Here are 82 books that The Walking fans have personally recommended if you like
The Walking.
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I am a novelist and journalist who has been writing about war and refugees for nearly two decades. In 2018, I went to the Greek island of Samos, which held one of the most inhumane refugee camps in Europe, to talk to people there about their lives and hopes. Out of this, I wrote several articles and later two books, including The Good Deed. My hope is to counteract the demonization of refugees, so rife in the world today, by bringing out all that we humans have in common, such as our need for shelter, food, family, safety, and love.
I listened to this book because I wanted to understand more about the history and people of Palestine as the 2023-24 war between Israel and Hamas was escalating to ever more deadly heights.
Abulhawa is a renowned Palestinian author, and this book was an international bestseller back in 2010, but I knew nothing of it at the time. I found the novel, a family saga stretching several generations from 1941 to 2022, so immediate, eye-opening, and moving that it was as if I were reading about the current war in real-time.
I loved it so much that I bought the actual book to keep forever.
A heart-wrenching, powerfully written novel that does for Palestine what The Kite Runner did for Afghanistan.
Mornings in Jenin is a multi-generational story about a Palestinian family. Forcibly removed from the olive-farming village of Ein Hod by the newly formed state of Israel in 1948, the Abulhejos are displaced to live in canvas tents in the Jenin refugee camp. We follow the Abulhejo family as they live through a half century of violent history. Amidst the loss and fear, hatred and pain, as their tents are replaced by more forebodingly permanent cinderblock huts, there is always the waiting, waiting to…
I’ve been fascinated with the topic of immigration since childhood. My father is an immigrant, and my mother grew up overseas. My first job after college was working for a youth program for immigrant and refugee kids in Chicago. Now, I am a professor who teaches and writes about migration law. I find stories about how moving across borders shapes people’s lives to be endlessly interesting, bringing up themes of belonging, home, memory, trauma, and identity. I also think that the topic of global migration is intimately linked to questions of justice and equality and requires us all to reckon with the ways in which the colonial past shapes the present.
I couldn’t stop listening to this book. This autobiographical tale of a girl who flees Iran, grows up in the United States, and migrates to Europe is powerful and poignant in a way only a really good story can be. It perfectly captures the sense of being from multiple places but never truly at home. Nayeri has also written excellent nonfiction on the topic of migration and refuge, but this book has stayed with me and remains one of my favorite novels.
“Rich and colorful… [Refuge] has the kind of immediacy commonly associated with memoir, which lends it heft, intimacy, atmosphere.” –New York Times
The moving lifetime relationship between a father and a daughter, seen through the prism of global immigration and the contemporary refugee experience.
An Iranian girl escapes to America as a child, but her father stays behind. Over twenty years, as she transforms from confused immigrant to overachieving Westerner to sophisticated European transplant, daughter and father know each other only from their visits: four crucial visits over two decades, each in a different international city. The longer they are…
I am a novelist and journalist who has been writing about war and refugees for nearly two decades. In 2018, I went to the Greek island of Samos, which held one of the most inhumane refugee camps in Europe, to talk to people there about their lives and hopes. Out of this, I wrote several articles and later two books, including The Good Deed. My hope is to counteract the demonization of refugees, so rife in the world today, by bringing out all that we humans have in common, such as our need for shelter, food, family, safety, and love.
This new novel from Libyan writer Matar is mainly a story about the love between friends, especially male friends, but that love is set against displacement and trauma and the psychological difficulties of being separated from one's country, family, culture, and identity.
A contemplative, deeply thoughtful novel, it is totally engaging and searingly honest, just as much about being a human being as it is about political ideologies or survivor guilt.
I am a scholar of international politics and history who has taught in Northern Uganda, spent years interviewing political and military elites in Congo, Eritrea, and Sudan, and worked on climate agriculture and water in Ethiopia and Somalia. In my work on the continent and at Oxford, Cambridge, and Columbia University, I try not only to understand the material realities that define the options available to diverse African communities but also the ideas, in all their potential and contradictions, that give shape to how African societies interact internally and engage the outside world. I hope the books on this list will inspire you as much as they did for me.
By a considerable distance, the most gripping novel I have devoured on gender roles in the long shadow of the loss of home. Several of the book’s characters and defining scenes in the refugee camp remain haunting years after I first encountered them.
Suleiman Addonia’s dissection of the entangled shocks wrought by cultural change, war, and displacement drips with emotional contrasts. This book feels, at times, unbearably intrusive, as the reader is exposed to the most privately held fears and embarrassments of its protagonists.
Simultaneously, the book beautifully underscores how valuable (at least some) intimacy remains for those who feel that the future has already bypassed them.
A sensuous, textured novel of life in a refugee camp, long-listed for the Orwell Prize for Political Fiction
On a hill overlooking a refugee camp in Sudan, a young man strings up bedsheets that, in an act of imaginative resilience, will serve as a screen in his silent cinema. From the cinema he can see all the comings and goings in the camp, especially those of two new arrivals: a girl named Saba, and her mute brother, Hagos.
For these siblings, adapting to life in the camp is not easy. Saba mourns the future she lost when she was forced…
Growing up in the South Wales Valleys during the 1970s and 80s, I witnessed firsthand the effects of multiple adversities on the lives of those around me. Life was difficult for many families in the area as they battled with poverty, ill health, and lack of opportunity. I watched many amazing, creative, and talented young people fail to realise their potential. This sparked a passion and a career for supportive intervention with families and young children. It is my aim to help equip the workforce to better understand and respond to childhood adversity, be trauma aware, advocate for children’s rights, and make a positive difference in the lives of children and young people.
It is difficult to imagine a more adverse childhood experience than growing up in a refugee camp.
In 2016 and 2017, I was privileged to spend some time working with children and families in a refugee camp in North France. The living conditions were very difficult, with regular food shortages, ill health, uncertainty, and ever-present danger. However, I was continually amazed by the resilience, creativity, generosity, and humour shown by the children, even in the face of such difficulties.
When Stars Are Scattered is a beautiful children’s book that tells the true story of Omar and his brother Hassan as they grow up in a Kenyan refugee camp. Filled with beautiful illustrations and thoughtful insights into daily life in the camp, this book exemplifies hope in the face of adversity.
A National Book Award Finalist, this remarkable graphic novel is about growing up in a refugee camp, as told by a former Somali refugee to the Newbery Honor-winning creator of Roller Girl.
Omar and his younger brother, Hassan, have spent most of their lives in Dadaab, a refugee camp in Kenya. Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future . . . but it would…
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This 2002 novel follows young Harriet Cleve Dufresnes in 1970s Mississippi during the aftermath of the death of her nine-year-old brother, who was killed by hanging in the shadow of unexplained circumstances. I am particularly enamored by the novel’s focus on the customs and dynamics of Harriet’s extended Southern family.
Tartt best describes in her own words why I love this novel: It is “a frightening, scary book about children coming into contact with the world of adults frighteningly.”
NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review
The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets…
I wanted to make sense of death when my brother suddenly died. I wanted an outlet for my grief and I wanted my brother to live on in my story when he couldn’t in reality. I also want to think that there’s life beyond death. I want to believe in it so much because it’s hard to fathom someone being ripped out of your life all of a sudden. I know death. I know grief. I have faced them. I don’t understand why it had to happen, but I could imagine that there’s an extension of life beyond this realm. If I couldn’t find closure in real life, I may as well find closure in my imagination. This story is my imagination writing its own happy ending.
One fine day, sixteen-year-old Ethan walks down his driveway and then vanishes. This was the short description of the book and I immediately picked it up. Instead of being a thriller, this book deals with the aftermath of Ethan’s disappearance, how his family and friends searched for him with little success. More than that, this was a book without a definitive happy ending.
As I was going through grief, a story that doesn’t wrap everything nicely in a bow was very cathartic for me. This book helped me acceptthat not everything in life ends in happily ever after. This opened me to the bittersweet nature of life, how loss is very much a part of it, and that not everything has to make sense. Things happen that make no sense at all and that’s the most bitter pill I had to learn to swallow.
“A haunting first novel that takes a horrifying family calamity and turns it into a form of magic.”—The New York Times
On a sunny spring morning, sixteen-year-old Ethan Shumway walks down his gravel driveway, turns the bend, and vanishes without a trace. As police search for clues, Ethan's devastated family and friends—from his parents and four siblings to the older woman who was more than a teacher to Ethan—grapple for answers in the teenager's enigmatic life. As this elusive mystery slowly weaves its way into the fabric of the family, Ethan's younger brother, Philip, becomes the last, most stubborn searcher…
I’ve been writing books about Abraham Lincoln for 15 years. I also have two daughters, and I spend a lot of time at night telling bedtime stories. A couple of years ago, I decided to combine these two areas of my life by writing a Lincoln book for kids. But I didn’t want it to be another run-of-the-mill history book. So, I developed a story about a girl who travels back in time and meets a young Abe. Along the way, she learns a lot about his life. I like to tell people that everything about it is historically accurate . . . except the time travel!
In this fictional story about the Battle of Gettysburg, two 11-year-old buglers (one from the 71st Pennsylvania Infantry and the other from 11th Mississippi) meet in the woods and share some moments in conversation away from the din of the fighting.
The story helps young readers reflect on the common humanity and suffering of the soldiers on both sides during the Civil War. In elegant prose and beautiful pictures it humanizes the experiences, fears, and uncertainties faced by these men and boys (and their families).
I’ve only ever lived in small Midwestern towns. I grew up there, raised my kids there, recovered from a divorce there, remarried there. I’ve had the same best friends for 40 years. I’ve paid and bartered for my classmates’ trade services. I’ve argued with them in churches and cafes, rooted for and against their kids at high school basketball and football games all over the state. We’ve celebrated and buried each other’s loved ones. I’ve run hundreds of miles of Wisconsin trail, soaked in her waters, marveled at her sunsets. It’s as home to me as my own body, and I’ll never tire of reading about it.
Reading Shotgun Lovesongs years ago is my first adult memory of seeing myself on the page—the kind of thing that probably happens more frequently if you’re from New York or L.A. but isn’t as common for those of us born and raised in so-called flyover states.
I fell hard for Nickolas Butler’s debut—the story of four boyhood friends in a small Wisconsin town, one of whom becomes a famous rock star—from the first chapter. While it became an international bestseller for its universally appealing story, hooky concept, and lyrical prose (not to mention its rumored, real-life inspiration),
I personally was drawn to the intimate portrayal of life-long, small-town friendships, the precise push-pull of life in a fishbowl; the loyalty we feel for each other that isn’t always earned; and the way we tether ourselves to people and place, for better or for worse.
"Sparkles in every way. A love letter to the open lonely American heartland…A must-read." ―People
"The kind of book that restores your faith in humanity." ―Toronto Star
Welcome to Little Wing.
It's a place like hundreds of others, but for four boyhood friends―all born and raised in this small Wisconsin town―it is home. One of them never left, still working the family farm, but the others felt the need to move on. One trades commodities, another took to the rodeo circuit. One of them hit it big as a rock star. And…
I love books that entertain and uplift when characters learn and overcome. As a teenager, things happened that threw me into a painful tailspin, ending in a wilderness program for troubled kids. It taught me that I can do hard things and face challenges in life. I’ve lost loved ones, have a special needs child, divorced, been broke, earned my black belt, returned to school as a single mom for a degree, and co-founded a nonprofit to support literacy for kids. None of that was easy, but it increased my compassion and hope. Stories can be powerful reminders of human resilience, and that battle scars make someone more beautiful than before.
I got this book in a subscription book box and was immediately intrigued by the premise. The town of Bone Gap is full of “gaps,” openings to other realities that someone can slip into and disappear. This story is not your usual read. The writer creatively mixes mystery, magic, love, loss, regret, forgiveness, and overcoming.
The story follows Finn, a teenage boy, who tries to discover why his brother’s girlfriend disappeared, and the girlfriend, who is made a prisoner because she’s beautiful.
The book made me think about a lot of things: that there is a difference between looking at and seeing someone else; that past trauma may not show on your face, but it’s part of you; that things seem more beautiful when you leave them behind; and that everyone has their reasons to see things differently. This book is character-focused, weird, entertaining, and very cathartic.
He'd been drawn here by the grass and the bees and the strange sensation that this was a magical place, that the bones of the world were a little looser here, double-jointed, twisting back on themselves, leaving spaces one could slip into and hide . . .
Everyone knows Bone Gap is full of gaps - gaps to trip you up, gaps to slide through so you can disappear forever. So when young, beautiful Roza goes missing, the people of Bone Gap aren't surprised. After all, it isn't the first time someone's slipped away and left Finn and Sean O'Sullivan…
