Here are 100 books that Metanoia fans have personally recommended if you like
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On the surface, my childhood was characterized by 1980s unsupervised country freedom in rural Alberta. Deeper in, my history involved emotional abuse and neglect. I wanted nothing more than to be seen and loved for my true self. The library was a refuge, but the fiction section allowed me to find the community I so greatly desired. I was seen and loved by the characters I read. They showed me it was possible to be myself–loudly and audaciously–and still be accepted. I read and now write books that delve into themes of identity, autonomy, and acceptance because I still struggle with these themes today.
I believe you can choose to be kick-ass. Delilah “Lila” Bard eventually chooses to be kick-ass. Eventually, on the surface, this book is about Kell. But Lila has the true character arc. I love that Lila walks the edge: hero or anti-hero?
My own life has been defined by the choices I make. I wasn’t given a lot of opportunities. I didn’t have a lot of luck. I had to make my own luck. Lila makes her own ‘luck’. She turns surviving into an opportunity to thrive because of the choices she makes. She screws up several times, risking her life and others. Even at the end, I’m not sure if she’s a hero. She’s real and attempting to evolve out of a dim past into a bright future in her own unique way. I relate to that.
A stunning collector's edition of the acclaimed novel from the #1 New York Times bestselling author V.E. Schwab.
With an exclusive metallic ink cover, this edition will feature:
* End papers of London * Fan art * A glossary of Arnesian and Antari terms * An interview between author and editor * Original (never before seen!) tales from within the Shades of Magic world
Kell is one of the last Antari-magicians with a rare, coveted ability to travel between parallel Londons. There is Red London, where life and magic are revered, Grey London, without magic and ruled by mad King…
I'm a lifelong lover of all things fantasy and a passionate member of the LGBT+ community. It means so much to me every time I pick up a book to find characters with different sexualities on the pages and seeing them in fantasy books is even better! It gives me a thrill each time to feel like people like me are being acknowledged in my favourite books. Because of this, I also strive to be as inclusive and diverse in my own books.
The Oracle Stone is a wonderfully imaginative story set in an immersive world and centres around a diverse cast of loveable characters. It is a story that brings to mind classic fantasy tales of magic, epic quests, and heroics, while also putting some modern-day spins onto each of these beloved fantasy tropes.
Jekku Aj'ere can see everything from the start of time to the end, and it’s an agonizing curse. His only chance to bargain for freedom is to find the Oracle Stone, a magic artifact that was split into four pieces and hidden centuries ago.
Lilya Noor wants to forget her past and be immortal, so she agrees to a blood oath that will grant her eternal life if she delivers the Oracle Stone to her Master of Magic. Failure is not an option, but what if the stone offers a better deal than simple immortality?
Fantasy has always been a passion and an escape for me. It started with copious amounts of reading, then I found anime when I was only a child as Cardcaptors began to air on TV. I’ve watched hundreds of anime shows since then and continued my penchant for reading and writing almost exclusively in the fantasy genre. In college, I obtained a BA in English with an emphasis on Creative Writing, so I have a good grasp on literature analysis and many works. In addition, I studied Japanese for two years, lived in Japan for six months, and held a position at the anime club while I was in college.
I loved the magical girl reminiscent transformations in this book mixed with a dark story. I’ve always had a fondness for the genre, and this book gave me a mix of Shugo Chara and Madoka Magica vibes. As a demisexual, I also really felt seen from all of the asexual spectrum representation in the main cast. I am a character first writer, so I loved the large cast and how insanely compelling each character and their backstory was. Every personality is so unique it bursts off the page, which is what really drew me into this book and made it my favorite novel of all time. The aesthetics also really help, since the flashier the magic the better in my opinion.
A girl full of heart A thief touched by darkness A boy with a fiery temper An unwitting servant of evil
The era of magic was once thought to be a myth, but after the Reemergenceushered forces both dark and light into the mundane world, it has sincebecome a harsh reality. Now those affected by this strange power—aspecialized group of Empowered called Jokers, known collectively asCardplay—must protect their world from the darkness that threatens toconsume it, all the while fighting for equality in a society clinging to normalcy.
I'm a lifelong lover of all things fantasy and a passionate member of the LGBT+ community. It means so much to me every time I pick up a book to find characters with different sexualities on the pages and seeing them in fantasy books is even better! It gives me a thrill each time to feel like people like me are being acknowledged in my favourite books. Because of this, I also strive to be as inclusive and diverse in my own books.
Did you fall in love with tales such as Lord of the Rings and other great fantasy classics about the battle between good and evil growing up? Then Dark Rise is the perfect book for you. It's an epic full of twists and where nothing is ever as it seems. And, of course, getting to read a book with such a classic fantasy feel to it, with the inclusion of some queer rep, was just so refreshing and exciting.
* Instant New York Times Bestseller * Indie Bestseller *
In this stunning new fantasy novel from international bestselling author C. S. Pacat, heroes and villains of a long-forgotten war are reborn and begin to draw new battle lines. This epic fantasy with high-stakes romance will sit perfectly on shelves next to beloved fantasy novels like the Infernal Devices series, the Shadow and Bone trilogy, and the Red Queen series.
Sixteen-year-old dock boy Will is on the run, pursued by the men who killed his mother. Then an old servant tells him of his destiny to fight beside the Stewards,…
As a gay father of two transracially adopted daughters, I am constantly searching for books that feature families like mine. It is important for children to see families that look like theirs represented in their storybooks. Unfortunately, there is a limited number of children’s books spotlighting adoption and even less featuring LGBTQ+ families. I am happy to share this list of some of my favorites that represent diverse/LGBTQ+ families.
This book gets triple points in my opinion, as it specifically addresses adoption by two dads who are an interracial couple. There are very few children’s books that cover all of these topics and even fewer that do it as simplistic and easy as this one. We have this one in our personal library and it has been one of our go-to books for helping our own daughter who my husband and I adopted.
Having Two Dads is double the fun! Many families are different, this family has Two Dads. A beautifully illustrated, affirming story of life with Two Dads, written from the perspective of their adopted child.
Thirteen years ago, when my partner and I started our family, we didn’t know any other LGBTQ+ parents. We decided to learn all we could about the experiences of LGBTQ+ families. Our interviews with more than 70 families grew into an LGBTQ+ parenting guide called Pride and Joy. These real-life stories blew us away with their diversity; made us laugh, cry and gasp as we saw how families thrived, often against the odds. Yet we rarely saw families like these in the books our children read, so I started writing stories of my own. Thankfully, there are now many more - you’ll find some of my favourites on this list.
Twins Sam and Sam (yes, their two mums, both psychologists, did decide to give them the same name) are not quite teenagers. They both struggle with fears and friendships on the brink of high school. I love this book because the humour is so subtle but spot on, the characters are so well-drawn, and the twins’ different anxieties about an impending school trip are so relatable. The fact that Sam and Sam have two mums makes their family distinctive, and the mums’ relationship is warm and believable, but is not the main element of the story.
Sam likes being a twin. He likes having two mums. He likes cheese sandwiches and his dog and drawing comics with his friend Pea. He does not like humus - or heights ...His twin sister Sammie likes being a twin too. She knows that she's perfect best friend material for somebody - the girls in her class just haven't realised yet. And she knows that she's the best Sam - Sam A. Both Sam and Sammie - and everybody in their lives seems to be keeping secrets - which ones will come out? Meet the very different twins and their…
I’m a novelist and the editor and publisher of Blind Eye Books—a small press focused on producing LGBT genre fiction as well as a lifelong aficionado of queer media, especially BL, yaoi, and danmei.
When we first meet our protagonist, You Miao is a smug, lazy scholar hanging around studying for the Imperial examination, but when he saves the life of an enslaved warrior Li Zhifeng his life changes forever. Together the two of them revitalize a rundown estate, navigate court intrigue, and weather an invasion. A big, sweeping epic from a leader in the genre. I’d been writing in the mystery genre for quite some time and this book made me want to write fantasy novels again.
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Here’s a story focused on a gender-atypical main character where the book isn’t about being genderqueer or being nonbinary or whatever.
Birdie’s gender characteristics are just there, the same way that a book set in Manhattan can have Manhattan in the foreground without being a book about Manhattan. I like the way that being gay and being trans are discarded as not really applicable to Birdie without some other replacement identity being pushed forward instead.
An emotional and uplifting debut about a girl named Jack and her gender creative little brother, Birdie, searching for the place where they can be their true and best selves.
After their mama dies, Jack and Birdie find themselves without a place to call home. And when Mama's two brothers each try to provide one--first sweet Uncle Carl, then gruff Uncle Patrick--the results are funny, tender, and tragic.
They're also somehow . . . spectacular.
With voices and characters that soar off the page, J. M. M. Nuanez's debut novel depicts an unlikely family caught in a situation none of…
Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
As a pastor’s kid, this light, lyrical book about a church community gathering awakens my earliest memories: the bells and banners, candles and choir, warm greetings, and toddler wiggles. This community offers something many of us lacked: “A church for all!” From the first image of a mixed-race queer family waking early for church to the assembling “Weak and healthy/ Neat and messy/ Poor and wealthy/ Plain and dressy” chatting and worshiping together—this brightly illustrated book captures a true spirit of inclusion. Like many queer people, I had to leave my first faith community. Later I was amazed to find houses of faith like this one. I even married a pastor. Young me couldn’t have imagined living out, opening a service with a book like A Church for All.
On Sunday morning, we gather together. We are every color. Every age. Rich and poor. Our church is open, affirming, and accepting. We believe in love instead of hate. There's room for everyone! This book celebrates a spiritual community that embraces all people―no matter their age, race, class, gender identity, or sexual orientation―in love and faith.
So many of the books that spoke to both me and other lesbian and feminist activists in the 1970s–the books that helped us make sense of our lives and of the world–aren’t read much anymore. Times change. Interests change. So that’s natural enough. But damn, I don’t want them to be lost. I’d like to call us back to the passion and the ambition of those ground-breaking times. I want LGBTQ+ writers to work as if our words could change the world, because we never know in advance which ones will.
Beginning with O came out in the 70s, when a feminist or lesbian poet could fill an auditorium, and often did. Broumas's poems are physical, compelling, and intelligent, like this one, which reaches for a forgotten language from a time when women were whole and unafraid of their power.
Again, let me get out of the way and quote: “I work / in silver the tongue-like forms / that curve around a throat // an arm-pit, the upper / thigh, whose significance stirs in me / like a curviform alphabet / that defies // decoding, appears / to consist of vowels, beginning with O, the O- / mega, horseshoe, the cave of sound. / What tiny fragments // survive, mangled into our language. / I am a woman committed to / a politics / of transliteration, the methodology // of a mind / stunned at the suddenly / possible shifts…
Imaginative and uninhibited, Beginning with O is the 72nd volume of the Yale Series of Younger Poets
This is a book of letting go, of wild avowals, of unabashed eroticism; at the same time it is a work of integral imagination, steeped in the light of Greek myth that is part of the poet's heritage and imbued with an intuitive sense of dramatic conflicts and resolutions, high style, and musical form.
