81 books like The Spirit of the Age

People will tell you Byron produced his best works in later life (not that late, though because he died at the age of 36), his literary prowess capping at Don Juan. That could be true, but there is something beautifully human about Hours of Idleness. It includes my absolute favourite poem, "Lachin y Gair". It’s the poem that rekindled my love of Byron’s poetry after several years of absence, drenched in the poet’s desperation to belong in that history. That same connection with the cultural past is what turned me to writing historical fiction.

But the book is more than just one poem. It’s a youth’s progression into a man, and (as you might expect from Byron) features all the sordidness and bitterness of the emergence of an adult soul.

This book is like looking at the two mirrored sides of the soul. The beauty and simplicity of innocence against the calculated approach of experience. There is one poem in it, "The Little Black Boy", which is a beautiful look through a spectacular naivety at the issue of slavery and racism as it was in the late 18th Century. It features the line:

“When I from black and he from white cloud free.”

And this is where the title of my book came from.

I’m a person with limited interests so, as well as loving history and poetry, I also collect bits of both… Ballads and Lyrical Pieces is one of the only books I can boast about having a first edition of!

I have a lot of time for Walter Scott, not only as a writer, but as a cultural politician and a folklorist. A lot of the pieces in this book are not solely his work, but the reimagining of local ballads. After scooping up these, there’s no wonder he went on to invent the romanticised “Scottishness” we recognise today. This book, 15 years before Scott influenced George IV’s visit to Scotland, shows where his own influences came from.

I first came across this book through Twitter, and was very excited to find it on my present pile later in the year! This is a brilliant telling of each aspect of Keats’ life, looking at the impact the young poet had on those around him, those who knew him by reputation, and those who are still impacted by his legacy – the author included! The research and deliverance of this book is clearly a labour of love, and it makes for engaging reading and a sympathetic look at this historical figure.

Why Keats? Well, Henry Fotherby in my own book has the same overall outlook as the young poet – but he manages to complete his path to becoming a surgeon!

Clumsy peasant schoolboy, Meaulnes, and his friend – the narrator of this haunting story – get lost, and happen upon a great house, deep in the woods, where a phantasmagorical fancy dress party is underway. Everything at ‘the lost domain’ is topsy-turvy. Children are in charge. The passage of time is suspended. Social inequality has been erased.   The time the boys spend there is dream-like, disconcerting, life-spoiling because nothing can ever be so strange and marvelous again.  

Later, after much searching, Meaulnes make his way back, but the domain is like youth itself. If you return, it will be to find everything drabber than you remembered,  and the people you adored merely human. 

This book is even greater than its reputation.  Generally thought of as one of the last works of romanticism, a celebration of illusion, it is actually clear-eyed, tough-minded, bracingly truthful about the inevitably of disillusion. Alain-Fournier was… show more.

One of the many great comic novels featuring Bertie Wooster, a rich and likeable but somewhat dim-witted fellow about town and his more than capable butler Jeeves who spends a great deal of his time extricating Bertie from various scrapes in which he finds himself. Wodehouse's light and witty prose and the cast of amusing individuals such as Gussie Fink-Nottle and Tubby Glossop, not only make this book a joy to read but guarantees smiles and laughter.

Art history also knows a Romantic movement, as does music history. Brown’s book has 250 color plates, mostly of painting from Constable, Turner, Blake, Friedrich, Delacroix, Goya, and many others, but also of some architectural wonders. Brown makes continual connections to the poetry and philosophy of the time, and to political events, as he organizes his chapters by theme: the cult of the artist, the religion of nature, the sense of the past, orientalism, and the exotic, and so on. There are several fine books on Romantic painting, but this is probably the best place to begin.

When I was a student I found this book an inspiration. Beautifully written, it brings out deep affinities between the poetry and ideas of Wordsworth, Shelley, and other poets in England and the idealist philosophers in Germany, and the ways both groups rewrote the cosmic ideas of Christianity and ancient esoteric systems. It continually sets off sparks with its surprising comparisons. In the fifty years since it appeared, scholars have complained about how many writers the book leaves out, but given that its theme is “The High Romantic Argument” and not all of Romanticism, I am still impressed by how much it takes in.

This book about rebels itself rebels against historians such as Abrams, who view Romanticism as a single movement unified by an expressive theory of art. 

Instead, Butler argues, there are many different sorts of Romantics, and they are best understood not through theories of art but through "the fierce personal and artistic politics of an age in the midst of profound change." That Age of Revolution had begun in the 1760s, and the ordering of the arts reflects debates about the social standing of the arts, not any consensus. Butler relishes these conflicts.

She pays attention to the groundswell of "art for the people" as well as "the war of the intellectuals," and she is not afraid to embrace the chaos and complications that thwart any effort to paint all arts and artists with one brush.

An interdisciplinary study taken to its logical conclusion. Starting with a powerful interpretation of Romanticism back in the 1950s, Peckham’s work culminated in an ambitious "general theory of human behaviour."

In essence, this book helped me understand that explanation is a form of violence–all languages, and all cultures, strive to enforce predictable behaviour in other human beings. Despite his flaws, Peckham offers a fascinating example of the power of interdisciplinarity. All subjects, when followed through, lead to all the others.