100 books like Livingsky

I was born and raised on the rugged island of Newfoundland and am enthralled by the ocean, its rhythm, its power. The setting of The Kerrigan Chronicles is the setting for my early life: same area, different era. As a child, I was unaware of the sacrifices and struggles of my ancestors. During cross-country telephone conversations with my aging father, I heard stories of poverty, illness, and war. When Dad described the earthquake and tsunami of 1929, I was hooked. I have written other novels, modern-day suspense that could quite frankly have been written by other people but The Kerrigan Chronicles are mine and mine alone.

I've read mysteries of all types since I was young. Unfortunately for my publishers, I like to write in several different genres too. Everyone loves a mystery, a puzzle, sussing out the hidden. If you think you don’t like mysteries, then I think you just haven’t found your genre yet. Reading a mystery is like treasure hunting, we all want to find the gold. I love clever dialogue, characters you want to meet in real life, and accompany them while solving a mystery. All the books I have recommended have an overarching mystery element. I write like that too, also, one element links all my books regardless of genre. Happy treasure hunting!

As a writer of gay mystery, I try to read as widely as I can—both to learn from writers who have gone before me and for the pleasure of the books themselves. I’m always thrilled when I find writers like the ones I’ve shared in this list: people who think deeply and carefully about the complexities (and, occasionally, the agonies) of being a gay man, while, at the same time, weaving in the suspense and puzzles inherent in mysteries.

I am drawn to stories about “the olden days,” non-fiction, fiction, or first-hand storytelling by homesteaders who came from away to settle on the prairies. Perhaps it is a way to recall my own farm childhood, a way to recall both joyful and unhappy times. When my brother taught me to climb (and get down from) the apple tree. The realization the pet steer who followed me around all summer and occasionally let me ride on his back while he grazed would be met by the mobile butcher truck in the fall. Hardships and simple joys, the life lessons, the banal work done for the family and farm to survive.

I am a Canadian who enjoys travelling and reading historical fiction from around the world. Having had the privilege of living in a variety of areas in Canada from coast to coast since childhood, I can recall listening to the stories of past generations and exploring the locations where some of these events took place. With a passion for Canada’s beauty and the history of its people, I like to research, explore, and incorporate these passions into my own stories.

My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime. 

My administrative career covered a mix of legal and hospital work which provided a wealth of real-life scenarios to fuel my own convoluted story ideas. Thrilled to take early retirement and pursue a writing career, I have since published five romantic suspense novels. I strive to produce quality stories on par with the countless amazing romantic suspense authors I have enjoyed since my teen years. Storyline prompts surround us. A dark bunkie, screaming neighbor, or even an oddly shaped bag of garbage can trigger my suspicion. My favorite spot to walk is the peaceful shores of Lake Huron, where my twisted imagination soars, and my best stories come to life.

I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.

I love big books with strong thematic cores, sprawling casts, and curious timelines (from books that take place over four seconds to several decades) that explore what it means to be human on the most primal, unfiltered, and unflinching level. These books feature characters who are trying to reconcile the expectations they had for their lives, with their complicated realties. And yet, they simmer with warmth and hope, all of them reminders that there’s nobility in the struggle, and that there’s still plenty of room for joy, even when things don’t go as planned. Especially if they don’t. Ballsy, wise, and funny, these books speak to my existential comedic heart.    

I am a journalist, the author of 10 works of popular history, and, latterly, a playwright. For nearly 25 years, I have earned a living on the strength of my own writing. I have written one full-length play that was produced at an outdoor summer theatre in July 2023, and I have written three short plays for the Port Hope, Ontario Arts Festival. I now live in Peterborough, Ontario, about 90 miles northeast of Toronto, but have had a lifelong interest in the history of western North America by dint of having grown up in southeastern Saskatchewan and having worked as a journalist in Alberta in the early 1980s.