Love Mayflower Bastard? Readers share 87 books like Mayflower Bastard...

It is a book that deep dives into a historical event, in this case, the 1893 World Columbian Exposition. Check. It is a nonfiction book that reads like a gripping thriller, in this case, the serial killer H.H. Holmes, who built a three-story building featuring secret rooms, torture chambers, and a crematorium. Check. Chicago leaps off the page. By the end of the book, I was able to envision the massive exposition, its hundreds of temporary buildings, all white colored, interlaced with ponds and canals.

Much like that exposition helped raise Chicago up from its Great Fire, so I could see a Chicago of the past, in a glorious triumph of industry and innovation. Oh, and yeah, a serial killer constructing a horrific murder building.

As an 80s kid, it pains a small part of me to recommend a historical fiction book that takes place in 1984, but this book goes into so much more than simply the tragic fire that destroyed part of the LA Central Library. While I found those aspects compelling, what really drew me in was the history of library sciences and how women played—and got pushed out of—the history of such beloved institutions.

There is also a nice bonus of humanity restored for all those who helped salvage as many books as they could after the tragedy. I found it to be a really gripping and informative read.  

For me, Stacy Schiff’s masterpiece is the end-all, be-all resource when it comes to the history of early America’s witchcraft trials—which, it turns out, extended far beyond the village of Salem. The seed for my own novel came from one tiny line in the book’s “Cast of Characters” index: “Herrick, George, well-born, handsome Salem deputy sheriff in his thirties…Spends 1692 rounding up and transporting witches.”

Bill Bryson’s other books are more famous, but this one is my favorite. It details the wacky, startling, and sometimes unbelievable stories behind all the common phrases and words we use. I always keep a (lovingly tattered) copy in my car. You can pick it up, turn to any random page, and be happily engrossed for five minutes—or five hours. 

I read this book with my mother-daughter book group and we all loved it!

The story focuses on the quest for twelve-year-old Crow to discover where she came from and who she truly is. It’s a story filled with suspense and intrigue fueled by Crow’s insatiable curiosity. There are powerful lessons here for Crow and for the lucky readers who follow her journey. The writing is hauntingly beautiful!

If you want to learn about the Pilgrims and Plymouth Colony, the most essential source is Mayflower passenger and longtime governor William Bradford’s own history. Bradford explains the circumstances that led a portion of his congregation to transplant themselves to the New World, then goes year by year through the colony’s first three decades. His annals aren’t dry, though. Bradford also has a wicked sense of humor. If would-be colonists weren’t tough enough for what awaited them in New England, they should remain across the Atlantic “till at least they be mosquito proof.” You shouldn’t only read Bradford. He’s a partisan in this contentious history, after all. But you shouldn’t pass on one of the great works of seventeenth-century American non-fiction.

Caryl Phillips’s The Lost Child is a poignant novel that brings together a rewriting of Emily Brontë’s Wuthering Heights with a reimagining of Jean Rhys’s Wide Sargasso Sea, as well as a quick visit to the Brontë Parsonage in Haworth. In a bookended narrative, Philips gives us the backstory of how Heathcliff came to be in Liverpool before being taken to Wuthering Heights by Mr. Earnshaw. In the centre, however, is the story of Monica Johnson, a young woman living in Windrush Britain whose marriage to Julius, an African-Caribbean graduate with whom she has two children, causes a fracture with her family. An outcast like Heathcliff, The Lost Child examines Monica’s struggle to raise her sons in the north of England, showing her family’s experience with racism, trauma, and mental ill-health. Philips’s storytelling gets to the heart of what it means to be an outcast in society.

Sometimes you get caught up in who you’re “supposed” to be, or the image you’re supposed to project, and you end up losing your authentic self—and your connection with those you love suffers because of it. In True Places, Suzanne’s life of quiet desperation is interrupted when a girl emerges from the forest right in front of her—a girl who’s never encountered civilization. As Suzanne takes this girl under her wing, she starts to question everything she has accepted as sacrosanct. In that, she stands in place of us all: caught in the rat race, longing for permission to cut through the crap and be who we are meant to be. The courage with which she faces the opposition of her family—and finds her way to a new, healthier relationship with them—is inspirational.

Most found family stories involve individuals coming together, seeing them forged in fire to become something new, something whole, and unbreakable. The Gray House is a twist on found family in that it begins with strong family bonds already in place, so the true story becomes: What happens when a found family breaks apart? The Gray House is a home and school for disabled children and teenagers, where they need to rely on each other for everything—even things as basic as getting dressed in the morning. And while the shifting perspectives and timelines do tell the story of family bonds forged among individuals, the threat of Graduation Day looms over the house’s seniors, heralding an ending, rather than a beginning. With a low fantasy setting that I can’t describe without spoiling the story, I can only assure you that this book will take you on a completely unexpected journey.

Another epistolary novel, this time about a Hitler Youth boy who finds himself working as Hitler’s personal artist. Through a strange series of events, young Tobias Koertig must prowl the streets of Berlin, draw pictures of the devastation from the Allied air raids and bring the drawings back to Hitler as he cowers in his bunker. Tobias is desperately in love with Zenzi, a young Jewish girl he’s known since his childhood. Part love story, part war story, the novel is dark, strange, and often funny, affirming the beauty and unpredictability of life under even the most terrible circumstances. I had a hard time putting this book down.