Fans pick 85 books like Out of Control

I loved this book because it is another time-slip novel, but mostly because of the characters that Gabaldon has created. Claire is a strong woman both in the present time zone–post-war Britain–and the Scottish Highland time zone of the seventeenth century and the uprising. You sense immediately that she is in danger as the story is told from her point of view. 

I loved learning about the lives of the Scottish highlanders, how the story moves from one-time zone to another, and how the characters overlap.

If I were ever to face a zombie apocalypse, I would want Mercy Thompson by my side. Mercy is a scrappy coyote shifter, and despite often being physically outmatched by the myriad supernatural creatures surrounding her, it is her intelligence, independence, and resourcefulness that truly sets her apart for me. I also just love that she is a mechanic, as Patty has taken that gender expectation and turned it on its head. 

I adore that when Mercy believes in something, she stands her ground, no matter the consequences. Her unwavering moral compass and fierce loyalty make her an awesome heroine. In a world filled with chaos, Mercy Thompson is the kind of fierce female companion every reader would be fortunate to have. And as I said, I totally call dibs on her for the apocalypse. 

I don’t usually read paranormal/ghost mysteries, but this one defies genre. It is the initial installment in Jones’ Charley Davidson series and starts off with a major twist near the beginning that sets the tone for the entire series. 

Then there’s a big one at the end, and then an even bigger one after that. I’m a sucker for fast-paced, funny thrillers if they’re well done. And this is definitely well done.

One of the first modern cozy mysteries I have ever read, Stephanie Plum is zany, ridiculous, and laugh-out-loud funny. Basically, she’s a bounty hunter, and she gets her man and solves mysteries despite herself. Her Grandma Mazur is quite possibly one of the best sidekick characters ever invented. Funerals may or may not involve dead bodies, but Granny Mazur will be there anyway, even if it means stealing a corpse. Especially if it means stealing a corpse! Stephanie has a habit of losing cars and getting stuck driving a very old boat of a car (Big Buick), which deprives her of looking as cool as she’d like. Well, she isn’t exactly a put-together gal, so that’s okay. 

The initial books in the series are almost a coming of age—a chance at a career, a chance or two at romance, and family shenanigans that almost kill her with good intentions. This… show more.

A remarkable and incredibly brave epic saga of a young woman struggling with the inheritance of her father who grew up in the colonial era of the Netherlands in the Dutch East Indies and who had been interned in a concentration camp by the Japanese as a child and her mother who had been abandoned as a little girl at the end of WWII because her parents were Nazi sympathizers and were therefore imprisoned. The author grew up in California, USA, with many questions about her family’s identity and secrets in the war. A courageous book breaking the taboo of shedding light on ‘the other side.’ The author is a personal friend of mine.

I love a seamless blend of science and history that creates a gripping story, and Krakatoa is at the top of my list. The book left me in awe at the power of nature.

The Krakatoa eruption unleashed a 120-foot tsunami, killed tens of thousands, and cast ash into the atmosphere that cooled temperatures around the globe. I was fascinated by Winchester’s tale of how the cataclysm contributed to our understanding of volcanology, tsunamis, and the revolutionary theory of plate tectonics.

To top it off, he took me into another world by weaving in a moving story of Dutch colonization and Indonesian resistance. I was sorry to reach the end.

Open this treasure chest! A perceptive, elegant collection by SE Asia’s leading journalist, public intellectual, and poet. His magnus opus represents 40 years of essays from 1968 – 2014 and each of his 100 brief passages can stand alone as sledgehammers of provocative thought. Often called the Borges of Asia, Goenawan’s dexterous mind tackles issues of identity, literature, nationalism, culture, colonial crimes, terrorism, Islam, mythologies, historicity, and destiny. As he grapples with universal themes, his deep wisdom offers fascinating insights and compassion into questions that concern us all.

I’ve travelled to more than 40 countries, and written about many, but when I’m asked which I’d like to explore more, my answer is always Indonesia. Elizabeth Pisani, a journalist turned epidemiologist, travelled across the vast archipelago, clocking more than 21,000 miles by boat, bus, and motorbike, and as many by plane. More than half a century since gaining independence from the Dutch, the world’s fourth most populous country, with more than 300 ethnic groups, is still struggling to establish its identity amid regional conflicts, the depletion of natural resources, and a growing wealth gap. With insight and wit, Pisani takes the reader on an enthralling, sometimes maddening journey from crowded cities to remote islands, where she bumps into people from many walks of life—from politicians to peasant farmers—as she tries to make sense of an “improbable nation.” 

This true story occurred over twenty years starting in 1920. A haunted garden on a small island of the Indonesian Maluku archipelago. Here, Felicia has spent her early childhood with her grandmother, the last of an old line of Dutch spice growers. Felicia returns from Europe, after a ruinous marriage, with her baby son Willem. The plantation, overgrown and abandoned, reaches down to the blue-green waters. Felicia and her grandmother settle down again together to the ebb and flow of life surrounded by clove and nutmeg trees, and mystery. But slowly strange events happen in that Garden of Eden and a fascinating story of violence and murder unfolds in a world dominated by the psychic forces of nature, where nothing is predictable or a cliche. 

Since the 1980s, anthropologists have been confronting the fraught ethics of representing other people, other places, other cultures much more directly than their counterparts in journalism or travel writing. Will Buckingham didn’t stick with anthropology, and this book about his fieldwork with woodcarvers in eastern Indonesia – written two decades after the events it describes – goes some way to explaining why. It’s wry, funny and thought-provoking. The title refers to the theft committed by every travelling writer.