Here are 100 books that Not Good for Maidens fans have personally recommended if you like
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I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
To me, what’s most striking about this book, a queer retelling of “Snow White,” is that in addition to the POV of the Snow White character, Lynet, there’s also narration from Mina, the Evil Queen insert. Only in this retelling Mina isn’t a superficial villain.
In fact, she’s no villain at all. I find her to be a complex heroine, and her relationship with Lynet is equally rich and complicated. I was compelled by Lynet and Mina’s struggles under the weight of feminine and royal expectations. Despite their conflicts, they are more alike than they are different, and their journey to realizing this was so satisfying.
The sapphic romance between Lynet and a surgeon provides a lovely subplot that adds to, rather than distracts from, the main storyline. One of my all-time favorite sapphic retellings.
At sixteen, Mina's mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone-has never beat at all, in fact, but she'd always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king's heart with her beauty, become queen, and finally know love. The only catch is that she'll have to become a stepmother.
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
This book, a retelling of “Cinderella,” is widely considered to be a foundational queer retelling, and I wholeheartedly agree with that assessment.
It was the first queer retelling I ever read and continues to be a favorite. It inspired me to write my own queer retellings and is a fine example of a novel that didn’t need sweeping battles and world-ending threats to be compelling.
I found Ash’s journey through grief and her path to love to be strong in their own ways. Quietly powerful stories like Ash are what I most enjoy, though they are a rarity, especially in YA, where things tend to be very high stakes.
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What is this book about?
The haunting, romantic lesbian retelling of Cinderella and modern queer classic by award-winning author Malinda Lo -- now with an introduction by Holly Black, a letter from the author, a Q&A, and more!
In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
What I loved most about Ferraro’s retelling of The Mysteries of Udolpho was his unique take on the classic YA love triangle. Not only does this love triangle stand out because it’s queer (all three characters involved are young men), but because it wasn’t obvious to me from the beginning how the love triangle would resolve. Typically, in love triangle stories, I can tell who the character – and thus the author – prefers. I’m pretty confident about who is going to win out in the end.
But Ferraro took his time developing each love interest, and his main character’s struggle to pick one over the other is palpable and well-written. I was left guessing until the very end, and the way the love triangle resolved was both surprising and satisfying.
In this queer gothic romance, a young marquis caught between freedom and passion, honor and love will have to unravel a centuries-old curse to find his own happy ending.
Trapped in a world of straight expectations, queer marquis Emile longs for independence. So, when his aunt declares he must marry to produce an heir or be disowned, he runs away disguised as a servant until he can come of age and reclaim his inheritance.
All Emile needs to do is keep his head down and bide his time, but he quickly stumbles into a mystery beyond his imagination. While working…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
I loved McLemore’s retelling of “The Red Shoes” because the novel felt uniquely historical and modern due to its dual timelines, with one storyline in 1518 and the other five centuries later. Despite being so far apart, the timelines were connected by the intriguing mystery of a dancing fever.
Another element I loved is that the 1518 timeline featured a queer romance with a trans character, which you don’t see often, even in queer retellings, and added another layer of richness to the story.
I’m a fan of everything McLemore writes because of their lush prose and compelling characters, but this one remains my favorite of theirs.
With Anna-Marie McLemore's signature lush prose, Dark and Deepest Red pairs the forbidding magic of a fairy tale with a modern story of passion and betrayal.
Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.
Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s…
From my early days of reading Fire and Hemlock and various books of mythology, I’ve loved traditional tales from all around the world. In college I didn’t aim to major in things that would be useful to me as a fantasy writer, but anthropology and folklore made a great background for that job. Nowadays, I actively seek out books based on traditional stories, especially those that go beyond the most well-known European fairy tales and myths. Sometimes, they inspire me, in turn, to write my own stories!
So many of the books I read flinch from letting there be truly bad consequences to the protagonist’s actions, but this one is impressive in how little it pulls its punches.
When I picked it up, I wasn’t as familiar with the Persian folklore that inspired it as I am with other novels, but it made me want to go read the tales it’s based on. I also found the writing lovely, a cut above many of the novels I read. And for bonus points, it has queer representation, too!
From the author of Girls Made of Snow and Glass, this captivating and utterly original Persian-inspired fairy tale about a girl cursed to be poisonous to the touch is perfect for fans of Natasha Ngan and Naomi Novik.
'Monstrously beautiful and enchanting' Tasha Suri, author of Empire of Sand
There was and there was not, as all stories begin, a princess cursed to be poisonous to the touch. But for Soraya, who has lived her life hidden away from everyone, apart from her family, safe only in her gardens, it's not just a story.…
I’ve been obsessed with stories and storytelling ever since I learned to read, which is probably why fairy tales, some of the oldest stories around, play a huge role in Unwritten. What I love most about fairy tales is how exciting they are: they have magic, wicked witches, abandoned children, magical transformations…. And yet, the original fairy tales are often simply “story skeletons” –some are only a few pages (or even paragraphs) long. Still, they have endured over hundreds of years and are constantly evolving. I love studying what makes these tales continue to resonate with readers and thinking about how I can use these elements in my own work.
This book is not a fairy tale, per se, but it shares many of the elements of fairy tales. Set in 19th century Europe, the novel is filled with starving orphans, a child transformed into a doll, a wicked puppet master, an evil witch, and a magic necklace. This book combines two of my favorite genres, historical fiction and fantasy, and includes mystery and magic at every turn. I could read this book again and again!
“A brooding, Dickensian novel with a touch of fantasy and a glimmer of hope. . . . As mysterious and timeless as a fairy tale.” — Booklist (starred review)
Laura Amy Schlitz’s Newbery Honor–winning Victorian gothic is a rich banquet of dark comedy, scorching magic, and bewitching storytelling. Clara Wintermute, the only child of a wealthy doctor, invites master puppeteer Grisini to entertain at her birthday party. When Clara vanishes that night, suspicion falls upon the puppeteer and his orphaned assistants. The three children — two penniless waifs and one pampered heiress — have been caught in a trap set…
My name is Kelly Fernández (she/her) and I’ve been making comics since 2014. I’vealways been fascinated by stories about ghosts, monsters, and witches because I grewup in a family that believes in them. While writing my graphic novel Manu,Iresearchedand spoke to Latinx friends and colleagues about their personal experiences withbrujería (the Spanish word for witchcraft) to try and learn more about it across differentcultures. I love comics because, like oral storytelling, it’s just another way for people toshare their stories with each other!
Ireally enjoy McGrane’s sense of humor in both her illustrations and storytelling. Idefinitely wasn’t expecting to cry at the end, but I did! I truly felt for Dragoslav, who is avampire child struggling with friendships, fears, and trusting people (especially the adultsin their life). Not to worry: There are plenty of laughs, cool imagery, and lots of heart. Ihighly recommend this to fans of horror, humor, or both.
A spooky and funny graphic novel perfect for fans of The Witch Boy and Real Friends
Dragoslava is a vampire kid. It has its perks, but sometimes being stuck as a kid forever can be a pain in the neck. And that’s not even the worst part. A few centuries ago, Drago was cursed by a witch. If they don’t complete every task she sets, they will be turned into worms.
When the witch wants a spellbook from Baneberry Falls, Drago sets off with their immortal friends. But mysteries await in this sleepy Midwestern…
As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below).
Ok, sometimes I just need a little brain candy, and this fits the bill. I’m a historian, and I read a lot of history books that deal with dark subjects. To relax, I like to read rom-coms with a bit of spice.
This feels like watching Practical Magic with a bit of Brigit Jones thrown in. It’s funny, set in a spooky village during fall, and there are witches. Oh, and the main character is a witch and a historian. Win-win in my book.
New York Times bestselling author Rachel Hawkins, writing as Erin Sterling, casts a spell with a spine-tingling romance full of wishes, witches, and hexes gone wrong.
Nine years ago, Vivienne Jones nursed her broken heart like any young witch would: vodka, weepy music, bubble baths...and a curse on the horrible boyfriend. Sure, Vivi knows she shouldn't use her magic this way, but with only an "orchard hayride" scented candle on hand, she isn't worried it will cause him anything more than a bad hair day or two.
That is until Rhys Penhallow, descendent of the town's ancestors, breaker of hearts,…
It’s hard not to be passionate about sapphic spec fic when that’s entirely what I write. These books may all differ from my book in their own ways, but these authors and I all wrote fantastical stories of women who love women. These are the kind of stories I want to put out there, and it’s a space that could always use more occupying it.
This gothic novel tells two stories a century apart, both dealing with queerness, hauntings and the way women are treated by society. The characters are flawed and human, and it’s fascinating to see how a century has changed everything.
I’d been desperate for a good lesbian ghost story then, and this hit the spot far more than I’d expected.
'It's a terrible story and one way to tell it is this: two girls in love and a fog of wasps cursed the place forever after...'
BROOKHANTS SCHOOL FOR GIRLS: Infamous site of a series of tragic deaths over a hundred years ago. Soon to be the subject of a controversial horror movie about the rumoured 'Brookhants curse':…
I’m a multi-genre writer, a passionate reader, and, like all of us, a flawed human being. The stories that truly speak to me are the ones with a main character who is imperfect. I may not like the protagonist at first, but as the author develops the story and the hero’s challenges, the character grows, we see inside them and learn to love them, as they also learn to love and accept themselves, flaws and all. They use this growth to make a better world. And that’s what fiction is all about. Of course, it helps if they’re funny too. I love humor.
A book by Charlotte English – what more needs to be said? You know it’s going to be an unputdownable, funny journey. Gussie thinks she’s the ‘normal’ one in the family, until her magical gift asserts itself. Spiky and unsociable in nature, Gussie finds her ‘wyrde’, and then begins to view herself in a new light. With this new confidence, she sets out to save her world.
‘If you had not already realised it, this is a very strange house you are come to.’
The Scions of the House of Werth are all born normal. It is what happens afterwards that sets them apart.
It is not easy being the most supernatural family in England. Nell talks to the dead; Lord Werth is too often to be found out in the churchyard at the dead of night; and the less said about Lord Bedgberry, the better.
Only Miss Gussie Werth has missed out on the family curse. She sups on chocolate, not blood; she's blissfully oblivious to…
