Here are 77 books that My Name Is Lucy Barton fans have personally recommended if you like
My Name Is Lucy Barton.
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I want to tackle the profound challenges some new mothers face. Who’s read a funny book about postpartum depression? Probably no one! My novel fills the gap. I suffered from postpartum in silence, afraid of the stigma it might bring. I hope this relatable story normalizes postpartum, sparks conversations, and drives change. I also wanted to write something with a Latina in the starring role. People of Latino descent suffer from many hurtful and inaccurate stereotypes. Increasing positively portrayed Latinos in fiction is personal for me. I’m exceedingly proud of my Latino roots and hope it comes through in my writing.
Bernadette can be difficult to like, but that's partly why I love her character. She's unapologetically authentic with sharp edges and a serious dislike of Seattle. Rather than grimace at her put-downs of my hometown, I laughed because she included inside jokes only Seattlites would understand, and there was a granule of truth in all of it.
I'm intensely interested in the challenges and rewards of motherhood. Portraying it as something emotionally draining and frustrating, utterly consuming and ultimately wonderful, Maria Semple captured what many of us experience using Bernadette as her medium.
A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times).
Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.
Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle --…
Complex relationships have been the heart of my career. I have a BA in sexual anthropology from Concordia University in Montréal and a Ph.D. from the University of Melbourne. My debut novel, Weekend Friends, was published by Post Hill Press in 2023. My nonfiction book, Sex Drive: In Pursuit of Female Desire, was published by Allen & Unwin in 2012. Themes I like writing about include friendship, desire, conflict, healing, and love. I have published short stories and poetry and have written for publications such as the Huffington Post and Daily Life. I appear on TV and give talks, including a TEDx talk. My work has been featured in a National Geographic documentary.
Oh, Celeste Ng is a terrific writer. The story follows Mia and her daughter, Pearl—enigmatic newcomers to town—whose lives become entangled with Mrs. Richardson and her seemingly perfect family. The relationships between the mothers and their teenage children ignite a firestorm of intrigue. I love Ng's nuanced critique of female friendship.
"Witty, wise, and tender. It's a marvel." -Paula Hawkins, author of The Girl on the Train and A Slow Fire Burning
"To say I love this book is an understatement. It's a deep psychological mystery about the power of motherhood, the intensity of teenage love, and the danger of perfection. It moved me to tears." -Reese Witherspoon
From the bestselling author of Everything I Never Told You and Our Missing Hearts comes a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their…
Many years ago I was outside, clothespins in hand as I hung damp towels on the clothesline at our small beach house. A yard over, I heard a mother and daughter arguing loudly. I didn’t pick up all the details, but it was clear that the mother and daughter’s expectations were miles apart. At that moment, I found myself frozen solidly in the center. Was I mother? Was I daughter? I connected equally. Since that time I’ve been interested in the dynamics and criticality of the mother-daughter relationship, and I knew my first novel would be an exploration of that theme.
When my mother died, a friend insisted, “Now you’ll come to know her in ways you never imagined.” I thought the notion was ludicrous. My mother and I were close, our relationship strong. As it turns out my friend was right. In Watch Me Disappear, Janelle Brown explores this idea. When Billie Flanagan disappears, her husband and teenaged daughter Olive find out more than they could have imagined about Billie’s secret life.
NEW YORK TIMES BESTSELLER • The disappearance of a beautiful, charismatic mother leaves her family to piece together her secrets in this propulsive novel for fans of Big Little Lies—from the bestselling author of All We Ever Wanted Was Everything and the upcoming Pretty Things.
“Watch Me Disappear is just as riveting as Gone Girl.”—San Francisco Chronicle
Who you want people to be makes you blind to who they really are.
It’s been a year since Billie Flanagan—a Berkeley mom with an enviable life—went on a solo hike in Desolation Wilderness and vanished from the trail. Her body was never…
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
When this astonishing debut novel about a complicated mother-daughter relationship came out, I wondered if the author had met my mother. Because Adele August believes there’s nothing for her in her small Wisconsin town, she sets off for Los Angeles with her twelve-year-old daughter and a dream—Ann will be a child star; Adele will make a wealthy marriage; they’ll live the lives they were meant to. Simpson’s writing is gorgeous: “My mother and I should have both been girls who stayed out on the porch a little longer than the rest… who strained to hear the long-distance trucks on the highway... girls who looked at the sky and wanted to go away… but who finally sighed, and calling the dog with a mixture of reluctance and relief, shut the door and went home.” Reality can’t live up to Adele’s delusions; mother-child roles are often reversed; but love underlies this tangled…
A national bestseller—adapted into a movie starring Natalie Portman and Susan Sarandon—Anywhere But Here is the heart-rending tale of a mother and daughter. A moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer, the novel follows the two women as they travel through the landscape of their often conflicting ambitions. A brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation, Anywhere But Here is a story about the things we do for love, and a powerful study of familial bonds.
Until the millennium, I was a features journalist with an abiding fascination in Sixties counter-culture. Being a friend of Pink Floyd’s David Gilmour, I heard Syd’s story first-hand.
After having my own breakdown and psychiatric treatment, I decided to apply my experience and interests in writing an account of Syd’s short but sweet creative life.
With Gilmour’s tacit blessing, his contemporaries – including Floyd co-founder Roger Waters – gave me access. And through interviewing them, I came to my own understanding of Barrett: by turns a crazy diamond and a dark globe.
No one captures the self-loathing and paradoxical liberty of the moneyed junkie as well as St Aubyn (except perhaps Anna Cavan). The second novel in his almost-autobiographical Patrick Melrose series, Bad News finds our fucked-up anti-hero on a gargantuan smack binge in New York at the age of 22. How the author – now clean – can reconstruct his frame of mind is remarkable; how he can do it with such precision and wit is mind-blowing.
Bad News is the second of Edward St Aubyn's semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.
Twenty-two years old and in the grip of a massive addiction, Patrick Melrose is forced to fly to New York to collect his father's ashes. Over the course of a weekend, Patrick's remorseless search for drugs on the avenues of Manhattan, haunted by old acquaintances and insistent inner voices, sends him into a nightmarish spiral. Alone in his room at the Pierre Hotel, he pushes body and mind to the very edge -…
I'm a lifelong lover of all things fantasy and a passionate member of the LGBT+ community. It means so much to me every time I pick up a book to find characters with different sexualities on the pages and seeing them in fantasy books is even better! It gives me a thrill each time to feel like people like me are being acknowledged in my favourite books. Because of this, I also strive to be as inclusive and diverse in my own books.
Did you fall in love with tales such as Lord of the Rings and other great fantasy classics about the battle between good and evil growing up? Then Dark Rise is the perfect book for you. It's an epic full of twists and where nothing is ever as it seems. And, of course, getting to read a book with such a classic fantasy feel to it, with the inclusion of some queer rep, was just so refreshing and exciting.
* Instant New York Times Bestseller * Indie Bestseller *
In this stunning new fantasy novel from international bestselling author C. S. Pacat, heroes and villains of a long-forgotten war are reborn and begin to draw new battle lines. This epic fantasy with high-stakes romance will sit perfectly on shelves next to beloved fantasy novels like the Infernal Devices series, the Shadow and Bone trilogy, and the Red Queen series.
Sixteen-year-old dock boy Will is on the run, pursued by the men who killed his mother. Then an old servant tells him of his destiny to fight beside the Stewards,…
I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.
I can still remember so much from this book. A great stat Hawes included was that in the year 1870, 90 percent of upper-class New Yorkers lived in townhouses or other types of single-family homes. By 1930, 90 percent lived in apartment buildings or “French flats,” as they were sometimes called. Basically, almost alone among American cities, New York chose to emulate Paris in its model of urbanism rather than London.
New York developers built and sold “French flats” that were large and ostentatious, like the Ansonia and the Dakota, which are still there today. These iconic apartment buildings were built along the streetcar and subway lines. Hawes was a writer for The New Yorker, so this is very readable.
Recounts New York City's transformation from a provincial, Victorian town to a bustling city, focusing on the architectural emergence of the apartment building after the Civil War and its influence.
In a previous life, I was a City trader and as such have always been fascinated by the ridiculous and the absurd. Now a full-time writer and poet, I live on the west coast of Ireland and have written a number of books including A Curious Guide to London, A Splendidly Smutty Dictionary of Sex, and The Men Who Stare At Hens. I also have a blog on all matters arcane.
The daddy of all London books, an encomium to a city of myth. Its buildings hold and hide legends. Its rivers are lost underground. Its backstreets vanish into fable. Its characters are blurred between fact and fiction. Truths have been twisted by fantasy. Tourists are rendered blind, stepping around beggars to photograph the past, and sit in parks reading of a city that only springs to life in the mind, for in reality only the faintest outline traces now remain. A truly remarkable tour de force.
Much of Peter Ackroyd's work has been concerned with the life and past of London but here, as a culmination, is his definitive account of the city. For him it is an organism with its own laws of growth and change, so this book is a biography rather than a history. Ackroyd reveals the dozens of ways in which the continuity of the city survives - in ward boundaries unchanged since the Middle Ages, in vocabulary and in various traditions - showing London as constantly changing, yet forever the same in essence.
Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusualpet.
You can’t help but root for thirteen-year-old social underdog and theater nerd Nate Foster as he sneaks away from his “boring” hometown of Jankburg, PA, and takes a bus to New York City to audition for the lead role in a Broadway production of E.T., the Musical. Of course, things don’t go according to plan, but Nate’s spunk, humor, and fearlessness somehow get him through his longshot adventure in the big city. Federle’s warm and vivid characterizations and witty writing style make this one a winner for the whole family. (One caveat: Parents bothered by gay themes in middle-grade books—even understated ones, as here—might want to skip this one. Your loss.) Followed by two more: Fix, Six, Seven, Nate! and Nate Expectations.
“The Nate series by Tim Federle is a wonderful evocation of what it’s like to be a theater kid. Highly recommended.” —Lin-Manuel Miranda, star and creator of the musical, Hamilton
A New York Times Notable Book of the Year A Publishers Weekly Best Book of the Year A Slate Favorite Book of the Year
A small-town boy hops a bus to New York City to crash an audition for E.T.: The Musical in this winning middle grade novel that The New York Times called “inspired and inspiring.”
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
While the prose style of Act One is a little fussy, florid, and overly eager to impress, this is still a moving, funny, and emotional biography of a talented, ambitious young man who is determined to make his mark as a Broadway playwright. And, at the end, when he single-handedly turns his out-of-town failure (co-written with George S. Kaufman) into a hit, you want to stand up and cheer.
Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the great American memoirs, a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early twentieth century. Hart's story inspired a generation of theatergoers, dramatists, and readers everywhere as he eloquently chronicled his impoverished childhood and his long, determined struggle to reach the opening night of his first Broadway hit. Act One is the quintessential American success story.
