Here are 100 books that Le Grand Meaulnes fans have personally recommended if you like
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
I’m fascinated by houses and the memories that haunt them. I grew up on a private estate in rural England where my father worked. When I was little I knew a witch. She rode a bicycle, not a broomstick: she cured my warts. The trees I played under were planted when the big house belonged to the 17th-century statesman and historian, Lord Clarendon. I knew storytellers who performed in the local pubs – part of an oral tradition that goes back millennia. I moved to London, but I kept thinking about those rural enclaves where memories are very long. I set my novel in that beautiful, ghost-ridden, peculiar world.
Set in Czechoslovakia in the 1930s, this story of a newly-married couple overseeing the construction of their dream home is as clean-cut, luminous and full of hints of fragility as the building itself – a modernist cube of glass. The husband is rich, the wife excited by her new role as patron. Their architect - a sharply observed portrayal of a tetchy artist who will insist on sticking to his vision regardless of his clients’ doubts – wants to make them a masterpiece, and he does. But the husband is Jewish. We are in the 1930s. Glass walls are not going to keep them safe.
In lucid, elegant prose Mawer conjures up central European culture in those edgy, febrile years when artistic and intellectual energy were so vital, and politics were so deadly.
The inspiration for the major motion picture The Affair, now available on demand.
Cool. Balanced. Modern. The precisions of science, the wild variance of lust, the catharsis of confession and the fear of failure - these are things that happen in the Glass Room.
High on a Czechoslovak hill, the Landauer House shines as a wonder of steel and glass and onyx built specially for newlyweds Viktor and Liesel Landauer, a Jew married to a gentile. But the radiant honesty of 1930 that the house, with its unique Glass Room, seems to engender quickly tarnishes…
In 1995, I was invited to the People’s Republic of China to direct a play at the Shanghai Theatre Academy. It was the first Canadian play to be produced in China. It’s amazing what you can learn in a foreign city, with time to explore on your own, ready to soak up the energy, atmosphere, sights, and sounds. The impact is even greater when that city is on the cusp of historic change. The experience power-charged my imagination and was the spark for my first novels–a series of mysteries featuring the detective Zong Fong, Head of Special Investigations, Shanghai. City Rising and its three sequels followed after extensive research.
It’s 1860, and Garibaldi's Redshirts have landed on the coast. Sicily’s ancient feudal society will soon be overthrown.
These historical events are the backdrop to an intriguing portrait of Don Fabrizio Corbera, Prince of Salina, a quiet, intense, and, in many ways, sympathetic member of the doomed Sicilian nobility. War is upon him, and yet Don Fabrizio continues his stately life and loves with meditative detachment.
This may be a story of civil war and social upheaval, but it is also a depiction of ancient families and allegiances, dusty landscapes, and the night sky. It is filled with rich symbolism and prophecy. The Leopard’s message: revolutions come and go, corruption endures. Its contribution to great historical fiction: Don Fabrizio, the last Leopard.
The Leopard is a modern classic which tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution.
'There is a great feeling of opulence, decay, love and death about it' Rick Stein
In the spring of 1860, Fabrizio, the charismatic Prince of Salina, still rules over thousands of acres and hundreds of people, including his own numerous family, in mingled splendour and squalor. Then comes Garibaldi's landing in Sicily and the Prince must decide whether to resist the forces of change or come to terms with them.
I’m fascinated by houses and the memories that haunt them. I grew up on a private estate in rural England where my father worked. When I was little I knew a witch. She rode a bicycle, not a broomstick: she cured my warts. The trees I played under were planted when the big house belonged to the 17th-century statesman and historian, Lord Clarendon. I knew storytellers who performed in the local pubs – part of an oral tradition that goes back millennia. I moved to London, but I kept thinking about those rural enclaves where memories are very long. I set my novel in that beautiful, ghost-ridden, peculiar world.
Not just one house, this time, but houses - a whole village in fact. Adam Thorpe’s dazzlingly inventive novel is the story of a rural community over three and half centuries, narrated by a chorus of different voices. Human dramas proliferate: love affairs, murders, executions, violent uprisings. But as people come and go, things stay put, outlasting them. An adulterous eighteenth-century lady is confined to her shuttered bed-chamber, forbidden to go down the creaky old stairs. Fifty years later a garrulous carpenter, reminiscing in the pub, describes the cutting of the wooden scroll that finished the banister of the new staircase he and his mates have built in the Hall, once that lady’s home. Two generations later a consumptive young lawyer, taking down the testimony of dozens of Luddite machine-breakers, visits the Hall, notices the stairs, judges them dark and old-fashioned. Time passes again and a 20th-century television cameraman leans…
Immerse yourself in the stories of Ulverton, as heard on BBC Radio 4 Book at Bedtime
'Sometimes you forget that it is a novel, and believe for a moment that you are really hearing the voice of the dead' Hilary Mantel
At the heart of this novel lies the fictional village of Ulverton. It is the fixed point in a book that spans three hundred years. Different voices tell the story of Ulverton: one of Cromwell's soldiers staggers home to find his wife remarried and promptly disappears, an eighteenth century farmer carries on an affair with a maid under his…
I fell in love with Romantic poetry when I was young. Then, after a gap of several years, I began to write historical fiction, and it was at this time that I found myself being drawn once more to the Romantic poets, this time as people as much as for their work. I discovered their place in the world, contested and controversial, and their influence became a driving light to me and my characters. InBeneath Black Clouds and White, Delphi explains: “It has a pulse, you see, like any other living thing. You must treat each poem as though it were alive.” I feel the same way!
I’m a sucker for a good primary source, but I’m even more of a fan of the 1.5 sources. I love the sources which are of the time but are influenced as much by rumour as fact. This collection of essays does its best to be objective, but there are people amongst these pages who have been so strongly immortalised in popular opinion, but sometimes facts have been discarded in favour of Hazlitt’s own opinion. But, from the point of view of a historical fiction writer, this is priceless, because it unearths a contemporary viewpoint and opens a window onto the thoughts of a people about The Spirit of the Age!
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
This was the first book I read by Joan Aiken, and I found after reading some of her backlist that this was the only one I liked. Some of the other historical fiction she wrote is much darker, but this book, while it does have a mystery subplot, is lighthearted and fun with a sweet romance.
It is a delightfully convoluted tale that will keep you guessing up until the very end when its downtrodden, capable heroine saves the day and gets her man.
Desperate to help her ailing mother, Delphie Carteret agrees to a sham wedding ceremony to her cousin, Gareth. Her mother will be guaranteed annuity for life, and Gareth's obligation to marry before his sick uncle passes is fulfilled. The plan is perfect.
But perfect plans usually go awry. Not only is the marriage ceremony valid, but Gareth's dying uncle makes a miraculous recovery. An imposter is threatening Delphie's identity and her life, and the whole family is on the brink of scandal.
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
Clare Darcy’s books were published in the 1970s, and she was billed as the “best Regency novelist since Georgette Heyer,” which was probably an accurate statement at the time–and might still be. I do enjoy her funny, witty Regency novels, and this one, with its ensemble cast of unique characters, is a particular favorite.
My writing life is a mixture. I have written novels of crime fiction, many featuring Sherlock Holmes, as well as a variety of sleuths of my own creation. I was editor of the monthly journal of the Crime Writers’ Association for twenty years and have written several plays, non-fiction books as well introductions to numerous literary collections. While I admit that my writings veer towards the serious and dramatic, in my social life I think of myself as a light-hearted fellow and as an antidote to my own dark fiction I enjoy having my spirits lifted by witty and amusing tales that help to raise the spirits.
One of the many great comic novels featuring Bertie Wooster, a rich and likeable but somewhat dim-witted fellow about town and his more than capable butler Jeeves who spends a great deal of his time extricating Bertie from various scrapes in which he finds himself. Wodehouse's light and witty prose and the cast of amusing individuals such as Gussie Fink-Nottle and Tubby Glossop, not only make this book a joy to read but guarantees smiles and laughter.
_________________________________________ 'If comedy is your thing, it's hard to match PG Wodehouse and his classic characters Jeeves and Bertie Wooster for hilarious farce.' Irish Daily Mail
'P.G. Wodehouse wrote the best English comic novels of the century' Sebastian Faulks
'Heaven is Right Ho, Jeeves' Hugh Johnson
'Jeeves, I'm engaged.' 'I hope you will be very happy, sir.' 'Don't be an ass. I'm engaged to Miss Bassett.'
Bertie is feeling most put out when he finds that his friend Gussie is seeking relationship advice from Jeeves. Meanwhile Aunt Dahlia has asked Bertie to present awards at a school prize-giving ceremony. In…
I’m a historian and professor in Louisiana, in the southern United States. When I was an undergraduate in college (many years ago!), I embraced the opportunity to study diverse subjects, ranging from the natural sciences to the humanities. I became fascinated by medicine and health and their relationship to history, society, and international relations–and have remained fascinated ever since. These interests led me to study humanitarianism and its place in 20th-century US foreign relations and international history. Over the years, I have researched and written two books and more than 20 articles on these subjects, and I love sharing this history with readers and students alike.
More than a century has passed since the First World War, but this book shows us that its humanitarian legacies are well worth remembering.
I appreciate this book for many reasons, but most of all, for the truly global perspective its authors take. They make it clear that the Great War was truly a world war. More than this, it should be remembered as a global humanitarian crisis. The authors examine many diverse efforts to assist both soldiers and civilians while also considering the messy politics involved in these relief efforts.
I find this book valuable for revealing the complex relationships between aid workers and relief recipients, a dynamic as central today as it was 100 years ago.
This book provides fresh perspectives on a key period in the history of humanitarianism. Drawing on economic, cultural, social and diplomatic perspectives, it explores the scale and meaning of humanitarianism in the era of the Great War. Foregrounding the local and global dimensions of the humanitarian responses, it interrogates the entanglement of humanitarian and political interests and uncovers the motivations and agency of aid donors, relief workers and recipients. The chapters probe the limits of humanitarian engagement in a period of unprecedented violence and suffering and evaluate its long-term impact on humanitarian action.
I always wanted to be a spy, but as I scare easily and can’t keep a secret, it was never going to happen. My respect and fascination with the intelligence community has never abated however, and I will never pass up an opportunity to engage with spy-related content. From going to spy museums across the globe to attending lectures to watching the latest entertaining (and totally unrealistic) spy flick, I love it all. I channel that love into writing humorous spy novels that feature fun, fearless females and ripped-from-the-headlines scenarios.
Do I judge a book by its cover? Why yes, yes I do! And the moment I saw this gorgeous cover I put it right into my shopping cart, paid full price, and never looked back.
Luckily for me, Women in Intelligence happens to be an excellent book where the content more than matched the expectations I had from the fabulous artwork. Although there are a few familiar faces that appear, most of the women were completely new to me. Not the femme fatales of popular culture; these were patriotic women who often went unseen in the background.
I love that Fry truly delves into uncovering the unsung heroines of WWI and WWII, giving these quiet, determined women a chance to be recognized and to shine.
A groundbreaking history of women in British intelligence, revealing their pivotal role across the first half of the twentieth century
From the twentieth century onward, women took on an extraordinary range of roles in intelligence, defying the conventions of their time. Across both world wars, far from being a small part of covert operations, women ran spy networks and escape lines, parachuted behind enemy lines, and interrogated prisoners. And, back in Bletchley and Whitehall, women's vital administrative work in MI offices kept the British war engine running.
In this major, panoramic history, Helen Fry looks at the rich and varied…
