78 books like Little, Big

I was born in Communist Poland, and when we emigrated to the UK, I craved the tastes of my childhood. More than that, I missed the culture of foraging, preserving, fermenting, and the stories that accompanied these processes–there was something deeply ingrained in my soul that I have been called to explore within my own work. I have written four books on East European cuisine. Slavic Kitchen Alchemy is rather different from the others because of its focus on herbs, healing, and mythology. The books on this list have inspired me in my own writing, and I will keep returning to them again and again.

I write strange, emotional novels from my book-filled apartment in Vancouver, a short walk from the ocean. This may be why I’m obsessed with islands. Or perhaps it’s because they evoke the feeling of being apart from the world, adrift, of protecting something rare. Whatever the reason, my novel takes place on an uncanny island off the coast of Mexico, where the locals drink tea in the afternoon and pray to skeletons hidden in caves. The story that unfolds on this island could not have taken place on the mainland, and I believe the same goes for the books on my list. 

I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.

When I was 5 years old, I remember asking my mother, since dreams can feel so real, how do I know I’m not dreaming right now? All my life I’ve been exploring—in myself and with others—the meaning of dreams, not only nighttime dreams but also real experience, especially in nature, that mirrors our inner process. The fairy tale novels I write are dream versions of our world. Sometimes dreams, like fiction, tell a truth even truer than reality! I have a Master's in Transpersonal Psychology. I started a dream-sharing circle in my community which has facilitated such deep growth and connection, I encourage you to start one too!

I have 7 sisters and 1 brother. I was the 9th child in my family. To get a son who would carry on the family heritage, my parents tried 7 times without any success. After 7 unwanted daughters, my brother finally arrived. Then they had me as the second boy in the family. The plot twist was: I am gay. I turned out to be the 8th unwanted daughter because of my sexuality. Coming from this small-town big family full of superstitions and secrets, I am naturally drawn to dramatic family stories with many dark and psychological twists.

I loved bars before I could drink. Maybe it was a steady diet of Cheers reruns as a child. Or perhaps it was growing up in Los Angeles, a city without a center, a city of cars, a city that seemed—at least when I was a child—to lack real community. Bars, in my imagination, provided that. So when I started actually finding myself in bars—and often working in them—I also found myself writing fiction, and those bars ended up in that fiction. In each of my novels, a bar is a gathering place for those wanting a church sans theology, a place, where, yes, everyone knows your name.  

For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.

Soap operas may have no actual relation to soap—the term comes from radio dramas that were sponsored by soap companies—but they’re certainly related to opera, full of melodrama and grandiosity. With my second novel, a multi-generational family saga, my goal was to write a literary soap opera. I wanted it to be finely crafted, attuned to language and characterization, but also dishy, riddled with heightened drama, vivid personalities, and theatrical events. Below are five literary soap operas I studied while writing my own.

I write books for intelligent, adventurous, globally-minded teens who aren’t afraid to fall in love with someone different from themselves. I started as a journalist, so it is no surprise that my YA books contain a lot of facts to go along with the fiction. Whether you want to know about Japan (Tanabata Wish), the Spanish Flu pandemic of 1918 (Breathe), what it’s like to be an Olympic-caliber skater (Every Reason We Shouldn’t), or how unscripted television works (Faking Reality), I take readers on swoony journeys to unusual places. So, if you like books that educate as they entertain, I hope you’ll check this book list—plus my books—out.

I’m a children’s book writer from Frisco, Texas. I’ve published two middle grade chapter books, Pippa Park Raises Her Game and Pippa Park Crush at First Sight. I’ve always been captivated by novels that make me hungry; you can blame formative children’s books like If You Give a Mouse a Cookie or Stone Soup for that. That’s why today I’m sharing my top 5 favorite middle grade books that have a foodie twist. Some of them revolve entirely around food; others simply offer a notable scene. Either way, I hope you’ll find them as delectable as I do!