100 books like Indonesia, Etc.

Even though shot at while participating in the Spanish-American War, and even shot in the chest by a would-be assassin while running for President decades later, the most dangerous adventure of Theodore Roosevelt took place in the jungles of Brazil after he was President.

Millard in this fantastic work seamlessly marries two complex topics. First being the personality of our 26th President whose varied accomplishments included writing over 30 books and being the first American to win the Nobel Peace Prize. The second is the ecosystems of the Amazon, which damn near killed Roosevelt on his descent down an uncharted tributary of the river. 

This book has helped me to frame my own experiences of travel and how to write about other countries. In his wry, low-key, non-academic style, Marshall sweeps through history, arguing persuasively that geography—mountain ranges, seas, rivers, deserts, and so on—has been key to the rise and fall of empires and nations. Mountains form a natural barrier, not only to migration and commerce, but to invading armies; open plains make the movement of people, goods, and armies easier. Many national borders, especially those of former European colonies, are artificial and, unprotected by natural barriers, consequently fragile. Marshall, who has reported on conflicts in the Balkans, Afghanistan, and the Middle East, breaks down geopolitics in clear and simple terms, with insightful chapters on countries and regions.

OK, I’ll confess. I have this Dr. Zhivago fantasy (that may also involve Julie Christie). I travelled more than 200 miles on the Trans-Siberian Railway while on a fellowship in Russia’s southern Urals. It was not as romantic a journey as I had expected—lots of forest and drunks in the restaurant car—but I wish I’d traveled further. David Greene, NPR’s former Moscow bureau chief, has traveled the whole line, more than 5,000 miles from Moscow to Vladivostok. It’s not the view from the train window of the landscape of Siberia—spectacular though it sometimes is—that drives the story along. It’s the people Greene meets, the stories of their lives and hardships, and how passengers traveling together day and night for almost a week cope with the journey and each other. 

I’ve traveled to many of the places that Thubron, the acclaimed travel writer and novelist, visits, but his take on them is much different from mine. He delves deep into the histories of the peoples of the steppes, mountains, and fertile agricultural regions of Central Asia, their art, architecture, belief systems, and cultures. It is a broad historical sweep, from the rise of the Mongol empire to Stalin's deportations to the wrenching economic, social, and political challenges faced by the governments and populations in the post-Soviet era. Thubron’s research is impeccable, his descriptions of places and people engaging and lyrical. 

This book is a captivating journey of self-discovery and inner strength that resonates deeply with anyone seeking meaning and fulfillment in their lives.

Through Elizabeth Gilbert's immersive storytelling, we are transported across three continents as she embarks on a quest for self-discovery following a difficult divorce. Her journey is both inspiring and transformative in a way that is very similar to my own memoir. 

What sets this book apart is the unwavering honesty and vulnerability. Another aspect that inspired how I wanted to write my story. She fearlessly confronts her fears, doubts, and insecurities, inviting readers to join her on a deeply personal journey of introspection and growth. Throughout the book, her willingness to embrace discomfort and uncertainty ultimately leads to a deeper understanding of herself and the world around her.

At its core, it is a testament to the resilience of the human spirit and the transformative power of… show more.

From the first chapter, I could not put this book down.

When a lethal and highly transmittable virus turns its victims blue, and the Russians blame America for unleashing a deadly virus, I knew I was about to dive into a true medical thriller. I also thought the timing of this novel was disturbing, reminding me all too well of recent disease outbreaks and then taking me on a journey into a world where plagues and pandemics can easily become commonplace.

To his credit, Lawrence Wright managed to weave science and fiction into a plot that frightened as well as entertained.

This is one of those books that I had to put down a couple of times previously because the protagonist’s flaw hit too close to home. Jim is so ashamed of his past cowardice that each time his identity is found out, he will travel farther away from the spreading Western colonies. A Western marauder eventually invades the Malay and Bugis community where he lives, and Jim has to bear the consequence of speaking up for the man in good faith. After so many years, this book is still one of my top favorites because Jim finally stops running and faces his fear. He ultimately becomes the hero that he has always wanted to be.

Open this treasure chest! A perceptive, elegant collection by SE Asia’s leading journalist, public intellectual, and poet. His magnus opus represents 40 years of essays from 1968 – 2014 and each of his 100 brief passages can stand alone as sledgehammers of provocative thought. Often called the Borges of Asia, Goenawan’s dexterous mind tackles issues of identity, literature, nationalism, culture, colonial crimes, terrorism, Islam, mythologies, historicity, and destiny. As he grapples with universal themes, his deep wisdom offers fascinating insights and compassion into questions that concern us all.

Since the 1980s, anthropologists have been confronting the fraught ethics of representing other people, other places, other cultures much more directly than their counterparts in journalism or travel writing. Will Buckingham didn’t stick with anthropology, and this book about his fieldwork with woodcarvers in eastern Indonesia – written two decades after the events it describes – goes some way to explaining why. It’s wry, funny and thought-provoking. The title refers to the theft committed by every travelling writer.

This true story occurred over twenty years starting in 1920. A haunted garden on a small island of the Indonesian Maluku archipelago. Here, Felicia has spent her early childhood with her grandmother, the last of an old line of Dutch spice growers. Felicia returns from Europe, after a ruinous marriage, with her baby son Willem. The plantation, overgrown and abandoned, reaches down to the blue-green waters. Felicia and her grandmother settle down again together to the ebb and flow of life surrounded by clove and nutmeg trees, and mystery. But slowly strange events happen in that Garden of Eden and a fascinating story of violence and murder unfolds in a world dominated by the psychic forces of nature, where nothing is predictable or a cliche.