Here are 11 books that Paupers' Graves fans have personally recommended if you like
Paupers' Graves.
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I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
This book opened in a graveyard and never let me go from there.
It’s not the sort of book I expected to like, let alone be wowed by or to be pleasing to a kid, but it works so well. Neil Gaiman’s writing is almost never stronger than it is here and every page kept me hooked to the point where I just wanted to keep reading, page after page.
When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family. A stunningly original novel deftly constructed over eight chapters, featuring every second year of Bod's life, from babyhood to adolescence. Will Bod survive to be a man?
It wasn’t until high school when I read Stephen King’s Night Shift that illuminated the genre for me—horror. My first short story was The Dark Shadow, and it fit me like a glove. My writing is inspired by the books I like to read, as I’m sure it is with all writers, and I write characters that I know and in settings I am familiar with for authenticity. The years of experience have honed my craft, and my books are a culmination of my favorite things—supernatural horror, suspense, heart, drama, westerns, and action.
Nobody weaves a better tale than Stephen King. He is the all-American storyteller who transports you into his world of characters and settings, making you fall in love with them just before he shatters all of that like a hammer against a mirror.
It is like listening to a good friend next to a campfire drinking beers, and Pet Sematary has all of the good horror elements from atmosphere, cemeteries, ancient burial grounds, and dead people rising from the grave.
Now a major motion picture! Stephen King’s #1 New York Times bestseller is a “wild, powerful, disturbing” (The Washington Post Book World) classic about evil that exists far beyond the grave—among King’s most iconic and frightening novels.
When Dr. Louis Creed takes a new job and moves his family to the idyllic rural town of Ludlow, Maine, this new beginning seems too good to be true. Despite Ludlow’s tranquility, an undercurrent of danger exists here. Those trucks on the road outside the Creed’s beautiful old home travel by just a little too quickly, for one thing…as is evidenced by the…
In case it isn’t obvious, I have a thing about graveyards. Maybe it’s being Irish-Catholic – it must be infused into my blood. It’s a rare family holiday that doesn’t involve a visit to the local cemetery. I think it’s the combination of gothic architecture with the sense of a social history collected. I have my own favourites (of course!) from Rock Cemetery in Nottingham to Pere Lachaise in Paris where the family spent an afternoon dodging the most unusual tour guide I have ever come across.
I loved BirdBox, but then I read Unbury Carol and discovered Josh Malerman had managed to peer directly into my brain and write a book just for me. I don’t know how he did it, and I don’t really want to know because it’s possibly more than a little freaky, but there you go.
This is not your typical horror novel. I’m not sure if it’s even horror, but who cares? It feels like a real olde-worlde adventure yarn where steampunk meets western and they have a scrap to decide who is best, and the only winner is the reader.
The New York Times bestselling author of Bird Box returns with a supernatural thriller of love, redemption, and murder.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NEWSWEEK
“This one haunts you for reasons you can’t quite put your finger on. . . . [Josh Malerman] defies categories and comparisons with other writers.”—Kirkus Reviews
Carol Evers is a woman with a dark secret. She has died many times . . . but her many deaths are not final: They are comas, a waking slumber indistinguishable from death, each lasting days.
In case it isn’t obvious, I have a thing about graveyards. Maybe it’s being Irish-Catholic – it must be infused into my blood. It’s a rare family holiday that doesn’t involve a visit to the local cemetery. I think it’s the combination of gothic architecture with the sense of a social history collected. I have my own favourites (of course!) from Rock Cemetery in Nottingham to Pere Lachaise in Paris where the family spent an afternoon dodging the most unusual tour guide I have ever come across.
I know what you’re thinking: is this really a graveyard? To be honest: Who knows?
But… there are things buried underground, so I’m including it because this is a great book. Sometimes you read something which has such a perfect idea at its core that all you can do is devour it with a curl of envy growing in your heart as you think to yourself “I really wish I’d come up with that.” The window in the ground is most definitely one of those books.
It is.. odd. But good odd. The sort of odd where you recognise the world being described and yet is it different enough from reality to make you question what else might be hidden out there.
"An immensely readable and original coming-of-age horror tale" - Duncan Ralston, author of Ghostland.
On the outskirts of town, hides a secret.
If you follow a path through the trees, read the rules (always twice) on the sign post, go up a hill and across a grassy clearing, that secret will reveal itself.
You see, for hundreds of years, this seemingly normal town has done its part, kept the balance.
But on this day, a rule will be broken.
You might have heard the rumors shared in whispers.
You may have been told about someone who’d seen it with their…
I’ve been fascinated by crime ever since I was a junior reporter working on a daily newspaper and covered a huge number of court cases. I’ve written all my working life and turned to crime writing after reaching the final of a UK TV channel’s Search for a New Crime Writer competition. I’ve built up contacts within the police force during my career which has enabled me to write Storm Deaths, the first in a series of police procedural crime novels. I’ve seen so many films and TV shows that don’t follow the proper procedure, so I ensure that all my writing is as authentic as possible.
The 12th and final novel in John Harvey’s series about Detective Inspector Charlie Resnick, the jazz-loving, exotic sandwich-eating loner who investigates crimes in the East Midlands city of Nottingham where I’ve spent a lot of my working life.
Darkness, Darkness is partly set in 1984 during the miners’ strike which threatened to tear England apart. Thirty years later the remains of a young woman, an activist who campaigned for justice while her husband continued to work during the strike, are found in a garden.
You root for Resnick, the world-weary detective who despite coming across every possible flaw in the human condition is still driven to bring criminals to justice – even if this means troubled times in his life come back to haunt him.
Thirty years ago, the British Miners' Strike threatened to tear england apart, turning neighbor against neighbor, husband against wife, father against son-enmities which still smolder.
Charlie Resnick, recently promoted to Detective Inspector and ambivalent, at best, about some of the police tactics used in the Strike, had run a surveillance-gathering unit at the heart of the dispute.
Now, in virtual retirement, the discovery of the body of a young woman who disappeared during the Strike brings Resnick back to the front line to assist in the investigation into the woman's murder-forcing him to confront his past-in what will assuredly be…
I have a passion for fairy tale stories especially ones for adults because they are often the first stories we learned as kids. The ability to look back at how we interpreted them and how our understanding changes over time and culture makes for something that is truly timeless, and therefore like a beloved trope is never the exact same thing twice. Each time only builds on our enjoyment and the many possibilities we can imagine. Not only in worlds of magic, but our own.
This book is a Robin Hood retelling. While both our Robin’s fight for social change and the poor while falling in love along the way, S.L. Prater’s has a gender swap twist as features a thieving witch pestering the sheriff of Nottingham. I believe Robin being a woman subverts expectation and by seeing the known in a new light like that makes the world a bit more empathic to each other. I think the old and known can change and still hold so much heart.
“I can’t tell if you’re about to kiss me or arrest me …”
Sheriff Nottingham should not be enjoying his pursuit of the witch Robin Hood. It’s supposed to be a job: catch the thief, bring her to justice, pursue the next criminal. But the longer their game of cat and mouse goes on, the more he never wants it to end.
Nottingham senses Robin is luring him into a political dispute between the king and an ambitious prince—a battle that threatens to destitute the poor in Sherwood. But the sheriff can’t risk getting involved. He’s already overwhelmed raising his…
My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
Townscape is more than a book on how good cities are shaped. It is a book that describes generic qualities of space.
Cullens's way of understanding and analyzing urban structures with pen and paper has much to tell future architects. That the book has been around for more than sixty years is a compelling evidence of its outstanding capacity to educate generation after generation on how to create richness and avoid chaos.
Urban planners of today have much to learn from Cullen’s simple, but efficient, drawings and captions.
This book pioneered the concept of townscape. 'Townscape' is the art of giving visual coherence and organization to the jumble of buildings, streets and space that make up the urban environment. It has been a major influence on architects, planners and others concerned with what cities should look like.
My passion started as a personal quest in my twenties, struggling with my relationship with my own mother. When my daughter was born, I knew that I could not repeat the difficult dynamics between my mother and I. What started as a personal quest to understand the underlying dynamics between mothers and daughters quickly grew into a professional quest. Today, I have worked as a mother-daughter therapist with thousands of mothers and daughters of all ages and from different countries and cultures and have developed the Mother-Daughter Attachment® model that helps therapists and mothers and daughters uncover the hidden dynamics in their relationship and create a roadmap for change.
Patriarchy has silenced women for generations, and in my first book, I uncover how women have been taught to “play nice” and be “care-givers” rather than “care-receivers.” Uncovering women’s emotional reality, I expose the culture of female service and how no one is looking after mothers, not even mothers themselves. This book provides exercises to help women claim their voice, needs, and rights in all of their relationships.
"The Silent Female Scream" teaches "how to believe that as a woman you have the right to be heard, valued and respected, and to know that anything less is just not okay." Through case studies and discussion, the author exposes that women's sense of self-worth and entitlement to speak their needs, especially in relationships, is an area that feminism has ignored to its peril. By looking at the legacy of emotional silence that many women have inherited from long before grandmother's day, she warns that emotional silence damages the mother-daughter relationship, women's relationships with themselves and each other, and their…
I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.
The legend of Robin Hood always fascinated me as a young girl, and this paranormal fantasy adaptation offers a smoldering romance set in medieval England in the enchanted Sherwood Forest. Based upon the legend of Robin Hood, this novel blends history, magic, passion, politics, and sacrifice in a compelling, captivating tale of the fabled archer reborn.
Curlew Champion, master archer, has always known his destiny. With his cousin, Heron Scarlet, he will become a guardian of Sherwood Forest and further his people's fight against Norman tyranny. But the third member of the triad is still to be revealed, the woman who will complete the magical circle and, perhaps, answer the longing in Curlew's heart.
Anwyn Montfort has fled disgrace in Shrewsbury and come to Nottingham at her father's bidding. He wishes her to make a good marriage and settle down. But the wildness that possesses her refuses to quiet. She knows she's been searching for something…
As a graduate student in library science, I stumbled across an entry on Macbeth in a biographical dictionary. It stated he was actually a good king who ruled for seventeen years. Furthermore, he claimed the throne in his own name and that of his wife. I was hooked. I did extensive research trying to find the man behind the legend, and how the tale got twisted into what Shakespeare gave us. From Celtic, Norse, and English sources, I extrapolated the culture of 11th-century Scotland, and a man who might well have been the historical high king Macbeatha.
I will read anything by Parke Godwin. His command of language and his talent for bringing history to life won me over from the first book. In Sherwood, he takes on Robin Hood, whose legend is compiled of stories collected over a 200-year period. Godwin sets the story a hundred years prior to the legend, in the time of William the Conqueror. Sherwood gives us the life of a brash young Saxon landholder, displaced by the conquerors, who leads a guerrilla resistance from Sherwood Forest. It also paints a sympathetic young sheriff of Nottingham, who starts as Robin’s foe but grows to admire the outlaw—and falls in love with his wife Marian.
Forced from his home by Norman invaders, young Edward Aelredson, Thane of Denby, takes refuge in the forest Sherwood, where, with sword and bow, he bedevils the usurping king and comes to be called "Robin Hood." Reprint.
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