Here are 100 books that Marvelous Possessions fans have personally recommended if you like
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I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
A brilliant and incisive reading of European-Caribbean relations from the first encounters on Christopher Columbus’s voyages.
Peter Hulme shows how central the Caribbean was to English and European thinking about the world and how the region defined English approaches to the rest of the world in the first age of the British Empire.
Europe encountered America in 1492, a meeting of cultures graphically described in the log-book kept by Christopher Columbus. His stories of peaceful savages and cruel "cannibals" have formed the matrix for all subsequent descriptions of that native Caribbean society. The encounter itself has obsesssed colonialist writing. It reappears in the early 17th century in the story of John Smith and Pocahontas, and on the Jacobean stage in the figures of Prospero and Caliban. In the 18th century, over two hundred years after the European discovery of the Caribbean, the idea of a pristine encounter still permeated European literature through Robinson…
I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
The Madoc legend claimed that a Welsh prince discovered America long before Columbus, the traces remaining in a few words and through some later accounts.
The Welsh historian Gwyn Williams shows how the myth was used to establish racist genealogies through the myth of ‘white Indians’, detailing how dangerous and offensive an apparently confused and confusing legend could be. A magnificent piece of hard-headed historical analysis.
This examination of the story of Madoc, the Welsh prince alleged to have sailed to America centuries before Columbus, is a work of historical detection which not only tracks down strange stories and beliefs to their factual origins, but shows how myth can actually shape history. Readership: all those interested in Wales, Welsh history, overseas colonization, especially of America
I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
A comprehensive and helpful survey of English attitudes to the peoples from the Ottoman Empire and North Africa, written in straightforward English with a host of helpful quotations and historical analyses.
A reliable guide to English encounters with peoples from the southern Mediterranean, as they sought to dominate what was then the most strategically important area of the world.
During the early modern period, hundreds of Turks and Moors traded in English and Welsh ports, dazzled English society with exotic cuisine and Arabian horses, and worked small jobs in London, while the "Barbary Corsairs" raided coastal towns and, if captured, lingered in Plymouth jails or stood trial in Southampton courtrooms. In turn, Britons fought in Muslim armies, traded and settled in Moroccan or Tunisian harbor towns, joined the international community of pirates in Mediterranean and Atlantic outposts, served in Algerian households and ships, and endured captivity from Salee to Alexandria and from Fez to Mocha. In Turks, Moors, and…
I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
A careful, meticulous, and thoughtful analysis of the ways in which the opening up of the world for English audiences left its mark on the work of the most celebrated author of the period.
Gillies shows how Shakespeare thought about the key areas of the world, in passing as well as when writing directly about specific regions, notably, southern Europe, the Americas, the Mediterranean, France, Italy, and elsewhere.
In this engaging book, John Gillies explores Shakespeare's geographic imagination, and discovers an intimate relationship between Renaissance geography and theatre, arising from their shared dependence on the opposing impulses of taboo-laden closure and hubristic expansiveness. Dr Gillies shows that Shakespeare's images of the exotic, the 'barbarous, outlandish or strange', are grounded in concrete historical fact: to be marginalised was not just a matter of social status, but of belonging, quite literally, to the margins of contemporary maps. Through an examination of the icons and emblems of contemporary cartography, Dr Gillies challenges the map-makers' overt intentions, and the attitudes and assumptions…
My 15 seasons at Grand Canyon inspired me to understand its story of revelation, which led to a fascination with the history of exploration overall. This has resulted in a series of books about explorers, places explored, and a conceptual scaffolding by which to understand it all: a geologist of the American West (Grove Karl Gilbert); Antarctica (The Ice); revisiting the Rim with better conceptual gear, How the Canyon Became Grand; and using its mission as a narrative spine, Voyager: Exploration, Space, and Third Great Age of Discovery. The grand sweep deserved a grand summary, so I’ve ended with The Great Ages of Discovery.
A few days out of high school, I found myself on a forest fire crew at the North Rim of Grand Canyon, and returned for 15 seasons. The more I pondered the Canyon, the more I wanted to learn about why this strange landscape was valued, which led me to William Goetzmann, who became my grad school advisor.
New Lands, New Men is the third and final volume of a trilogy Goetzmann wrote on the theme. (His second book, Exploration and Empire, won a Pulitzer.) It’s a bit looser, willing to play with the material, and full of the quirky as well as the renown. Its organizing concept that exploration rekindled in the 18th century (with a significant input from modern science) is a major innovation in a field usually devoted to stirring tales of individual adventure and discovery.
In New Lands, New Men, the third volume in his award-winning Exploration Trilogy, one of America’s leading historians tells the dramatic story of three centuries of exploration that witnessed Europeans exploring the Pacific and Northwest, Americans setting out across their own immense continent, and finally, Americans exploring new worlds: the oceans, Japan, the polar regions.
Spanning the seventeenth to the nineteenth centuries, the Second Great Age of Discovery was marked by the Enlightenment’s ideals of science and progress. Explorers from James Cook to George Catlin, from Charles Wilkes to Matthew Maury, trained as scientists intent on precise observation and gathered…
I am a novelist with a passion for reading and it is this which I feel qualifies me to speak on this topic. My reading is eclectic across the crime/mystery genre and there’s nothing I love more than a book that sucks me right into the same world its characters inhabit, something all five of my choices did. As a novelist I appreciate the way these novels all use the weather conditions to add an extra layer of threat to the protagonists and it’s something I’ve always wanted to emulate.
With this stunning introduction to Shane “Scarecrow” Schofield, Reilly hits the heights of adventure like few before him.
The action is non-stop and just when you think you have a chance to breathe, the frigid Antarctic conditions rear their head. Not so much a full on foe, as a general hindrance, I loved Ice Station because Reilly’s sparse descriptions of the landscape and inhospitable weather were just enough to bring a sympathetic shiver to me before the action kicked off again.
A fast-paced thriller from bestselling author Matthew Reilly, Ice Station.
Antarctica is the last unconquered continent, a murderous expanse of howling winds, blinding whiteouts and deadly crevasses. On one edge of Antarctica is Wilkes Station. Beneath Wilkes Station is the gate to hell itself...
A team of U.S. divers, exploring three thousand feet beneath the ice shelf has vanished. Sending out an SOS, Wilkes draws a rapid deployment team of Marines-and someone else...
First comes a horrific firefight. Then comes a plunge into a drowning pool filled with killer whales. Next comes the hard part, as a handful of survivors…
In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of
time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So
Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about
things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than
when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.
Raffles explores geology through both a historic and an autobiographical lens.
We might understand the ‘unconformities’ of the title as both unconventional geological formations and members of Raffles’s own family (though I imagine he might question my urge to distinguish between the two.)
The book is episodic, and follows Raffles on his travels to sites of geological and personal significance.
Throughout he also draws out the long history of exploitation bound up in our relationship to the mineral realm, including the removal of iron-rich meteorites from indigenous communities in the arctic circle, and the forced labour of the Glimmerwerke– mica splitting workshops – at Theresienstadt ghetto during the Second World War.
In my book I describe geology as a storytelling science – Raffles is something closer to a poet.
From the author of the acclaimed Insectopedia, a powerful exploration of loss, endurance, and the absences that permeate the present
When Hugh Raffles’s two sisters died suddenly within a few weeks of each other, he reached for rocks, stones, and other seemingly solid objects as anchors in a world unmoored, as ways to make sense of these events through stories far larger than his own.
A moving, profound, and affirming meditation, The Book of Unconformities is grounded in stories of stones: Neolithic stone circles, Icelandic lava, mica from a Nazi concentration camp, petrified whale blubber in Svalbard, the marble prized…
There are as many ways of thinking about cities as there are people who live in them, and by the end of this century, it is clear we will all be living in cities of one size or another. Cities are in effect the crucibles where all technological and cultural change takes place. They are the drivers of prosperity while also the harbingers of chaos, decline, and war. What makes them fascinating is that as soon as we begin to peel back the layers that compose the city, our understanding of them begins to change: they metamorphose into different conceptions where there is no agreement as to what they are or what they might become.
Imagining different cities from different viewpoints in history is the focus of Calvino’s wonderful set of vignettes between Marco Polo from his 13th-century travelogue and Kublai Kahn as they explore different ways they see cities that lie along the Silk Road. Weaving fact into fiction, they point up the essential logic of how cities are formed and how they evolve. What we remember, how we perceive these memories, and the size and shape of cities are all ideas which is the canvas on which Calvino describes the many cities of our imagination.
This is a wonderful set of stories–you can dip into them and read them if you are on the subway or waiting in the dentist's surgery or anywhere where you get a free moment. The stories are memorable.
In Invisible Cities Marco Polo conjures up cities of magical times for his host, the Chinese ruler Kublai Khan, but gradually it becomes clear that he is actually describing one city: Venice. As Gore Vidal wrote 'Of all tasks, describing the contents of a book is the most difficult and in the case of a marvellous invention like Invisible Cities, perfectly irrelevant.'
I am a writer of historical fiction. When I was in my teens, my family embarked on a project to trace our ancestry and identify our living relatives. Through church records in Sweden and Norway, we found that Harald Fairhair (Harfagr), the first king of Norway is one of our ancestors. Those explorations gave me the seeds of my first novel of Viking-Age Norway, The Half-Drowned King, and the subsequent books in the trilogy.
One of the best ways to envision a historical period is to see its artifacts. Vikings: The North Atlantic Saga is a companion to a Smithsonian exhibit of the same name and contains a rich trove of images and descriptions of viking physical culture, along with essays about the archeology of their discovery, and how they were used in the exploration of the North Atlantic, and the eventual journey to the New World.
Replete with color photographs, drawings, and maps of Viking sites, artifacts, and landscapes, this book celebrates and explores the Viking saga from the combined perspectives of history, archaeology, oral tradition, literature, and natural science. The book's contributors chart the spread of marauders and traders in Europe as well as the expansion of farmers and explorers throughout the North Atlantic and into the New World. They show that Norse contacts with Native American groups were more extensive than has previously been believed, but that the outnumbered Europeans never established more than temporary settlements in North America.
As a teenager, I wondered why my state, Maryland, didn’t include Delaware. Later, at the University of Wisconsin, I wondered why its northeastern peninsula was part of Michigan. Then I started wondering about boring borders -- why Colorado’s and Wyoming’s lines are where they are and not a mile or so so this way or that? I ended up writing How the States Got Their Shapes, followed by The People Behind the Borderlines.
Some of our state lines were cultural borders. The Colony of Massachusetts was founded by and for Puritans; Maryland was created for Catholics; Pennsylvania for Quakers. That process continued after the Revolution, regardless of state (or later-to-become state) lines. Colin Woodard’s book explores the founding of such cultural regions and reveals how those not-on-the-map lines influence our differing views to this day.
* A New Republic Best Book of the Year * The Globalist Top Books of the Year * Winner of the Maine Literary Award for Non-fiction *
Particularly relevant in understanding who voted for who in this presidential election year, this is an endlessly fascinating look at American regionalism and the eleven "nations" that continue to shape North America
According to award-winning journalist and historian Colin Woodard, North America is made up of eleven distinct nations, each with its own unique historical roots. In American Nations he takes readers on a journey through the history of our fractured continent, offering…
