Fans pick 100 books like Tokyo

Philosopher Roland Barthes visited Japan in the 1960s when it had rebuilt and reinvented itself as a global economic power. Empire of Signs, which he published a few years later, is a profound, yet entertaining reflection on “otherness” and how it helps us see ourselves. I read the slim volume – in the original French – in the plane that took me to Tokyo for the first time. It was a revelation and has inspired me ever since to look for the myriads of little things that fascinate and contradict all preconceived ideas. The book is a wonderful and subtle lesson in seeing the invisible!

This marvelous history of Tokyo focuses on the transformative 50 years from the end of the Tokugawa (Edo) period in 1867 to the Great Kanto Earthquake in 1923. Translator and Japanologist Seidensticker tells the history like the grand journey it was. His narrative is fascinating, with more insights than facts, and it flows with the skill of someone who translated the great Japanese novelists Junichiro Tanizaki, Kafu Nagai, and Yasunari Kawabata, among others. Seidensticker includes thoughtfully chosen details as Tokyo emerges from a feudal society into a modern, industrial state. Seidensticker’s follow-up Tokyo Rising is also recommended.

If you have to buy only one book on Tokyo, you’d be missing out on a lot, but this might be a contender. Organized by areas of Tokyo, the short essays are written by Donald Richie, Tokyo’s pre-eminent foreign resident, film historian, essayist, novelist, and translator. Having lived most of his life in Tokyo, he understood the city as well as anyone, Japanese writers included. He packs in fantastic quotes from Japanese writers, western theorists, and early foreign chroniclers amid his own quietly elegant prose. Picture books tend to make me roll my eyes, but Ben Simmons’ photographs are a lesson in how to look at and understand the essentials of Tokyo. Unlike many books, the photo captions are precise and informative. Simmons has numerous other photography collections on Japan, so he’s chosen some of his best work to include here.

Tokyo can be a quirky place, which of course requires a quirky guidebook. This collection of essays, illustrations, photos, and photo essays are a good way to delve into the unique elements of Tokyo. The chaotic approach of the book ranges from photos to personal musings to sketches to abstract concepts about everything from sidewalk markings, bathhouses, urban building design, aerial views, nature, fashion, family homes—the entire range of Tokyo’s interiors and exteriors. In short, the book doesn’t really cohere, but then, neither does Tokyo. That’s what makes the city so fascinating, and so confusing. This is less a guide in the traditional sense than an intriguing series of suggestions about the overwhelming experience of Tokyo.

Like other traditional guidebooks, Essential Japan, aims for almost encyclopedic coverage of its topic, and it successfully manages this without seeming overwhelming—not an easy task judging by other major guidebooks.

In the edition I read, most (but not all) of its “how to” instructions are up to date, but where it really excels is in helping visitors choose what kinds of experiences they would like to have in Japan. For instance, I found its suggested itineraries for Tokyo to be spot-on, and the entire book is rich with recommendations.

Because the book is heavy, I suggest using it to map out your trip itinerary—and then take a lighter reference guide and use online sources for your actual trip.

Three Assassins almost feels like the movie Bullet Train with Brad Pitt.

It’s a series of seemingly unrelated events that connect a network of assassins together and pit them against one another, knowingly or unknowingly. The novel itself is less about the action and pace and unfurls like a twisted puzzle, making every piece lean into a seemingly surreal universe.

We see all the characters, good and bad, their flaws, good and bad, and the ones we can stand up for, good and bad. “All the knowledge and science that human beings have, it only helps humans.” But even when we’re cheering, I didn’t necessarily know what to believe until I reached the end. Even then, I walked away holding doubts and a smile. 

Though non-fiction, Whiting’s romp through the secret history of post-war Japan is more eye-popping than most novels. The “hero” is a rogue called Nick the Greek who brought pizza to Japan, amongst other more nefarious accomplishments. I myself knew Nick, loved his thick crust Margherita and believed at least half his stories of gangster showdowns, heists, and con jobs. They don’t make them like that anymore - thank God.

Imagine you are a respected member of the literary establishment, a prize-winning novelist, and, a rare thing in Japan, a devout Christian. A man like the real Shusaku Endo, in fact. Suddenly, rumors start circulating that you have been seen frequently in a raunchy part of town, partying into the wee wee hours with hookers and taking women to love hotels. You catch glimpses of a strange face at various events. It is your own face but wearing a horrible lewd sneer. Who is this person? What is going on? Endo has come up with a taut psychological thriller that explores the deep contradictions of the human heart. As well as being a Christian, Endo is a leading expert on the Marquis de Sade.

From the start, the reader can’t help but notice a tower looming in the distance.

The image has something threatening about it, and also deeply significant; the tower will continue to surface over the course of the novel’s unfolding, when certain fateful moments in the plot become clear, as well as the inescapable and hopeless nature of the main character entangled in it.

For me this book is so much more than “just” a crime novel, like it says on the cover. It is an existential masterwork. Slim, though so much is contained within its pages! The reader stays close at the pickpocket’s heels, following him breathlessly through a maze of streets, at the end of which stands the tower, appearing and disappearing in the distance. Nakamura has been compared to Dostoyevsky.

In my opinion, he doesn’t need that ascription. He is Nakamura – through and through. And for anyone… show more.

This is an autobiographical tale by an American journalist on the crime beat in Tokyo.

It’s not only a riveting tour of the underbelly of Japanese society – hostess bars, yakuza gangs, murder, and mayhem – it’s a fascinating cultural journey.

The author, Jake Adelstein, studied at a Japanese university and fell into journalism almost as an afterthought.

His description of the stringent procedures for getting hired, the brutally hierarchical nature of working for a major Japanese daily, and his growth as an intrepid investigative reporter is a must-read for anyone interested in Japanese culture, society, media, and crime.