Here are 100 books that Lost in Translation fans have personally recommended if you like
Lost in Translation.
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I am a total sucker for people who are so complicated I can’t get a read
on them. This love comes from growing up without any extended family. When I heard little bits of my parents’ pasts, it felt like the world got more interesting, and I wanted to dig in to know everything there was to know about what shaped them and, by proxy, what shaped me. I’m drawn to
shady characters who don’t want to give up the goods, as they present a
joyful challenge by withholding mystery, and those types of characters
are the ones I love to read and write about.
I’ve never encountered such a duplicitous and complicated character as the Captain. Having to survive life in Vietnam before and during America’s entry into the war, and after as an immigrant in America, I kept thinking I understood why the character behaved the way he did. His actions made sense. Then I’d get what I thought was a glimpse at his heart and intentions and know I had him all wrong, only to turn the page and see a completely different facet of him again.
Over and over his past and present and desires for the future kept morphing him. The stunning thing about this story is I totally understood why he would be this complex as each section doled out enough clues how someone like him could be so strange and malleable and twisted up in the most odd and fascinating ways.
It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong. The Sympathizer is the story of this captain:…
I’m a cognitive psychologist, originally from Scotland, but I have lived and worked in Canada for the last 50 years, first at the University of Toronto, and then at a research institute in Toronto. My passion has always been to understand the human mind – especially memory – through experimental research. Memory is fundamental to our mental life as humans; to a large extent it defines who we are. It is a complex and fascinating topic, and my career has been devoted to devising experiments and theories to understand it better. In our recent book, Larry Jacoby and I attempt to pass on the excitement of unravelling these fascinating mysteries of memory.
This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.
Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.
His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable.
An autobiographical volume which recounts the story of Nabokov's first forty years up to his departure from Europe for America at the outset of World War Two. It tells of his emergence as a writer, his early loves and his marriage, and his passions for butterflies and his lost homeland. Written in this writer's characteristically brilliant, mordant style, this book is also a tender record of lost childhood and youth in pre-Revolutionary Russia.
I’m a language scientist and a writer, but most of all, a person who is smitten with language in all its forms. No doubt my fascination was shaped by my early itinerant life as a child immigrant between Czechoslovakia to Canada, with exposure to numerous languages along the way. I earned a PhD in linguistics and taught linguistics and psychology at Brown University and later, the University of Calgary, but I now spend most of my time writing for non-academic readers, integrating my scientific understanding of language with a love for its aesthetic possibilities.
Lovers of language will be entranced by this slim volume. The book contains 26 short pieces, each centered around a Dutch word beginning with a different letter of the alphabet and its English translation. Each segment is a poetic meditation on some aspect of the author’s transition from her first home in the Netherlands to her second home in Canada, and with it, her transition from the Dutch language to English.
The author explores themes such as how English speakers perceive her mother tongue as alien, the profound emotional connection she feels for Dutch, which she describes as “my pulse music, my bone resonator, my umbilical ligature,” and the paradox of her identification with a mother tongue whose speakers do not always welcome her complicated ethnic identity.
This is not a book to read quickly. It’s a book to be savored, ideally in the small, intense doses provided by each…
alfabet / alphabet is the record of Sadiqa de Meijer?s transition from speaking Dutch to English. Exploring questions of identity, landscape, family, and translation, the essays navigate the shifting cultural currents of language by using an eclectic approach to storytelling. As such, fellow linguistic migrants to anglophone Canada will recognize elements of their experience in alfabet / alphabet, while lifelong English speakers will perceive their mother tongue in a new light.
I’m a language scientist and a writer, but most of all, a person who is smitten with language in all its forms. No doubt my fascination was shaped by my early itinerant life as a child immigrant between Czechoslovakia to Canada, with exposure to numerous languages along the way. I earned a PhD in linguistics and taught linguistics and psychology at Brown University and later, the University of Calgary, but I now spend most of my time writing for non-academic readers, integrating my scientific understanding of language with a love for its aesthetic possibilities.
This is one of the most innovative and intriguing memoirs I have read. Its structure is inspired by the visual image of the line that runs through the Punjab region, partitioning Pakistan from India. The book is separated into halves: one half relates the stories of the author’s parents, who were born on opposite sides of the line, and the other presents the author’s own experiences and observations as a second-generation immigrant. Nothing about the design of the book indicates which half should be read first—a hint that the reader will be invited to consider the resonances running in both directions across the generations.
The theme of fragmentation and division is, paradoxically, the glue that binds the various elements of the book together. The author explores the arbitrary lines, imposed by historical and cultural forces, that divide people from each other and that split their selves into parts. The portrait…
WINNER OF THE 2020 GOVERNOR GENERAL'S LITERARY AWARD FOR NONFICTION
“Wondrously and elegantly written in language that astonishes and moves the reader…This is an important book: an emotional and intellectual tour de force.” —Jane Urquhart
An experimental memoir about Partition, immigration, and generational storytelling, This Red Line Goes Straight to Your Heart weaves together the poetry of memory with the science of embodied trauma, using the imagined voices of the past and the vital authority of the present.
We begin with a man off balance: one in one thousand, the only child in town whose polio leads to partial paralysis.…
I’m a language scientist and a writer, but most of all, a person who is smitten with language in all its forms. No doubt my fascination was shaped by my early itinerant life as a child immigrant between Czechoslovakia to Canada, with exposure to numerous languages along the way. I earned a PhD in linguistics and taught linguistics and psychology at Brown University and later, the University of Calgary, but I now spend most of my time writing for non-academic readers, integrating my scientific understanding of language with a love for its aesthetic possibilities.
This book calls itself a novel, but it is deeply intertwined with the author’s own life and experiences as a second-generation immigrant from Pakistan. The chapters often read more like incisive personal essays than segments advancing the plot of a conventional novel, as the author grapples with the economic obsessions and spiritual poverty of contemporary American culture, the experience of everyday racism and the rage it provokes, and the feelings of alienation that many immigrants feel from both their country of origin and their adopted home.
The central preoccupation of the book is the difficulty of living as a complete, nuanced, self-contradictory individual in a world that forces you to choose—between cultures in conflict with each other, between absolutist world views that permit no ambivalence, between economic success and authenticity. It is a tension that may be especially pronounced in an immigrant’s life, but one that entraps everyone and results…
This "beautiful novel . . . has echoes of The Great Gatsby": an immigrant father and his son search for belonging—in post-Trump America, and with each other (Dwight Garner, New York Times).
One of the New York Times 10 Best Books of the Year One of Barack Obama's Favorite Books of 2020 A Best Book of 2020 * Entertainment Weekly * Washington Post * O Magazine * New York Times Book Review * Publishers Weekly * NPR * The Economist * Shelf Awareness * Library Journal * St. Louis Post-Dispatch * Slate Finalist for the 2021 Andrew Carnegie Medal for…
I was born in Romania, a closed society during the Cold War, and I never expected to live anywhere else, especially not in the West. When communism ended, I rushed out of Eastern Europe for the first time, eager to find places and people I could only read about before. I also discovered the power longing and homesickness can have on defining our identities. I moved to the United States, where I now live and work, cherishing my nostalgia for the world I left behind, imperfect as it was. The books I read and write are always, in one way or another, about traveling across cultures and languages.
Walter Benjamin was a Jewish German philosopher who escaped Nazi Germany only to commit suicide upon arrival in Spain.
This book captures an earlier time in his life, when he was still hopeful, an idealist in search of intellectual adventures and political transformation. He went to Moscow to define his political vision and found a city both seductive and elusive. The intense winter scenes in the deep Muscovite cold are unforgettable, even though he mentions them almost in passing.
Benjamin had another reason to go to Moscow: he was in love. But the woman he wished to pursue was also elusive, unavailable both in practical and emotional terms. The book speaks to the fascination Western leftist intellectuals have had with Russian culture and politics, turning to Russia as an alternative to a corrupt West.
Benjamin’s reflections about philosophy, history, and the Moscow of the 1920s makes me fantasize about our…
The life of the German-Jewish literary critic and philosopher Walter Benjamin (1892-1940) is a veritable allegory of the life of letters in the twentieth century. Benjamin's intellectual odyssey culminated in his death by suicide on the Franco-Spanish border, pursued by the Nazis, but long before he had traveled to the Soviet Union. His stunning account of that journey is unique among Benjamin's writings for the frank, merciless way he struggles with his motives and conscience.
Perhaps the primary reason for his trip was his affection for Asja Lacis, a Latvian Bolshevik whom he had first met in Capri in 1924…
I was born in Romania, a closed society during the Cold War, and I never expected to live anywhere else, especially not in the West. When communism ended, I rushed out of Eastern Europe for the first time, eager to find places and people I could only read about before. I also discovered the power longing and homesickness can have on defining our identities. I moved to the United States, where I now live and work, cherishing my nostalgia for the world I left behind, imperfect as it was. The books I read and write are always, in one way or another, about traveling across cultures and languages.
At the height of her success as an American writer, Lahiri moved to Italy to pursue her dream of mastering the Italian language.
She got more than what she had hoped for—a new voice, not just a new language. But this discovery comes after many trials and tribulations that show her that a language is a whole universe that demands we completely re-invent, not merely translate ourselves.
This is the memoir of a writer who is keenly aware of language as a key part of our human condition, bilingual already before leaving Italy (in Bengali and English) and never fully at home in any language.
Italian teaches her the humbleness of sounding simple and modest; the courage of making mistakes; the patience to build a vocabulary, storing new words like a collector obsessed with having more and more items; the confidence to speak with natives, including judgmental ones who always…
On a post-college visit to Florence, Pulitzer Prize-winning author Jhumpa Lahiri fell in love with the Italian language. Twenty years later, seeking total immersion, she and her family relocated to Rome, where she began to read and write solely in her adopted tongue. A startling act of self-reflection, In Other Words is Lahiri’s meditation on the process of learning to express herself in another language—and the stunning journey of a writer seeking a new voice.
I was born in Romania, a closed society during the Cold War, and I never expected to live anywhere else, especially not in the West. When communism ended, I rushed out of Eastern Europe for the first time, eager to find places and people I could only read about before. I also discovered the power longing and homesickness can have on defining our identities. I moved to the United States, where I now live and work, cherishing my nostalgia for the world I left behind, imperfect as it was. The books I read and write are always, in one way or another, about traveling across cultures and languages.
Written in elegant prose and with vivid visual detail, this book uncovers an exotic lost world—lost both to the author, with the death of her parents, and to all of us, with the march of history.
This is the world of a British bookshop owner and his Italian-born wife, in Cairo after World War II, in the years leading up to the 1952 revolution that marked the awakening of independent feeling in Egypt. The city Warner uncovers, on the brink of the revolution and after a devastating war, is her childhood paradise, and she is not afraid to portray it as exotic even as she understands the risk of betraying a colonial gaze.
To recreate this world, she uses not only old photographs and her own memories, but also artefacts, from furniture to clothing, shoes, most of all books (not just their content, but as objects), which she researches meticulously,…
By one of the finest English writers of our time, a luminous memoir that travels from southern Italy to the banks of the Nile, capturing a lost past both personal and historical.
Marina Warner’s father, Esmond, met her mother, Ilia, while serving as an officer in the British Army during the Second World War. As Allied forces fought their way north through Italy, Esmond found himself in the southern town of Bari, where Ilia had grown up, one of four girls of a widowed mother. The Englishman approaching middle age and the twenty-one-year-old Italian were soon married. Before the war…
I've written books about Jewish subjects before. A few years ago I published a biography about a Jewish Dutch actress named Jetta Goudal who invented a new life story for herself and became a Hollywoodstar. Before that I wrote a book about my Jewish great-grandfather Emanuel Brouwer who traveled to London in 1908 to compete in the Olympics. He traveled to the UK by boat with his best friend Isidore Goudeket, who was murdered in a German deathcamp. My great-grandfather did not win a medal in Londen (63rd place!), but he had a lot of fun in London, with loads of beer, whisky, and cigars. In 1943 he was sent to a camp as well.
The son of the protagonist wrote this book. His father Harry Haft was born in Poland under a different name, fought against the Nazis, got deported, and became a boxer in a subcamp of Auschwitz.
He won almost all of his fights, his nickname became The Beast of Auschwitz. Harry Haft survived the war because of his boxing skills, emigrated to the US, and made a name for himself as a professional boxer. Incredible story about determination, luck, and surviving.
Alan Scott Haft provides the first-hand testimony of his father, Harry Haft, a holocaust victim with a singular story of endurance, desperation, and unrequited love. Harry Haft was a sixteen-year-old Polish Jew when he entered a concentration camp in 1944. Forced to fight other Jews in bare-knuckle bouts for the perverse entertainment of SS officers, Harry quickly learned that his own survival depended on his ability to fight and win. Haft details the inhumanity of the "sport" in which he must perform in brutal contests for the officers. Ultimately escaping the camp, Haft's experience left him an embittered and pugnacious…
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
I read this powerful graphic novel series when the first collections came out in the 1980s.
It shows the horrors of the Holocaust and the impact it has on the families of the survivors. Maus is best known for depicting Jews as mice and Nazis as cats, but Art’s troubled relationship with his father Vladik and the death of his mother Anja by suicide frame the story.
Maus is my favorite graphic novel series and a must-read for understanding the Holocaust and how it shaped Jewish life since.
The bestselling first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read”
A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.
Maus is a haunting tale within a tale, weaving the author’s account of his…
