

What I love about the book is that the main character, Rei, is the ultimate underdog. He’s done everything he could to achieve success despite his shortcomings, only to get crushed by peers and a governing system that abhors weakness.

His determination to push on is one of my favorite traits in characters, and ensures that we, the audience, remain engaged, even as he learns to leverage his unique gifts. Smart and never boring, I can’t wait for the sequel!

Progression fantasy is a young genre, and currently divides into a handful of different categories, the largest of which are LitRPGs and Cultivation fiction.

Dungeon Crawler Carl is almost universally praised as the best of the former.

I love it because it takes an impossible situation—Earth being transformed into a dungeon-delving murder reality show for the rest of the universe—and somehow injects equal mixes of humor and pathos.

I love that the main characters, the titular Carl and his cat, Donut, are the perfect emotional counterparts to the subgenre’s traditionally crunchy numbers… levels, skills, spells, and increasingly overpowered items all exist but don’t overshadow the essential humanity at the story’s center.

The prose is great, and the plot is even better.

Defiance of the Fall started as a web series and has some of the classic hallmarks of such… brief chapters ending in cliffhangers and a need to always recap what’s just happened.

Worse, the prose starts out very rough, though it improves with each successive book in the series.

So, why did I include it? Because it distills progression fantasy down to its purest form, to what some readers summarize as “Numbers go brrrr.”

In other words, there is always action and advancement happening. The dopamine hits for the reader never stop, and the main character, Zac, doesn’t either.

If there’s a problem, he’s cutting through it, and if he can’t, he’ll go on some sort of cosmic traveling trip to get strong enough to do so. Power is his all-consuming focus, and that is progression fantasy.

Sanders offers a most compelling portrait of how working-class Black women harnessed civil rights activism to education and the War on Poverty. In 1965, the Child Development Group of Mississippi became one of the earliest Head Start programs in the nation. Sanders focuses on how activists deployed it to enhance educational opportunities for Black children and to secure economic independence from white employers for Black women. She also tracks how the state’s white supremacist political leaders and those in Washington D.C. undermined this successful program. In so doing, Sanders demonstrates the precariousness of civil rights victories, especially when activists sought economic justice that required fundamentally remaking the structure of U.S. society.  

I first read this book back in 2004 when I was spending way too much time with MMO games. This YA novel is certainly a product of a time where the tech of today was within sight but social media and smartphones didn't exist as we know them now. But the story more than makes up for this unfortunate timing with its witty characters, a structure reminiscent of the old Choose Your Own Adventure books and a fantasy game setting that leads this book to cross genres. I’m a big fan of sci-fi stories that follow the “Groundhog Day” structure like Returnal and Edge of Tomorrow. Do-overs are a crucial part of gaming and this novel builds that idea into its core premise while adding a unique twist.

The world of Otherland is Earth, and the people are human, but woven into that familiar landscape is a virtual world that hasn’t quite happened yet. Imagine a virtual, digital world in which your avatar can ‘feel’. Why would you ever want to leave?

I first read Otherland soon after I started playing MMORPGs [Massively Multiplayer Online Role Playing Games]. MMORPGs provide a ‘persistent’ world in which your character can fight, craft, build, or just socialize with other players. As such, it can become very immersive, and that’s just through the power of the imagination and some pixels on a screen. Now, imagine how immersive a virtual world would be. And how dangerous. 

Otherland started me thinking about technology and how humans relate to new innovations. It also inspired some of my own writing.

This book combines time travel, computer games, and some very thorny puzzles as a group of friends are trapped in a virtual reality game from the future. This isn’t just a simple ‘solve the puzzles to get home’ story, though: there’s something darker going on behind the scenes and as more and more was revealed, I found myself dying to know what was happening. The story is fast-paced, great fun, and different from anything I’d read before.

Cyberpunk Noir isn’t everyone’s cup of tea (sorry), and this story is dark and downbeat, with two female protagonists who aren’t especially sympathetic, so readers tend to love this book or hate it. For me, the kinetic writing style, crackling dialogue, and richly-detailed descriptions of cyberspace—as well as the fresh take on the “locked-room murder” (a virtual reality parlor in this case)—makes it a highly-recommended read.

This story imagines a human colony on an alien world that is both terrifying and surreal. 

One by one the colonists meet strange fates or murder each other, until they all wake up to discover the entire sequence of events was a virtual reality—a diversion designed to occupy them while awaiting an unlikely rescue from otherwise certain doom. However, elements from the virtual reality escape into the waking world, leading to salvation for at least one of the voyagers.

This book will keep you guessing right up to the end, and beyond, making the reader consider what is real, what is religion, and what do we want most out of life.