100 books like Low City, High City

Philosopher Roland Barthes visited Japan in the 1960s when it had rebuilt and reinvented itself as a global economic power. Empire of Signs, which he published a few years later, is a profound, yet entertaining reflection on “otherness” and how it helps us see ourselves. I read the slim volume – in the original French – in the plane that took me to Tokyo for the first time. It was a revelation and has inspired me ever since to look for the myriads of little things that fascinate and contradict all preconceived ideas. The book is a wonderful and subtle lesson in seeing the invisible!

This biography by writer and photographer Mansfield is probably the best guide into Tokyo’s vibrantly organic nature. To get a thorough line on the largest city in the world isn’t easy, but Mansfield carefully selects the most relevant, and interesting details. Inevitably, it’s a work of exclusion as much as inclusion, but is magnificent for that. Seeing and understanding Tokyo requires getting past the cascade of small details that keep you from seeing the whole forest. Mansfield keeps his biography flowing with the right balance of telling details and insightful summary. His companion volume, Tokyo, a Cultural History is also excellent, as are his beautifully photographed books on Japanese gardens.

If you have to buy only one book on Tokyo, you’d be missing out on a lot, but this might be a contender. Organized by areas of Tokyo, the short essays are written by Donald Richie, Tokyo’s pre-eminent foreign resident, film historian, essayist, novelist, and translator. Having lived most of his life in Tokyo, he understood the city as well as anyone, Japanese writers included. He packs in fantastic quotes from Japanese writers, western theorists, and early foreign chroniclers amid his own quietly elegant prose. Picture books tend to make me roll my eyes, but Ben Simmons’ photographs are a lesson in how to look at and understand the essentials of Tokyo. Unlike many books, the photo captions are precise and informative. Simmons has numerous other photography collections on Japan, so he’s chosen some of his best work to include here.

Tokyo can be a quirky place, which of course requires a quirky guidebook. This collection of essays, illustrations, photos, and photo essays are a good way to delve into the unique elements of Tokyo. The chaotic approach of the book ranges from photos to personal musings to sketches to abstract concepts about everything from sidewalk markings, bathhouses, urban building design, aerial views, nature, fashion, family homes—the entire range of Tokyo’s interiors and exteriors. In short, the book doesn’t really cohere, but then, neither does Tokyo. That’s what makes the city so fascinating, and so confusing. This is less a guide in the traditional sense than an intriguing series of suggestions about the overwhelming experience of Tokyo.

The mother of all otaku guides was published by current Otaku USA magazine’s honcho Macias and famous otaku writer Machiyama and reflects their tastes and idiosyncratic approach to the subject. Admittedly, you can find better, more complete, and updated otaku travel guides now (e.g. my book… wink wink) but this colorful book has a funky turn-of-the-century design and features things that you will hardly find elsewhere, like interviews with Mandarake owner Masuzo Furukawa, magazine editor Hisanori Nukata (about action figures), past cosplay queen Jan Kurotaki and Japan’s most notorious plastic model kit collector Chimatsuri. It’s a wonderful blast from the past.

Tokyo, Form and Spirit was the catalogue for an exhibition at the Walker Center in 1986 with contributions of the most important Japanese urban writers of the 1990s: Henry Smith, Kenneth Frampton, Donald Richie, Marc Treib, Chris Fawcett to name but a few. While I never saw the exhibition, the perspective of the authors created a mental scaffolding that shaped my understanding of the transition from the feudal to modern Japan. Henry

Smith is reading the city of Edo through a bipartite scheme characterized by the sky and the water, or how the city was viewed differently from above, as incarnated by the gaze of the samurai and other authorities, and from below, typically by the commoners who enjoyed life across the city’s waterways. He then searches for this structure in today’s Tokyo where the city’s skyline is dominated by wirescape and high-rise edifices, and the water has almost evaded.… show more.

This is an autobiographical tale by an American journalist on the crime beat in Tokyo.

It’s not only a riveting tour of the underbelly of Japanese society – hostess bars, yakuza gangs, murder, and mayhem – it’s a fascinating cultural journey.

The author, Jake Adelstein, studied at a Japanese university and fell into journalism almost as an afterthought.

His description of the stringent procedures for getting hired, the brutally hierarchical nature of working for a major Japanese daily, and his growth as an intrepid investigative reporter is a must-read for anyone interested in Japanese culture, society, media, and crime.

This book, which appeared in English translation in 2010, is the tender love story of Tokiko, a married woman, and her lover Itakura.

The story is told from the perspective of Taki, the devoted attendant who cares for the house and the family who lives there. In this respect, the reader is dealing with the gaze of a marginal figure, and it is this which makes the book so great: Taki’s gaze is intimate, taking into account everything that happens within the home’s four walls, but is at the same time the cool gaze of an observer on the periphery of all the action.

The book plays out in the pre-war years, but it also depicts the war and the years following. Over the course of this long period, the reader learns that this isn’t just about the love that exists between Tokiko and Itakura. It is also about Taki’s… show more.

Tokyo Year Zero follows detective Minami on the hunt for a serial killer in the immediate post-war period. It is a haunting and addictive journey inside the underbelly of Japan’s shattered capital city in the glaring light of defeat. There is crime, gang warfare, desolation, corruption, and decay. But Peace is above all a master of language, and his prose – fragmentary, truncated, hallucinatory – produces an idiosyncratic rhythm that mirrors the mental disintegration of a man and the convulsions of an entire city. A novel that will stick to your skin years after reading it.

Three Assassins almost feels like the movie Bullet Train with Brad Pitt.

It’s a series of seemingly unrelated events that connect a network of assassins together and pit them against one another, knowingly or unknowingly. The novel itself is less about the action and pace and unfurls like a twisted puzzle, making every piece lean into a seemingly surreal universe.

We see all the characters, good and bad, their flaws, good and bad, and the ones we can stand up for, good and bad. “All the knowledge and science that human beings have, it only helps humans.” But even when we’re cheering, I didn’t necessarily know what to believe until I reached the end. Even then, I walked away holding doubts and a smile.