100 books like Kira-Kira

Two African American brothers spend their summer in rural Virginia while their parents navigate a rough patch in their marriage. Genie, 11, and Ernie, 13, get to know their blind grandfather who has a special room filled with plants and songbirds. I identified with Genie, a worrier who likes to pose questions in his notebook. As the two brothers respond differently to their grandfather’s announcement that a brave man learns to shoot a gun at 14, Reynolds is also asking readers to consider what it means to be brave and how we should define family. I loved the themes and vivid setting of the book. As someone who visited a grandparent in a small, rural town each summer, I identified with the boys’ sense that they have travelled not just a state but a whole world away from home.

12-year-old Catherine’s feelings toward her younger, autistic brother are complicated. She’s protective of him and also appears to be embarrassed by his behaviour. All she wants is a “normal” life. When she becomes friends with a paraplegic boy she’s forced to think about what “normal” really means. This book is hopeful, humourous, thoughtful, and explores what it means to interact with someone who is neurodivergent. The author is the mother of a child with autism and the complex relationships and friendships in the book felt real and captured the mixed-up emotions of middle-graders. 

In this book, a sister and brother escape the horrors of suburban Connecticut and take refuge in the Metropolitan Museum of Art, where they discover an art mystery that leads them to a wealthy surrogate grandmother. Beyond the iconic setting, this story has an irresistible only-in-New York feeling to it, so that you can’t help believing it all might have really happened, or still could happen.

What could illustrate sibling tensions better than a book set in a car during a road trip? Raina always wanted a baby sister—until Amara arrived. Now, as she embarks on a weeks-long car trip she remembers what a difficult baby and toddler Amara was, and the ongoing frustration of sharing her parents’ attention Before the graphic memoir is done, the two sisters bond. This is the second in the Smile series, but you can jump in here if you like without getting confused. The art is great, and the story is heart-warming without being sticky-sweet. It brought back memories of road trips with my sisters, sharing snacks, and fighting for space in the back of the station wagon.

This book, while it takes place in America, made me think of my mother who grew up in Japanese occupied Korea―she was forced to give up her Korean birth name for a Japanese name; forced to go to Japanese school and bow to large portraits of Emperor Hirohito; forced into the war effort at age twelve only to lose a finger while sewing buttons onto Japanese Imperial uniforms; Meanwhile, in America, a similar and heart-wrenching story unfolds in Weedflower, a story of innocent Japanese Americans going about their lives when Japan bombs Pearl Harbor. Suddenly, Japanese Americans are no longer considered American―they are the enemy.

Twelve-year-old Sumiko has always struggled to fit in, but when the war breaks out, struggles turn to fear for her and her family, so much so, they have no other choice but to burn all precious possessions from Japan including photos of family members… show more.

But the memoirs didn’t delve into the emotional and psychological impact of the forced removal and incarceration──until this unflinching one from 2005, and it’s another among the best.

Removed along with her family from their farm on Vashon Island, Washington and incarcerated at the Minidoka camp in Idaho, Matsuda Gruenewald, like most of those who underwent this experience, remained silent about what happened to them until she refused to be further confined by “the self-imposed barbed-wire fences built around my experiences in the camps.”

During a 2004 return to the Minidoka site, she wrote about her pilgrimage: “I had been saddled by feelings of paralyzing helplessness for so long. I wondered, Once I open up and start talking, will I also cry? And if I do so, will I be able to stop?”

In my experience, a truly unique book is rare, and I’m always excited to find one that stands apart because of premise and setting. Waka is happy in her sixth-grade class in Kansas—until her parents notice she’s losing her Japanese language skills and decide to take action. They send Waka to Tokyo to spend several months living with her grandmother and attending a local public school. In Japan, Waka struggles with reading and writing kanji, feels awkward around her reserved grandmother, and can’t figure out the social scene at school. Japan may be her parents’ birth country, but in Tokyo, Waka is an outsider. Where is Waka’s real home, and who will she be once she figures that out? An unforgettable memoir with lots of fun 1980s flavor. 

The moment I fall in love with a character, I will follow them anywhere. Toss in an intriguing plot, a huge extended family, and heart-warming humor, you get a recipe for a fun, fast read. This first in a chapter book series stars eight-year-old Jasmine Toguchi who’s jealous that her older sister gets to participate in the New Year festivities of making mochi, a Japanese rice cake (and one of my favorite desserts). Jasmine decides she’ll be the first girl to pound the rice—something her sister has definitely never done. Readers will cheer for this flamingo-loving tree climber as she hammers out her own path.  

Sujata Massey is Indian and German. She has written a whole series of books set in Japan or featuring Japanese characters. This is her seventh featuring investigator Rei Shimura, and is set in Washington DC's restaurant world. Shimura's task: find a Japanese war bride who disappeared 30 years earlier. I love Rei Shimura’s wry humor and intelligence. My husband founded, and we owned, The Safe House, an espionage-theme restaurant in Milwaukee, so this book resonated with my experience.

Having grown up as one of few Asians in my high school, I didn’t really prioritize defining my identity as a Japanese-American. All I really cared about was blending in. But after reading this wonderful book, I realized being connected to my ethnicity and culture was both important and natural.

Olivia, the Japanese-American protagonist, spends her days with her family, traveling from Oregon to Arkansas in search of work. The “floating world” is one of temporariness and fleeting observations, like listening to a neighbor playing records or noting the color of a waitress’s painted nails. Olivia deals with tensions within her family as well as the racism they encounter on the road.

For me, this book helped me realize that I could honor the specificities of who I am against a general backdrop of the community within which I existed.