79 books like Megiddo's Shadow

Markus Zusak’s book is definitely not for the faint of heart or those easily bored: its narrator is Death, and the book is over 500 pages long. Not really the kind of book you’d think of for those aged 12 and up (as it’s listed). But it is one that really ought to be universally read.

The book follows two young children battling for survival in Nazi Germany. Entropy hangs in the air like Death’s shadow. Life’s harsh realities—like evil, heartache, pain, and mortality—are ever-present. In Max's (the young boy) dreams, he is boxing with Hitler and lands a punch, knocking the Fuhrer down, but soon he’s overtaken by the crowd.

This is one of the reasons I appreciate this book: winners sometimes lose; bad things happen to good people. And yet, the response to this existential injustice isn’t to become a mere survivor, victim, or martyr. It’s to… show more.

The reason I chose this book is simple. It was the first one to show me the first-person way.

I read this book in high school around 1973 and it stayed with me all these years. This dark side of adolescence skillfully narrated by the introverted Gene is as real today for me as it was when I was a prep school kid reading it.

Gene remembers some fifteen years earlier as he comes back to visit, and tells this story under the guise of a quintessential American story, though as he says “a very untypical one, I guess, and unfamiliar transitional blur in the memories of most people, which is the real America for me.” Every first-person story I’ve tried to write since has had a little bit of Gene in it. 

Symphony for the City of the Dead is a riveting nonfiction story, written in novel style, about the Siege of Leningrad and the role played by Russian composer Shostakovich and his Leningrad Symphony. The story gives a glimpse of life for people trapped inside the Russian city for nearly three years, from 1941, when Nazis surrounded Leningrad. One million people died from bombings or starvation. After reading the moving account in MT Anderson’s book, I listened to Symphony for the City of the Dead. It will move you to tears. I love MT Anderson’s writing and depth, but this book is one of my all-time favorites due to the fact that it is nonfiction. It’s difficult to fathom how people could survive such horrific conditions. Yet, Shostakovich created such powerful haunting music from the tragedy.

Author Dandi Daley Mackall wrote With Love, Wherever You Are after reading a trunk-load of letters exchanged by her parents during their years as a nurse and doctor on the battlefields of Europe during World War II. Mackall's novel is based on genealogical research and is a story about people and the matters of their hearts, instead of military strategies and battles. Mackall was closer in time, though, since With Love, Wherever You Are is about her parents and set during the 1940s. She had access to primary sources in her research. As “The Greatest Generation” is passing away, it’s important that authors like Mackall are preserving these biographical stories.

There are three novellas collected in the volume titled Legends of the Fall. The first two, Legends of the Fall and Revenge, you almost certainly know from their movies. The third story, The Man Who Gave Up His Name, everyone ignores and it’s the one I recommend. In the story Nordstrom leaves his lucrative job, dances alone at night, goes to New York, battles a drug dealer, and ends up in the Florida Keys as a chef, dancing again. I love this story because I love Harrison’s use of language. His sentences attack. But mostly I love this story because it’s about a man struggling to find his place in life. That’s a situation I like to throw my characters into: reinvention, for good or bad. And the story of my own life.

This follow-up to American Gods once again puts ancient gods in the modern world, but you don’t have to have read the first book to jump in. American Gods centers on Shadow, the son of Odin, while Anansi Boys focuses on the children of the trickster god, Anansi. Anansi is a classic storyteller, who fooled the animal god Tiger into giving him ownership of all stories. This book is all things you would expect from Gaiman—clever, humorous, and mythic. And it directly analyzes the power and purpose of storytelling, giving readers a rare glimpse into a storyteller’s toolbox. 

Looking for a touch of fiction with your finance: The Millionaires is not only fun, it’s a great look at how easy (and tempting) it can be when working in finance to cross the line and act for personal gain.

As someone who has worked in the finance industry for decades, I’ve become all too accustomed to moving millions, sometimes tens of millions with the touch of a button. What happens when an average guy has that authority? What if that average guy is actually innocent?

Read The Millionaires for an entertaining look at the possibilities.

I read this book a few years ago and have never forgotten it, it affected me so profoundly.

It tells the story of two Kurdish brothers in a mountain village in Iran who are forced to flee persecution and slaughter, one of whom ends up in California. Khadivi, Iranian herself, tells this with such haunting beauty and honesty that it still gives me chills to remember it.

It's part of a trilogy, and I've read all three, but this is my favorite volume.

As a bookseller as well as a writer and editor, I believe strongly that good children’s books should also be read by adults.

The setting here is 1683, and the River Thames is frozen. I studied history, and I often stand on London Bridge and try to imagine the flowing water as a field of ice with stalls and side shows on the frozen surface. Embankments and new bridges mean the river no longer freezes, but this story brings historical London to life and allows us to feel what it would have been like.

A magic nocturnal Frost Fair, a lost boy, and a determined twin sister are at the heart of this bewitching story, which is dark yet uplifting–a perfect combination that had me gripped throughout. 

In this fictional story about the Battle of Gettysburg, two 11-year-old buglers (one from the 71st Pennsylvania Infantry and the other from 11th Mississippi) meet in the woods and share some moments in conversation away from the din of the fighting.

The story helps young readers reflect on the common humanity and suffering of the soldiers on both sides during the Civil War. In elegant prose and beautiful pictures it humanizes the experiences, fears, and uncertainties faced by these men and boys (and their families).