100 books like Lisa, Bright and Dark

Although this book has been around for a very long time, I only encountered it earlier this year.

It is a scientific fiction novel based on a supposed treatment given to a mentally handicapped young man (Charlie) that gave him great intelligence. This treatment had been tried earlier on mice (one being Algernon), enabling them to do cognitive tasks impossible for ordinary mice. The basis for much of the book was that the treatment was not permanent, and first, Algernon and then Charlie deteriorated back to where they were cognitively before the treatment.

The book beautifully describes what it was like (in Charlie’s own words) to be cognitively disabled before the treatment and how he was treated by people; then, when the treatment was effective, and finally, as he was deteriorating, which he recognized was happening. Although fictional, the descriptions of the cognitive changes in Charlie are compelling.

As a child of Japanese immigrants, I did well in school and led a pretty tidy existence. But I was an adventurous reader, curious about how other teenagers led their lives. This book – wow! The title alone drew me in.

The “hamburger” refers to the advice a young woman is given to distract a man who is “on the make.” But the woman —and the reader—quickly learn going out for a burger doesn’t neutralize a teenager’s lust. Certainly, issues surrounding sex, pregnancy, and societal expectations have changed significantly over the years, so some language and circumstances in this novel don’t age well.

What remains true is the empathy with which the author depicts his characters and the honesty in how he depicts the complexities of making choices and growing up.

I’m sure there’s a lot of research about how people decide what book to read. I picked up this one because the cover was inky black, and the author was only identified as “Anonymous,” a pre-Internet version of clickbait!

However, I wasn’t disappointed as this book starkly chronicled a young woman’s descent into drug use through her diary entries. By reading a book presented in such a personal format, I really felt scared for the writer as she continually put herself in dangerous situations while her life spiraled out of control. I was also fascinated by some of the period details she provided, like detangling her just-shampooed hair with mayonnaise. I even tried that once!

Although “Anonymous” ended up being an adult writer, this book made me understand more about resilience and the power of redemption rather than the dangers of drug addiction, which, frankly, I had already learned in… show more.

Having grown up as one of few Asians in my high school, I didn’t really prioritize defining my identity as a Japanese-American. All I really cared about was blending in. But after reading this wonderful book, I realized being connected to my ethnicity and culture was both important and natural.

Olivia, the Japanese-American protagonist, spends her days with her family, traveling from Oregon to Arkansas in search of work. The “floating world” is one of temporariness and fleeting observations, like listening to a neighbor playing records or noting the color of a waitress’s painted nails. Olivia deals with tensions within her family as well as the racism they encounter on the road.

For me, this book helped me realize that I could honor the specificities of who I am against a general backdrop of the community within which I existed.

I connected strongly to this book because the protagonist has experienced abandonment and must rebuild her life from the ashes, learning to trust adults to care for her and allow her a childhood rather than expecting her to be a miniature adult. Equally striking is the power of a secret, and how its revelation changes everything. In addition, through reading If You Find Me, I learned a way of using punctuation that creates tension and immediacy.

Nellie Bly was one of the great muckraking reporters in American history. She pretends to be insane and is admitted to the “mad house.” Along the way, she exposes the horrible treatment of those suffering from mental illness, but of her treatment in a boarding home, where spoiled beef was served.

Many at the Women’s Lunatic Asylum on Roosevelt Island suffered no mental illness; they simply didn’t know how to speak English, she wrote. “I left the insane ward with pleasure and regret—pleasure that I was once more able to enjoy the free breath of heaven; regret that I could not have brought with me some of the unfortunate women who lived and suffered with me, and who, I am convinced, are just as sane as I was and am now myself.”

Her reporting led to a grand jury investigation and reforms inside the asylum.

This is another novel written expressly for teenagers, and all the better for it.

Inflected by the author’s own autobiographical experiences—like Craig, the novel’s narrator, Vizzini spent a week in a psychiatric hospital as a teenager—It’s Kind of a Funny Story was the first work of fiction I’d read that articulated the adolescent experience through the language of mental health. It was here that I learned “depression” isn’t an abstracted emotion but the very real neurochemical imbalance that impels Craig to call the suicide hotline after abandoning his SSRIs.

There’s an uncanny familiarity to the circumstances of Craig’s breakdown—namely in how he struggles to remain above water at a famously rigorous college preparatory high school—and a fundamental earnestness to his story’s confessions that gilds even its grimmest moments with a fifteen-year-old's sense of impressionable wonder.

The Risk Pool shows the importance of accepting and loving our fathers for who they are instead of resenting them for who they never could be. Sam Hall, the irresponsible wreck of a dad in this warm-hearted and funny book, is by any definition a terrible father, yet his relationship with his son Ned feels real in ways that most fictionalized father-son relationships don’t. Forced to care for Ned when Ned’s mother is hospitalized with mental illness, Sam introduces his son to pool halls, bars, bookies, drunks, and the occasional petty crime. Though aware of his father’s many faults, Ned can’t help but be charmed by Sam’s easy-going life, and even when Sam disappears for years, the bond remains strong.  

This love story is unique. Zee is a hot-tempered drug dealer with a damaged leg. Sir Gentry is a sweet guy on the autism spectrum who hears voices, thinks he’s her Medieval champion, and talks only in Middle English. But lack of judgment, understanding, and compassion make them equals in love.

I love this because, in many ways, it is a kind of modern take on Sargasso Sea, with a liberal dash of Catcher in the Rye thrown into the soup: an exploration of what happens when you apply the same kinds of patriarchal oppression and expectations Antoinette suffered in the 19th century to a young 20th-century woman living in what is supposedly a more “progressive” and “modern” era.

Esther Greenwood’s unraveling is both brutally relatable and unexpectedly humorous at points, and there are images from it that are so starkly drawn that they stay embedded in your mind like glass shards after an explosion. It’s a modern classic for a reason.