Here are 70 books that Better Nate Than Ever fans have personally recommended if you like
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I’ve written books for kids of all ages, and always there were birds. Sparrows singing on windowsills, cardinals arrowing across yards, cormorants diving into Lake Erie, pigeons poking beneath park benches. Those things with feathers make my own heart sing! Slowly it dawned on me that I wanted to write a book where birds didn’t just flit across the pages but nested at the story’s heart. I had to do a lot of bird research for Perfect. What I learned about the precious, fragile bonds among all Earth’s creatures became one of the book’s themes: big and small, bound by gravity or able to defy it, we are all deeply connected.
Because…burrowing owls! Because…the power of kids to make a difference!
Hiassen’s story (a Newbery honor) brims with love and awe for Florida’s natural world, including these adorable owls who live underground and stand maybe six inches tall. When greedy developers threaten their dens, our hero Roy teams up with a supernaturally strong girl and her slightly feral brother to save them.
I love this book for its unshakeable belief in kids, who know injustice when they see it, for how it handles serious topics with a deft and witty touch, and for how it made me think of Florida in new ways. A hoot for sure!
5
authors picked
Hoot
as one of their favorite books, and they share
why you should read it.
This book is for kids age
12,
13,
14, and
15.
What is this book about?
This Newbery Honor winner and #1 New York Times bestseller is a beloved modern classic. Hoot features a new kid and his new bully, alligators, some burrowing owls, a renegade eco-avenger, and several extremely poisonous snakes.
Everybody loves Mother Paula's pancakes. Everybody, that is, except the colony of cute but endangered owls that live on the building site of the new restaurant. Can the awkward new kid and his feral friend prank the pancake people out of town? Or is the owls' fate cemented in pancake batter?
Welcome to Carl Hiaasen's Florida—where the creatures are wild and the people are…
Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusualpet.
The conventional wisdom is that middle-grade girls read books a lot more than boys do. Maybe so... but if there’s any book that could encourage more boys to read, you couldn’t do much better than this goofball adventure story. In 1895, Stan, a clueless but earnest eleven-year-old, is sent to a mining camp in northern Michigan with his “sweet Mama,” his snarky cousin Geri, and his no-nonsense grandma. Between the unfamiliar milieu and his wildly overactive imagination, Stan undergoes an endless string of indignities that convince him he’s the victim of every evil under the sun, even as he searches for his long-lost father and struggles to become the man he aspires to be. Hilarious, engaging, and full of heart, this is one for everybody (including girls!). And don’t miss the sequel,I Almost Died. Again.
For history lovers and journal fans comes a “hilarious and heartbreaking . . . 99–100% fantastic” (A Fuse #8 Production, School Library Journal) story about a boy on a mission to find his long-lost father in the logging camps of Michigan.
There are many things that 11-year-old Stanley Slater would like to have in life—most of all, a father. But what if Stan’s missing dad isn’t “dearly departed” after all?
Armed with his stupendous scrapbook, full of black-and-white 19th-century advertisements and photos, Stan’s attempt to locate his long-lost hero/cowboy/outlaw dad is a near-death adventure fraught with pesky relatives, killer lumberjacks,…
Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusualpet.
For those who prefer their humor British, this fantasy adventure will more than fill the bill. Eleven-year-old Tom Harding thought he was just a normal kid, but he wakes up one day to discover that his parents are in hiding from evildoers in an alternate world called the Realm—and to top it off, he learns his dad is a magical fairy and he himself is a demisprite, or half fairy, of which he had no clue. Aided by his klutzy cousin Pindar, a trio of bickering fairy godmothers, and an assortment of goofy, otherworldly creatures and characters, Tom sets out on the magical adventure of his life to rescue Mum and Dad. The action is fast and fun and the humor is nonstop, with lots of understated Britishisms like “When you’ve just been told you might be about to disintegrate, it’s hard to concentrate on anything else.” And, of course,…
Tom is in shock. He's just discovered that his dad is an escaped fairy on the run. And that he must trust his life to three dangerous fairy godmothers he's never met. Two of them are hardened criminals, and one falls out of the window when she tries to fly . . .
Will their mad magic be enough to help Tom rescue his dad from the clutches of some killer fairies?
I have been a voracious reader all my life. As a child, my happy place was the public library. I realized quickly that not all novels had the same effect. Most stories were enjoyable, but there were some books that told a story to make a point. These were stories with characters that I couldn’t forget, and I was challenged, encouraged, and inspired by what I read. These novels changed me for the better. I am grateful for authors who wrote stories with purpose. Now I have an opportunity to tell a story that will have an impact and make a difference in the lives of those who read it.
“Of all the kids in the seventh grade at Camillo Junior High, there was one kid that Mrs. Baker hated with heat whiter than the sun. Me.”
When I read that first line, I assumed The Wednesday Wars was going to be another shallow story with the typical conflict between a mean teacher and a student victim. But I was wrong. Completely wrong.
The Wednesday Wars will make you smile a real smile, not a teacher smile. It will make you laugh as you learn Shakespearean curses. It will make you cry when a student earns the high praise of “chrysanthemum” from a teacher who is no longer an enemy but a friend. This won’t make sense until you read the book, and it’s definitely worth reading this book.
In this Newbery Honor–winning novel, Gary D. Schmidt tells the witty and compelling story of a teenage boy who feels that fate has it in for him, during the school year 1968-69.
Seventh grader Holling Hoodhood isn't happy. He is sure his new teacher, Mrs. Baker, hates his guts. Holling's domineering father is obsessed with his business image and disregards his family. Throughout the school year, Holling strives to get a handle on the Shakespeare plays Mrs. Baker assigns him to read on his own time, and to figure out the enigmatic Mrs. Baker. As the Vietnam War turns lives…
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
While the prose style of Act One is a little fussy, florid, and overly eager to impress, this is still a moving, funny, and emotional biography of a talented, ambitious young man who is determined to make his mark as a Broadway playwright. And, at the end, when he single-handedly turns his out-of-town failure (co-written with George S. Kaufman) into a hit, you want to stand up and cheer.
Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the great American memoirs, a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early twentieth century. Hart's story inspired a generation of theatergoers, dramatists, and readers everywhere as he eloquently chronicled his impoverished childhood and his long, determined struggle to reach the opening night of his first Broadway hit. Act One is the quintessential American success story.
I love being entertained while I read, but I equally love to learn something. That has led me to fall in love with the historical fiction genre, and is what also led me to write We Came Here to Shine and The Subway Girls. Part of being able to write good historical fiction is to learn from the masters in the genre. I am drawn to historical fiction that features ambitious women who were notable in their time for going against the strictures and conventions forced upon them, and I have chosen all of these books for you because they feature women like that. I hope you enjoy!
The Show Girl is a delicious and entertaining exploration of the life of a 1920s Ziegfield girl with authentic period details and Harrison’s trademark ability to plunge the reader deep into the experiences of her characters. I loved being along for the ride as Olive navigated her relationships and friendships, followed her dreams, and pursued the glamorous life—with all its attendant ups and downs—of a show girl. The Show Girl is a fast-paced and engaging read that will leave readers giving a standing ovation to Olive and to all women who choose to live life on their own terms.
It's 1927 when Olive McCormick moves from Minneapolis to New York City determined to become a star in the Ziegfeld Follies. Extremely talented as a singer and dancer, it takes every bit of perseverance to finally make it on stage. And once she does, all the glamour and excitement is everything she imagined and more-even worth all the sacrifices she has had to make along the way.
Then she meets Archie Carmichael. Handsome, wealthy-the only man she's ever met who seems to accept her modern ways-her independent nature and passion for success. But once she accepts his proposal of marriage…
There have always been disabled people shaping my worldview and understanding, however, I am an expert only about my own disabilities. Disabled storytellers, including Helen Keller, sometimes utilize tactical silence to scream… I value that! However, barriers confronting the disabled require broad and sometimes loud collective action from many people in many communities and not just a marginalized few. Disability activism is a complex, tactical fight over time for self-determination that touches all of us at some point. COVID, world events, and experiencing some barriers disabled and marginalized groups face all the time have compelled me to share a few of my favorite reads related to disability and inclusion.
My personal creativity is not tidy… I believe nobody creates in a vacuum. The disabled contribute intelligence, perspective, and expression to all modes of creative production. Understanding how to utilize talent from any historically marginalized group means learning how to communicate with folks with diverse abilities and backgrounds. Utilizing respectful language and practices with diverse communities will draw and engage audiences with more vibrant storytelling in today’s world. This practical guide includes case studies designed to guide theater companies to create inclusive productions with the disabled in central and creative roles. Disability andTheatreillustrates how in the theater, where “all the world is a stage”, as in our own lives, creative processes emerge when people with different abilitieswork together… that is just good living.
Disability and Theatre: A Practical Manual for Inclusion in the Arts is a step-by step manual on how to create inclusive theatre, including how and where to find actors, how to publicize productions, run rehearsals, act intricate scenes like fights and battles, work with unions, contracts, and agents, and deal with technical issues. This practical information was born from the author's 16 years of running the first inclusive theatre company in New York City, and is applicable to any performance level: children's theatre, community theatre, regional theatre, touring companies, Broadway, and academic theatre. This book features anecdotal case studies that…
I am a forensic and clinical psychologist and have worked years with violent criminals for over 30 years. I am passionate about understanding how and why ordinary people end up doing extraordinary things and specialise in violent crimes by women. Some of the best descriptions of the inner lives of criminals are found in works of fiction, revealing how people think, feel and react. The novels I chose do this brilliantly, leading the reader into the mind of the characters, evoking compassion as well as shock and horror. The psychiatric memoirs describe the fascinating work of psychotherapy with criminal patients and unravel the mysteries of what draws people to violence, even murder.
This novel focusses on the murder of two children by a nanny. Based on a true case, in NYC of a nanny who kills two young children, Slimani weaves themes of racial and social injustice into her story, told through the eyes of the narrator. Despite the horror of the crimes, readers will gain a understanding of how and why the nanny, Louise, ends up taking such extreme action. Though fictionalised, it offers an accurate psychological portrait of profound disturbance and the internal logic that drives fatal assaults.
She has the keys to their apartment. She knows everything. She has embedded herself so deeply in their lives that it now seems impossible to remove her.
One of the 10 BEST BOOKS OF THE YEAR of The New York Times Book Review, by the author of Adele, Sex and Lies, and In the Country of Others
"A great novel . . . Incredibly engaging and disturbing . . . Slimani has us in her thrall." -Roxane Gay, New York Times bestselling author of Bad Feminist and Hunger
"One of the most important books of the year. You can't unread…
Many years ago I was outside, clothespins in hand as I hung damp towels on the clothesline at our small beach house. A yard over, I heard a mother and daughter arguing loudly. I didn’t pick up all the details, but it was clear that the mother and daughter’s expectations were miles apart. At that moment, I found myself frozen solidly in the center. Was I mother? Was I daughter? I connected equally. Since that time I’ve been interested in the dynamics and criticality of the mother-daughter relationship, and I knew my first novel would be an exploration of that theme.
Sometimes a mother fails. In My Name is Lucy Barton, the title character fled her home because of her abusive father. Although her mother loved Lucy and her siblings, she was unable to protect her children. Many years later when Lucy falls ill and her mother visits her, the two reconnect and develop a shared understanding. Strout addresses the imperfection of a mother while retaining the magnetic pull between mother and daughter.
LONGLISTED FOR THE MAN BOOKER PRIZE 2016 AND THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016. A #1 NEW YORK TIMES BESTSELLER.
An exquisite story of mothers and daughters from the Pulitzer prize-winning author of Olive Kitteridge
Lucy is recovering from an operation in a New York hospital when she wakes to find her estranged mother sitting by her bed. They have not seen one another in years. As they talk Lucy finds herself recalling her troubled rural childhood and how it was she eventually arrived in the big city, got married and had children. But this unexpected visit leaves her…
I love comedy and have made it my living my whole life as a columnist and writer for every major humor site and publication including MAD, SPY, American Bystander, Playboy, McSweeney’s, The Village Voice and worked with the funniest humorists in the world. My cartoons have appeared around the world as well as The New Yorker. I’ve appeared in over 100 TV and radio appearances speaking on the subject of humor.
This is the guy who wrote Deeper Thoughts and some of the best sketches on Saturday Night Live. He is a regular in The New Yorker and American Bystander and one of our generation’s finest humorists. This collection I feel is his best yet. I read a passage before I go to sleep to deal with this crazy world.
