100 books like Made in America

I couldn’t put down this book that traces dual stories of the architect who designed the 1893 Chicago World’s Fair and a serial killer who chose his victims from among those who flocked to the city.

One of my great-aunts served as a nurse at the World’s Fair infirmary, and I remember hearing about the fair and her experiences there—how wondrous and magical it had all seemed to a young woman from a small town.

I couldn’t help but think of her when I read about the very dark side of the fair, too. Erik Larson is one of my favorite authors, and this is my favorite of his books.

As an 80s kid, it pains a small part of me to recommend a historical fiction book that takes place in 1984, but this book goes into so much more than simply the tragic fire that destroyed part of the LA Central Library. While I found those aspects compelling, what really drew me in was the history of library sciences and how women played—and got pushed out of—the history of such beloved institutions.

There is also a nice bonus of humanity restored for all those who helped salvage as many books as they could after the tragedy. I found it to be a really gripping and informative read.  

For me, Stacy Schiff’s masterpiece is the end-all, be-all resource when it comes to the history of early America’s witchcraft trials—which, it turns out, extended far beyond the village of Salem. The seed for my own novel came from one tiny line in the book’s “Cast of Characters” index: “Herrick, George, well-born, handsome Salem deputy sheriff in his thirties…Spends 1692 rounding up and transporting witches.”

Subtitled A Stranger Among the Pilgrims, this little gem details the unlikely story of Richard More, who arrived on our shores as a child on The Mayflower…then grew up, moved north to Salem Village, and watched one of his best friends die in the infamous witch trials. The author also happens to be More’s descendant, which brings an extra passion to the telling.

A heterogeneous blend of class and culture collide in Suburban Chicago as detectives Marti MacAlister and her partner Vik Jessenovik rely on experience and their connection with the neighborhood to solve a 60-year-old mystery. I was born outside of Chicago and have family that moved there during the great migration of Black Americans from the South. Both Marti and her partner juggle complex jobs while caring for loved ones—an issue relevant to my present circumstances.

Andrew Hook is a European slipstream author proficient in the literary weird. He certainly does not disappoint in his new collection of Hollywood’s living dead. Candescent Blooms rouses legends of the silver screen right there in your living room, and they are broken, unbroken, full of many secrets. And you know, you know—because history says so—that the actors and actresses are dead, yet living, right there on your page. Imbued with levity wrapped in anguish. Thimble-sized, you will not find a literary collection this superb in a long time.   

Woodstock Goes To Hollywood is a charming and wonderful book.

It can be read by any age group and shared among generations of readers. It is Winnie the Pooh for this generation. The main character is adorable and has that good-hearted naivete that causes you to instantly bond with him and root for his success. 

The story has lots of funny twists and turns and lots of interesting characters. It will most likely become one of those literary legacies that are handed down from one generation to another and is primed to be a successful series. 

Biblical allegory is hard to do well. Bible stories themselves have infinite depths, but their allegories are often didactic, especially when author parallels the original story too closely. Stephanie Landem’s In a Far-Off Land is anything but didactic. Set in 1930s Hollywood, the novel is equal parts Prodigal Son retelling, romance, and murder mystery. By allowing the story to take on a life of its own, Landsem avoids the Sunday School vibe, and in the end, I understood the Prodigal Son archetypal characters better.

Oscar-nominated, Emmy-winning Eleanor Perry put her training as a psychiatric social worker to extraordinary use writing now-classic films including the hypnotic David and Lisa and The Diary of a Mad Housewife. She brought the same dramatic skills and insights to examining her own life as a writer at a time when women faced nearly impossible challenges in Hollywood. The result was this deeply felt, authentic, often autobiographical novel. My wife Loraine Despres, herself a highly regarded novelist and TV writer, gave it to me when I first confessed an interest in screenwriting. The book, now unjustly out of print but hopefully available from libraries and at a price from rare book dealers, has haunted me ever since.

It might seem presumptuous to call 50 films from 1939 "classics" but I agree with Vieira that these 50 movies deserve that distinction. This book is filled with all the pertinent information, fun facts, and great visuals. Movie stills, behind-the-scenes candid photos, portraits, and poster art make this a memorable volume to treasure. I particularly like the attention Vieira gives to the many outstanding movie directors working in 1939.