99 books like Not Good for Maidens

To me, what’s most striking about this book, a queer retelling of “Snow White,” is that in addition to the POV of the Snow White character, Lynet, there’s also narration from Mina, the Evil Queen insert. Only in this retelling Mina isn’t a superficial villain.

In fact, she’s no villain at all. I find her to be a complex heroine, and her relationship with Lynet is equally rich and complicated. I was compelled by Lynet and Mina’s struggles under the weight of feminine and royal expectations. Despite their conflicts, they are more alike than they are different, and their journey to realizing this was so satisfying.

The sapphic romance between Lynet and a surgeon provides a lovely subplot that adds to, rather than distracts from, the main storyline. One of my all-time favorite sapphic retellings.

This book, a retelling of “Cinderella,” is widely considered to be a foundational queer retelling, and I wholeheartedly agree with that assessment.

It was the first queer retelling I ever read and continues to be a favorite. It inspired me to write my own queer retellings and is a fine example of a novel that didn’t need sweeping battles and world-ending threats to be compelling.

I found Ash’s journey through grief and her path to love to be strong in their own ways. Quietly powerful stories like Ash are what I most enjoy, though they are a rarity, especially in YA, where things tend to be very high stakes.

What I loved most about Ferraro’s retelling of The Mysteries of Udolpho was his unique take on the classic YA love triangle. Not only does this love triangle stand out because it’s queer (all three characters involved are young men), but because it wasn’t obvious to me from the beginning how the love triangle would resolve. Typically, in love triangle stories, I can tell who the character – and thus the author – prefers. I’m pretty confident about who is going to win out in the end. 

But Ferraro took his time developing each love interest, and his main character’s struggle to pick one over the other is palpable and well-written. I was left guessing until the very end, and the way the love triangle resolved was both surprising and satisfying. 

I loved McLemore’s retelling of “The Red Shoes” because the novel felt uniquely historical and modern due to its dual timelines, with one storyline in 1518 and the other five centuries later. Despite being so far apart, the timelines were connected by the intriguing mystery of a dancing fever. 

Another element I loved is that the 1518 timeline featured a queer romance with a trans character, which you don’t see often, even in queer retellings, and added another layer of richness to the story.

I’m a fan of everything McLemore writes because of their lush prose and compelling characters, but this one remains my favorite of theirs.

This inventive novel is a retelling of Beauty and the Beast, but what I enjoyed most about it is the portrayal of the “Fairy Folk” of myth. The Fae.

In most myths, we encounter the dark side of the Fae, the gruesome and frightening side. In modern times we have reduced these creatures to flower fairies. What I loved about this novel is that Maas sticks with the dangerous and malevolent portrayal of these immortals, and she weaves a beautiful mythic tale into their world.

So many of the books I read flinch from letting there be truly bad consequences to the protagonist’s actions, but this one is impressive in how little it pulls its punches.

When I picked it up, I wasn’t as familiar with the Persian folklore that inspired it as I am with other novels, but it made me want to go read the tales it’s based on. I also found the writing lovely, a cut above many of the novels I read. And for bonus points, it has queer representation, too!

This book is not a fairy tale, per se, but it shares many of the elements of fairy tales. Set in 19th century Europe, the novel is filled with starving orphans, a child transformed into a doll, a wicked puppet master, an evil witch, and a magic necklace. This book combines two of my favorite genres, historical fiction and fantasy, and includes mystery and magic at every turn. I could read this book again and again!

I really enjoy McGrane’s sense of humor in both her illustrations and storytelling. I definitely wasn’t expecting to cry at the end, but I did! I truly felt for Dragoslav, who is a vampire child struggling with friendships, fears, and trusting people (especially the adults in their life). Not to worry: There are plenty of laughs, cool imagery, and lots of heart. I highly recommend this to fans of horror, humor, or both. 

This book was so much fun! I can’t remember a time I used “fun” to describe a second chance romance but Erin Sterling delivers. Vivi is left broken-hearted after Rhys leaves town only to return nine years later to wreak havoc on Vivi’s life once again. Did I mention she’s a witch? Or the minor curse she cast on Rhys when he left? As you can imagine, hijinks ensue when these two crash together again. One of my favorite parts of written chemistry is banter and wow the banter in this book is on point. When you aren’t busy rooting for Vivi and Rhys you’re enchanted by the cast of characters that surround them. Cousin Gwen is a riot! One part romantic comedy, one part second chance romance. This was a favorite read of 2021 for me.

Alice Hoffman’s Magic Lessons is the last in her Practical Magic series that chronicles 200 years of dark secrets that each generation of the Owens family must grapple with. We follow protagonist Maria Owens from her childhood in England to the Caribbean, Massachusetts, and finally New York, carrying her legacy with her. The complexity of mother-daughter relationships, generational wounds, family secrets, plus a good dose of witchcraft and magic holds the tension throughout not only this book, but across the entire series. Part historical fiction, part magical realism, part family saga – Hoffman shows us that, in the end, it’s really all about love.