Fans pick 87 books like Dark Rise

I believe you can choose to be kick-ass. Delilah “Lila” Bard eventually chooses to be kick-ass. Eventually, on the surface, this book is about Kell. But Lila has the true character arc. I love that Lila walks the edge: hero or anti-hero?

My own life has been defined by the choices I make. I wasn’t given a lot of opportunities. I didn’t have a lot of luck. I had to make my own luck. Lila makes her own ‘luck’. She turns surviving into an opportunity to thrive because of the choices she makes. She screws up several times, risking her life and others. Even at the end, I’m not sure if she’s a hero. She’s real and attempting to evolve out of a dim past into a bright future in her own unique way. I relate to that. 

The Oracle Stone is a wonderfully imaginative story set in an immersive world and centres around a diverse cast of loveable characters. It is a story that brings to mind classic fantasy tales of magic, epic quests, and heroics, while also putting some modern-day spins onto each of these beloved fantasy tropes. 

I loved the magical girl reminiscent transformations in this book mixed with a dark story. I’ve always had a fondness for the genre, and this book gave me a mix of Shugo Chara and Madoka Magica vibes. As a demisexual, I also really felt seen from all of the asexual spectrum representation in the main cast. I am a character first writer, so I loved the large cast and how insanely compelling each character and their backstory was. Every personality is so unique it bursts off the page, which is what really drew me into this book and made it my favorite novel of all time. The aesthetics also really help, since the flashier the magic the better in my opinion.

Metanoia is the first dark fantasy story that I can say I tremendously enjoyed. The world-building is phenomenal and the characters really grab you from the start and don't let go, even after you've reached the last page. And of course, we're treated to some lovely queer rep in the form of a scholarly lesbian couple and two best friends who clearly feel more than just friendship towards one another. 

The book that put British literary giant Hollinghurst on the map in 1988, this gorgeously written, fast-paced novel follows Will, a ridiculously privileged, idle, and good-looking young gay man in early 1980s London who has torrid sexual affairs with a racially diverse group of working-class men and also inadvertently saves the life of a very elderly gay aristocratic man with a homoerotic colonial past.

With its Forsterian attunement to the prejudices and vanities of the Thatcher-era British upper class, its explicit evocation of the early 20th century gay British novelist Ronald Firbank and its sometimes cringe-y look at cross-class and cross-racial desire, the novel showcases gay men driven ecstatically and obsessively by both libidinous and aesthetic yearnings—all of them oblivious to the dark clouds of AIDS gathering on London’s horizon.

When I first entered the heady world of Regency romance in January 2021 (yes, Bridgerton was the spark but I read the books first!), Merry Farmer soon became an instant inspiration. She writes M/M, F/F, and F/M historical romances and is one of the very few people who manage to write all three and have a beloved following. So, of course, I wanted to become an ARC reviewer for her and managed to snag some of the books in her After the War series, which follows a group of gay men returning back to England for a house party reunion after, you guessed it, the Napoleonic Wars. 

This is not the first installment in the series, but it’s the sweetest. Merry Farmer has created a loveable, enchanting hero in Declan Shelton, the reticent, odd young gamekeeper who draws the attention of Lord Spencer Brightling, a gruff and stern man who… show more.

Looking to move past the social shame of her suicide attempt, Margaret Prior begins visiting a woman’s prison to conduct rehabilitative charity work. But when she meets the young spiritualist Selina Dawes, she finds herself pulled into a world of smouldering passion and the realisation the world may be more than she ever realised. 

In this book, Sarah Waters takes Victorian gothic romance and brings it into the modern age. Reading this book involves peeling away the layers and interpreting the unspoken. Nothing is spelt out, as none of the characters would ever deign to say such things out loud. But by looking at what isn’t said, we gradually learn the hidden truth.

So, making this list has rather reminded me that there is a major dearth of queer books in historical romance. Especially of the happy variety—and it’s not a true romance if it doesn’t have an HEA.

I could easily have included The Song of Achilles or Fried Green Tomatoes at the Whistle Stop Café or Patience and Sarah, but they wouldn’t have fit the Regency/Victorian time period I was aiming for and they also either have very hidden/obscured queerness (e.g. Fried Green Tomatoes) or no HEA (Song of Achilles, obvs).

I’m going with Lord John even though he’s Georgian era because 1) he has a happy and fulfilling life despite his One True Love ultimately being unrequited, 2) he has some great love affairs and adventures, and 3) best of all this is a series. And a series is almost as good as an HEA!

If… show more.

No one captures the self-loathing and paradoxical liberty of the moneyed junkie as well as St Aubyn (except perhaps Anna Cavan). The second novel in his almost-autobiographical Patrick Melrose series, Bad News finds our fucked-up anti-hero on a gargantuan smack binge in New York at the age of 22. How the author – now clean – can reconstruct his frame of mind is remarkable; how he can do it with such precision and wit is mind-blowing.

I can still remember so much from this book. A great stat Hawes included was that in the year 1870, 90 percent of upper-class New Yorkers lived in townhouses or other types of single-family homes. By 1930, 90 percent lived in apartment buildings or “French flats,” as they were sometimes called. Basically, almost alone among American cities, New York chose to emulate Paris in its model of urbanism rather than London.

New York developers built and sold “French flats” that were large and ostentatious, like the Ansonia and the Dakota, which are still there today. These iconic apartment buildings were built along the streetcar and subway lines. Hawes was a writer for The New Yorker, so this is very readable.