Here are 100 books that Made in America fans have personally recommended if you like
Made in America.
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I’m drawn to stories about human nature and the many lifestyles people choose to live. My mother often tells me I’m like my great aunt Freda, who has a love for beautiful and fantastic things. Freda was famous in my mind, and I believe I was further drawn to reading about fame because I wanted to know what that world looked like. Is too much money stressful? Are social events unwanted obligations? Are famous marriages bound to fail? This list is a glimpse into the lifestyles of the rich and famous and both the curses and blessings of their daily lives.
I love true crime, and Erik Larson is a pro. He takes two vastly different but significant events in our world’s history and brings them together. I’ve spent some time in Chicago, and I could easily picture the places he spoke of while recalling the details of the things that went wrong at the World’s Fair, as well as the activities of H.H. Holmes.
I immersed myself in his tails and was with him until the very last page. It was fascinating to learn of all the inventions that were first unveiled at the World’s Fair, as well as the number of significant people who took part in it. The sections on H.H. Holmes brought so many questions to my mind. What worries did he have? How did he get away with it for so long? After I finished reading Devil in the White City, I was so drawn…
The Chicago World Fair was the greatest fair in American history. This is the story of the men and women whose lives it irrevocably changed and of two men in particular- an architect and a serial killer. The architect is Daniel Burnham, a man of great integrity and depth. It was his vision of the fair that attracted the best minds and talents of the day. The killer is Henry H. Holmes. Intelligent as well as handsome and charming, Holmes opened a boarding house which he advertised as 'The World's Fair Hotel' Here in the neighbourhood where he was once…
I adore historical fiction but find that it is often (like many things) still centered around male experiences. I love getting to read stories and recommend ones that bring to light women’s roles is moving society forward or the un-sung contributions women have made throughout history.
As an 80s kid, it pains a small part of me to recommend a historical fiction book that takes place in 1984, but this book goes into so much more than simply the tragic fire that destroyed part of the LA Central Library. While I found those aspects compelling, what really drew me in was the history of library sciences and how women played—and got pushed out of—the history of such beloved institutions.
There is also a nice bonus of humanity restored for all those who helped salvage as many books as they could after the tragedy. I found it to be a really gripping and informative read.
Susan Orlean’s bestseller and New York Times Notable Book is “a sheer delight…as rich in insight and as varied as the treasures contained on the shelves in any local library” (USA TODAY)—a dazzling love letter to a beloved institution and an investigation into one of its greatest mysteries. “Everybody who loves books should check out The Library Book” (The Washington Post).
On the morning of April 28, 1986, a fire alarm sounded in the Los Angeles Public Library. The fire was disastrous: it reached two thousand degrees and burned for more than seven hours. By the time it was extinguished,…
I write about magic, witches, and weirdness—and all of it is inspired by the strange and startlingly true stories that hide just below the simmering surface of America’s melting pot. As a former journalist, I learned that everyone has an interesting tale to tell. And as a fiction writer, I’ve learned that all of that truth can be spun into something even more fun and fantastical. Reality, after all, is relative.
For me, Stacy Schiff’s masterpiece is the end-all, be-all resource when it comes to the history of early America’s witchcraft trials—which, it turns out, extended far beyond the village of Salem. The seed for my own novel came from one tiny line in the book’s “Cast of Characters” index: “Herrick, George, well-born, handsome Salem deputy sheriff in his thirties…Spends 1692 rounding up and transporting witches.”
This book is written specifically for family or primary care physicians who encounter substance abuse in their daily practice. A Clinical Guide to Drug and Alcohol Problems provides a comprehensive overview to help diagnose and treat these problems. The first five chapters provide basic information on historical and cultural issues, plus the pharmacology of all abused drugs the physician is likely to come into contact with and the epidemiology and etiology of substance abuse problems. The author then addresses the clinical manifestions and course of addiction; diagnostic techniques; principles of clinical management, treatment, and rehabilitation of addictive and other associated…
I’m an OB/GYN, passionate about adventuring beyond what’s expected. This has led me to pivot multiple times in my career, now focusing on writing. I’ve written a play, The Post-Roe Monologues, to elevate women’s stories. I cherish the curiosity that drives outer and inner exploration, and I love memoirs that skillfully weave the two. The books on this list feature extraordinary women who took risks, left comfort and safety, and battled vulnerability to step into the unknown. These authors moved beyond the stories they’d believed about themselves–or that others told about them. They invite you to think about living fuller and bigger lives.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
The team attempts a new route up the East Face without the use of supplemental oxygen, Sherpa support, or chance for rescue. When three climbers disappear during their summit attempt, Zieman reaches the knife edge of her limits and digs deeply to fight for the climbers’ lives and to find her voice.
The plan was outrageous: A small team of four climbers would attempt a new route on the East Face of Mt. Everest, considered the most remote and dangerous side of the mountain, which had only been successfully climbed once before. Unlike the first large team, Mimi Zieman and her team would climb without using supplemental oxygen or porter support. While the unpredictable weather and high altitude of 29,035 feet make climbing Everest perilous in any condition, attempting a new route, with no idea of what obstacles lay ahead, was especially audacious. Team members were expected to push themselves to their…
I write about magic, witches, and weirdness—and all of it is inspired by the strange and startlingly true stories that hide just below the simmering surface of America’s melting pot. As a former journalist, I learned that everyone has an interesting tale to tell. And as a fiction writer, I’ve learned that all of that truth can be spun into something even more fun and fantastical. Reality, after all, is relative.
Subtitled A Stranger Among the Pilgrims, this little gem details the unlikely story of Richard More, who arrived on our shores as a child on The Mayflower…then grew up, moved north to Salem Village, and watched one of his best friends die in the infamous witch trials. The author also happens to be More’s descendant, which brings an extra passion to the telling.
When David Lindsay started researching old records for details of the life of his ancestor, Richard More, what he found illuminated more than just More's own life. The tale that emerged painted a clear and satisfying picture of the way the first comers, saints and strangers alike, set off for the new land, suffered the voyage in the Mayflower, and put down their roots to thrive on our continent's north-eastern shore. From the story emerges the individual, Richard, a man of questionable morals, much enterprise, and a good deal of old-fashioned pluck - a combination that could get him into…
I get a fuzzy, euphoric feeling when I see a room full of books I can smell and touch. Thrillers, mysteries, epic fantasies, classics, romance… Ah, to find narratives with strong characters, amazing worlds, and thick plots that I can get lost in! A little spice is always nice, but please don’t violate me with explicit obscenities. My soul is not meant for these modern times. I’m especially impressed when writers have the ability to paint sensual scenes in a subtle, crafty way that leaves the details to a reader’s imagination. My happy place is reading in a treehouse library that overlooks my forest. One day I’ll go there.
First, I am always on the hunt for a great mystery series, and this is a wonderful time travel mystery that switches between the modern era and takes the main character female back to the year 1810. I really got into the book in the historical setting; the writer did a great job painting a picture of Victorian England.
One of the reasons I chose this book to read was because it weaves in my favorite kind of romance story: slow burn! Sans explicit sex scenes, which, in my opinion, when it comes to sex scenes, less is more to the imagination.
When a 21st century property developer meets a Regency gentleman- what could possibly go wrong?
A great deal, it turns out. When Natasha Rowlands steps through a door in the house that will be her home she finds herself in 1810 with not only a Regency gentleman, but also a murder victim on the premises. If it is a shock for her, it is equally disconcerting for Lord Halwell's steward, his natural son, but neither of them are prepared for a serial killer, the mystery of Lord Halwell's second wife or the growing attraction between them.
Like myself, each of these novels involved older professional Black women protagonists. Each of these authors presented multidimensional women experiencing circumstances that surpass culture and ethnicity. As women age, not only do we take on new roles, but we physically and emotionally change. I appreciate books with relatable characters coping with issues I experience—menopause, aging parents, an empty nest. Reading mysteries with fictional characters dealing with situations I experience makes me feel less isolated.
A heterogeneous blend of class and culture collide in Suburban Chicago as detectives Marti MacAlister and her partner Vik Jessenovik rely on experience and their connection with the neighborhood to solve a 60-year-old mystery. I was born outside of Chicago and have family that moved there during the great migration of Black Americans from the South. Both Marti and her partner juggle complex jobs while caring for loved ones—an issue relevant to my present circumstances.
Chicago detective Marti MacAlister has her work cut out for her these days. First, during the filming of a big Hollywood movie on location in Lincoln Prairie, the body of one of the film's stars turns up dead, along the shores of the Des Plaines River. Then, the skeletal remains of another gunshot victim turn up in a hundred year old building that is being renovated. The closer Marti comes to piecing the clues of each case, the closer they come to understanding how the two cases are connected. But the longer it takes, the more dangerous the killer becomes.…
My passion for historical fiction evolved late in my life. I was assigned to teach the second of the core courses required of all undergraduates at Holy Names University. Required materials: the Divine Comedy, the Canterbury Tales, Sundiata, Don Quixote, Othello, the Tale of Genji,Leonardo da Vinci, Islamic calligraphy, the music of Ravi Shankar… But everything was set in history–boring!–dates and places I could never remember, events that meant nothing to me. But my passion for genealogy and for oral history made me realize that everything had a story. This course was about people telling their stories. Now that I’m retired from teaching, I want to tell people’s stories–in their historical context.
A roman-à-clef which is not a novel and 80% of whose keys I have unlocked. She was “Evie” and she died in Hollywood this year of complications of Huntington’s disease and probably smoking, at age 78. Our families were close and in fact the second “L.A. woman,” second that is to Eve herself, narrating and thinly disguised as Sophie Lubin, was my aunt, Marie (née) Gattman, called “Lola,” married first to photographer Hy Hirsh (“Sam Glanzrock” in the book) and second to Elwood Scott Chapman (whom Marie “named” Aaron and who is called “Luther” in the book). Eve’s writing style is contagious and its logic so twisted that it makes you say “What?” and re-read many passages. As in my book, the battle between Stalin and Trotsky hovers constantly in the background. I think Trotsky wins.
Sophie, a twenty-something Jim Morrison groupie gliding through a golden existence in L.A., and Lola, a German immigrant who has settled in Hollywood, know that while Los Angeles is constantly changing, it is essentially eternal. The two women dazzle - one with the promises of youth, the other with the fulfilment of nostalgia - as they wend their way through the pink sunsets and the palm trees of Los Angeles.
Living out their addictively decadent lives, Sophie and Lola are cult writer Babitz's literary embodiment of the iconic L.A. Woman - more than in part inspired by her own wild…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
After Bram Stoker and Vlad the Impaler, the real person most closely associated with vampires has to be Bela Lugosi—so why not write a horror novel with him as the villain? This book underscores the important role that unsettling and dramatic occurrences can play in shaking us out of our own accustomed vices, as well as the difficulty we often face when trying to discern the difference between the works of evil and the truly mundane. After all, Bela Lugosi is nothing more than a tired, sad old man still pining for his glory days on the silver screen—isn’t he?
Hollywood, 1956. Journalist and war widow Evangeline Kilhooley is assigned to write a ";star profile" of the fading actor Bela Lugosi, made famous by his role as Count Dracula. During a series of interviews, Lugosi draws Evi into his curious Eastern European background, gradually revealing the link between Old World shadows and the twilight realm of modern horror films.
Along the way, Evi meets another English expatriate, Hugo Radelle, a movie buff who offers to help with her research. As their relationship deepens, Evi begins to suspect that he knows more about her and her soldier husband than he is…
I have been writing books about film, theatre, and popular music since 1991 but my love of old movies goes back much further. Before VCRs, DVDs, and streaming, one could only catch these old films on television (often cut to allow for commercial time) or revival houses. Today even the more obscure movies from 1939 are attainable. Writing 1939: Hollywood's Greatest Year gave me the opportunity to revisit dozens of old favorites and to see the many also-rans of that remarkable year.
Ted Sennett is one of the most prolific and widely-read writers about Hollywood and this book on 1939 is one of his very best works. It is filled (one might even say, stuffed) with behind-the-scenes stories. The writing is sometimes critical and analytical rather than gushing as in some of Sennett's many coffee table books. He concentrates on only seventeen 1939 movies so one doesn't get a full picture of that amazing year of movies. It's good to see some lesser-known classics like Midnight and Angels Have Wings included in the seventeen.
I have loved classic Hollywood movies since childhood, especially the legendary actresses of the era. My grandmother nurtured this love, taking me to the video stores to rent movies and the library to read biographies and books about actresses and Old Hollywood. Now, I am a professor of film history at Chapman University, where I teach classes on American cinema and women in film. Still, my passion for female-centered classic Hollywood movies remains strong. I have compiled a list showing the multi-faceted ways that women have participated in Hollywood cinema during its first century.
When I read this book, I was relieved—at long last, a book that underscored the behind-the-scenes contributions of working women in the 1930s and 1940s. J.E. Smyth’s fascinating study brings to light new dimensions to screen legends Bette Davis, Katharine Hepburn, and fashion designer Edith Head, but also women less known to the greater public—the intrepid editors like Barbara McLean and Margaret Booth, three-time Screenwriter Guild president Mary J. McCall, and producers like Joan Harrison and Virginia Van Upp.
I like how this book provides a counter-history to the male-dominated narratives of Hollywood. Smyth shows that women found other ways outside of directing to leave their mark on Hollywood in the twentieth century.
Looking back on her career in 1977, Bette Davis remembered with pride, "Women owned Hollywood for twenty years." She had a point. Between 1930 and 1950, over 40% of film industry employees were women, 25% of all screenwriters were female, two women supervised all studio feature output and could order retakes on any director's work, one woman ran MGM behind the scenes, over a dozen women worked as producers, a woman headed the Screen Writers Guild three times, and press claimed Hollywood was a generation or two ahead of the rest of the country in terms of gender equality and…
