100 books like Momma, Will You?

I am passionately keen on poetry of many types because, whether rhyming or not, most poetry employs rhythm which is something that has a subconscious appeal to human senses. For children, rhyme provides an easy introduction to poetry and I enjoy using it because children themselves love it. Mums tell me that they are asked to read the same book time and time again – and not to try to skip any spreads! At the age of three, before she could read, my son’s goddaughter knew the whole of You Can’t Take an Elephant on the Bus by heart. The rhymes children hear when very young remain with them, sometimes forever. 

I am passionately keen on poetry of many types because, whether rhyming or not, most poetry employs rhythm which is something that has a subconscious appeal to human senses. For children, rhyme provides an easy introduction to poetry and I enjoy using it because children themselves love it. Mums tell me that they are asked to read the same book time and time again – and not to try to skip any spreads! At the age of three, before she could read, my son’s goddaughter knew the whole of You Can’t Take an Elephant on the Bus by heart. The rhymes children hear when very young remain with them, sometimes forever. 

I have written poetry since I was a little boy. Rhyme came naturally to me, and I found it to be a world to escape to. This led me to songwriting and touring in bands, and it grew into my vocation as a jingle writer in Australia. Eventually, I wrote the jingle that won the World’s Best Jingle award in Hollywood, and this, in part, inspired me to move to New York City from Australia. The other driving force was getting my first book, How To Steal From Banks—an autobiography—published in America. Writing and rhyming are deeply embedded in my soul and cells. 

I am passionately keen on poetry of many types because, whether rhyming or not, most poetry employs rhythm which is something that has a subconscious appeal to human senses. For children, rhyme provides an easy introduction to poetry and I enjoy using it because children themselves love it. Mums tell me that they are asked to read the same book time and time again – and not to try to skip any spreads! At the age of three, before she could read, my son’s goddaughter knew the whole of You Can’t Take an Elephant on the Bus by heart. The rhymes children hear when very young remain with them, sometimes forever. 

I write children’s books, both fiction and non-fiction, including One Duck Stuck, Big Momma Makes the World, Rattletrap Car, Plant a Pocket of Prairie, and, in collaboration with Jacqueline Briggs Martin and Liza Ketchum, Begin With A Bee, a picture book about the federally endangered rusty-patched bumblebee. Recently I have been putting my garden to bed for the winter, pulling tomato vines, harvesting beans that have dried on the vine, cutting herbs, and planting cloves of garlic to grow into heads in next year’s garden. In a couple of months snow will bury the garden beds, and the only gardens will be in the pages of books. Here are five of the children’s books that I love about growing things.

I suspect my passion for this topic was born when my doctor came into my C-section recovery room and uttered the words “chromosomal abnormality.” My daughter has Down syndrome, and full disclosure: I had zero interest in being a disability mom. Yet as I fell in love with this beautiful, funny, sassy girl, my whole worldview shifted. I am a far better person than I was when she entered my life. She has taught me the beauty and the blessing wrapped up in the things that first appear to be the most difficult. 

I am the author of many books for young readers, ranging from picture books to YA novels and novellas. Where did this book come from? After Scholastic published My Zombie Valentine, it did so well, they asked me to write another "funny/scary" title for Christmas, so I wrote The Vampire Who Came for Christmas. Then they asked me to write another holiday book for the next year, and this time, they gave me a title: Home for the Howlidays. Then, they asked me to write one more funny/scary story, but this time, for Thanksgiving. And again, they gave me the title: Fangsgiving. The books have become known as the Holiday Monster Series.

Before there was an interdisciplinary academic field called “Animal Studies,” I was involved in these issues as an animal rights activist. Back then, the question of the animal was not taken seriously in academia as a free-standing problem (like gender or sexuality or race). It was important to me to build that—not just to take seriously the lives of animals, but also to show how the animal issue opens onto a much broader set of fundamental questions about the human and its place in relation to ecology, technology, and the non-human world. That’s why the book series I founded is devoted not to Animal Studies, but to Posthumanism.

Technology advances, scenery changes, but the human heart remains the same. As a writer, I hope to honor lives unnoticed or forgotten and have found that writing in verse affords me the truest, most uncorrupted pathway into the human heart. Each of the verse novels I’ve written or recommended here is spun from the strongest threads of time, place, and character. My hope is that the spare words within each book will build bridges across time and culture, and that those of us willing to open our hearts and cross these bridges will help create a more tolerant and peaceful world. 

Navigating life with grief has been a lifelong journey for me ever since I was a young child. At 8 years old, I was in a car accident which took the lives of my parents and four of my siblings. Since then, I’ve faced a huge mountain in front of me – How do you move forward in life when you have lost everything? This journey led me to now share my story of childhood loss and healing in hopes of helping others. As a counselor, I’m a huge mental health advocate and love books which tackle hard emotions that help readers of all ages feel more understood and equipped for their journey ahead.