Here are 100 books that Karitas Untitled fans have personally recommended if you like
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Have you ever done something on a whim and fallen in love with it? That was how I found Old Norse literature. I was taught the Norse language by reading the prose and poetry of medieval Iceland. In reading their literature, I discovered a rich, vibrant society filled with complex, passionate people. Here were doomed romantics, poets, and philosophers–along with chieftains and priests facing complex political and religious change. I undertook a PhD to study their literary craft. I hope, if nothing else, that my novel might encourage readers to go off and read the sagas themselves. And, if I am really lucky, they may just enjoy my stories too.
Romantic in style, taste, and theme, this is a saga that culminates in that most human of narratives: the love triangle. Heavily inspired by the European romance genre, this saga has key themes of chivalry, history, and poetry. With its unusual focus on women and their desires, it has been suggested that this saga might even have been written by a woman, and for this reason alone, it is worth a read.
I believe there is no greater character in Icelandic literature than the tragic Guðrún. For those who wish to learn more about women in medieval Iceland beyond stereotypical accounts of shield maidens and queens, this is the book for you.
Written around 1245 by an unknown author, the Laxdaela Saga is an extraordinary tale of conflicting kinships and passionate love, and one of the most compelling works of Icelandic literature. Covering 150 years in the lives of the inhabitants of the community of Laxriverdale, the saga focuses primarily upon the story of Gudrun Osvif's-daughter: a proud, beautiful, vain and desirable figure, who is forced into an unhappy marriage and destroys the only man she has truly loved - her husband's best friend. A moving tale of murder and sacrifice, romance and regret, the Laxdaela Saga is also a fascinating insight…
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
Ármann breaks the mold to show us how to understand and research Vikings in general. The essence of the supernatural being that Vikings called tröll shows us clearly that what we think is the norm today is unlikely to be that of the Viking age.
His book is a warning that we modern people need a ground penetrating radar to reveal all the landmines that our modern mindset places in our path to learning about Vikings.
What do medieval Icelanders mean when they say “troll”? What did they see when they saw a troll? What did the troll signify to them? And why did they see them?
The principal subject of this book is the Norse idea of the troll, which the author uses to engage with the larger topic of paranormal experiences in the medieval North. The texts under study are from 13th-, 14th-, and 15th-century Iceland. The focus of the book is on the ways in which paranormal experiences are related and defined in these texts and how those definitions have framed and continue…
In 2005, the Bookseller declared the Viking romance to be officially dead and never, ever coming back. However, they hadn’t consulted Harlequin Historical editors who researched the actual sales and desires of their readers. When my senior editor asked me if could I write one, I duly obliged with Taken by the Viking. The book beat lofty expectations, and the revival began such that the Viking period now ranks up there with Regency in terms of popular time periods for the line. The following list is some of the Viking set romances that I have escaped into on mainly rainy afternoons.
These seven actual sagas (really more adventure stories) from the Viking era have it all – famous warriors, thrilling adventures, and intrepid women.
My favorite of the seven is Halfdan Eysteinsson which has a great hero and an even better heroine – Ingigerd who swaps places with her maid and earns her place as a warrior and avenges her father’s death before finding true love. Not to be missed.
Combining traditional myth, oral history and re-worked European legend to depict an ancient realm of heroism and wonder, the seven tales collected here are among the most fantastical of all the Norse romances. Powerfully inspired works of Icelandic imagination, they relate intriguing, often comical tales of famous kings, difficult gods and women of great beauty, goodness or cunning. The tales plunder a wide range of earlier literature from Homer to the French romances - as in the tale of the wandering hero Arrow-Odd, which combines several older legends, or Egil and Asmund, where the story of Odysseus and the Cyclops…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
A short, powerful investigation of how we construct and succumb to the lies of gender. Chu explores our fears of desire and how we allow politics to corrupt identity, believing gender to be so constructed that it can only be given and not created. Female is a quality we all carry, whatever label we use. Chu forces the reader to look in the mirror with a question instead of a statement, always uncertain about who that person really is.
So begins Andrea Long Chu's genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
Drawing inspiration from a forgotten play by Valerie Solanas-the woman who wrote the SCUM Manifesto and shot Andy Warhol-Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential…
It’s no surprise to hear I’m drawn to stories featuring outsiders, people who don’t / won’t conform and are fed up trying to force themselves into the narrow roles society offers. Folk who slide under the radar, and never make it into history books (which is all of us, right?). This springs from being an outsider myself, the weird kid who didn’t fit. I’ve chosen novels where the LGBTQ+ characters strive and struggle but do not die tragically. Put simply, they are real people, complete with flaws and strengths. These books are your very own Time Machines: wonderful stories to transport you into the past.
Set in 19th century England, this novel is aimed at Young Adult readers and is a reminder that a good read is simply good, whatever age bracket it’s aimed at. It resonated with my own teenage struggles to break free of restrictive expectations – even though mine were trifling compared to what the heroine Louisa has to go through! She resists the restrictions of Victorian society and the limited choices available to women, and is locked up in an asylum. It prompted me to read more about the era and discovered the shocking truth of how this really happened to women who stepped out of line…
Seventeen-year-old Louisa Cosgrove has never enjoyed the life of the pampered, protected life girls of wealth were expected to follow in nineteenth century England. It was too confining. She would have much rather been like her older brother, allowed to play marbles, go to school, become a doctor. But little does she know how far her family would go to kill her dreams and desires. Until one day she finds herself locked away in an insane asylum and everyone--the doctors and nurses--insist on calling her Lucy Childs, not Louisa Cosgrove. Surely this is a mistake. Surely her family will rescue…
I’ve been studying language and gender since I started graduate school in 1990. I’m an odd gender scholar in some ways in that I am a white cisgendered heterosexual masculine person. I think I’m interested in the topic because conversation and ‘being a man’ has always seemed hard and like a lot of work to me. So, I started studying these things in the 1990s with a project on language use in a college fraternity in the US. Since then I've published many articles on language and masculinities, including a 2004 article on the word dude, which is still popular in introductory linguistics courses today.
When talking about how gender can be disconnected from bodies, I like to tell the story of when my very young son called a Hummer truck ‘masculine’ and then wondered aloud how a car can be masculine. In that vein, this book shows how the idea of masculinity is something much wider and more complicated than a ‘trait of men’ connected to the bodies of men.
With grounded and deeply researched examples, Halberstam shows how these masculine traits not only can be ‘de-linked’ from the ‘male body,’ but how they have been so throughout history. He also shows how female masculinity has often been hidden or forgotten. This book is a classic in gender studies, and once you have read it, it’s impossible to think of gender in the same way as before.
In this quintessential work of queer theory, Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two centuries. Demonstrating how female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.
Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding…
Inspiring historical fiction based on the real life of Bertha Benz, whose husband built the first prototype automobile, which eventually evolved into the Mercedes-Benz marque.
"Unfortunately, only a girl again."
From a young age, Cäcilie Bertha Ringer is fascinated by her father's work as a master builder in Pforzheim, Germany.…
I am a historian of twentieth-century Argentina and a professor of modern Latin American history currently teaching at the University of Houston. Born and raised in Argentina, I completed my undergraduate studies at the National University of Rosario and moved to the United States in 2000 to continue my education. I received my M.A. in history from New York University and my Ph.D. in history from Indiana University, Bloomington. I have written extensively about gender, working-class history, consumer culture, and sexuality in Argentina. I am the author of Workers Go Shopping in Argentina: The Rise of Popular Consumer Culture and Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina.
This is a solid edited volume that has contributions from leading scholars of Mexican history exploring straight and gay sexualities from the nineteenth to the mid-twentieth century in different parts of the country. The chapters examine a wide range of interesting topics including cinema and movie going, public bathhouses, prostitution, elopement, and mariachi culture to untangle how masculinities are historically constructed and to interrogate the concepts of macho and machismo.
In Masculinity and Sexuality in Modern Mexico, historians and anthropologists explain how evolving notions of the meaning and practice of manhood have shaped Mexican history. In essays that range from Texas to Oaxaca and from the 1880s to the present, contributors write about file clerks and movie stars, wealthy world travelers and ordinary people whose adventures were confined to a bar in the middle of town. The Mexicans we meet in these essays lived out their identities through extraordinary events--committing terrible crimes, writing world-famous songs, and ruling the nation--but also in everyday activities like falling in love, raising families, getting…
When I was growing up, there were no stories for me. A queer kid in a very conservative Catholic household, I knew I was different, but I had no way to articulate that difference, and no way to imagine a horizon of happiness, of dignity, or of joy. In the worlds people imagined for young people, we were simply written out. I have since spent a lifetime studying and telling stories – as an English professor, as a bartender at a queer bookstore and drag bar, and now as a writer. And what matters to me most is seeing queer lives lived in abundance. These are the stories I wish I had.
Boys are one way; girls are another; that’s the way it has always been. But when Aster finds himself ineluctably drawn to the magic that should only be the province of the women in his family, he begins to realize some rules are not only antiquated, they can do material harm to the soul. Ostertag deftly uses the supernatural as a simple and elegant metaphor for the thousand indignities we can heap upon the queer and gender nonconforming, with an art style that simultaneously insists upon and celebrates the multiplicity of bodies and expressions that are our lived experience and belie these closed and closeting norms. An ingenious allegory, smartly and briskly told with charm and generosity.
From the illustrator of the web comic Strong Female Protagonist comes a debut middle-grade graphic novel about family, identity, courage -- and magic.
In thirteen-year-old Aster's family, all the girls are raised to be witches, while boys grow up to be shapeshifters. Anyone who dares cross those lines is exiled. Unfortunately for Aster, he still hasn't shifted . . . and he's still fascinated by witchery, no matter how forbidden it might be.When a mysterious danger threatens the other boys, Aster knows he can help -- as a witch. It will take the encouragement of a new friend, the non-magical…
In 2009, when I decided to set a crime series in Iceland, I embarked on a decade of research into the country, its people, its literature, its culture, and its elves. I visited the country, I spoke to its inhabitants and I read books, lots of books – I couldn’t find an elf, but I was told where they live. I needed to understand its criminals, its victims, its police, and most of all my detective Magnus Jonson. These are the best books that helped me get to grips with Iceland.
To understand a country, you need to understand its history. This book is the most accessible account of Iceland’s history and is also very funny. I wish it had been written ten years ago when I started out on my Iceland odyssey. Egill covers the whole of Iceland’s history from Ingólfur throwing his home pillars into the sea in 874 to decide where he should land, to the great women’s strike of 1975 when 90 percent of Icelandic women stopped doing what they were expected to do and the country came to a stop. Also includes my favourite bit of Icelandic history. On 9 May 1940 Hitler invaded Belgium and Holland and that same day Britain invaded Iceland, an action so mildly embarrassing that we never really talk about it. Egill does, though.
"[A] joyously peculiar book." -- The New York Times
‘Bjarnason’s intriguing book might be about a cold place, but it’s tailor-made to be read on the beach.’ –New Statesman
The untold story of how one tiny island in the middle of the Atlantic has shaped the world for centuries.
The history of Iceland began 1,200 years ago, when a frustrated Viking captain and his useless navigator ran aground in the middle of the North Atlantic. Suddenly, the island was no longer just a layover for the Arctic tern. Instead, it became a nation whose diplomats and musicians, sailors and soldiers,…
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for…
The me of me is a “late in life rider” and freelance writer—with an edge. I learned to ride horses in my ‘40s when we left the wonders of California for sweet tea, okra, and equine “yard art” of Tennessee. Horses and writing mixed to create Horse Sluts. My political bent led me to craft an exposé on the brutal “training” of Big Lick TN Walking Horses. I still ride and explore the more humorous sides of aging and riding. A stickler for "writing worth reading,” I eschew self-conscious, wandering-lost writing. The books I recommended are well crafted.
Tory Bilski hooked me with her first line. I searched riding trips sites by the end of the paragraph. Wild Horses of the Summer Sunis a crafted odyssey. The book gifts us with Icelandic horses, foreign travel exploration, and the human (and herd) dynamic of a group of women who crave to “be Iceland.”
Tory is a writer in all that the craft implies. Her storytelling speaks to the explorer in us. She guides us around each mystical curve and through a physical (and emotional) blinding fog. She swims us across a (gulp) deep lake. We encounter “Tippi Hedren-esk” killer birds and truculent bulls. We hunger for the “gifts of the earth” meals and well-earned, decadent desserts. Ancient Nordic Sagas of trolls, ghosts and a fatal love affair spice the travelogue.
'Blame it or praise it, there is no denying the wild horse in us.' Virginia Woolf
What if you could steal time out just for yourself each year, a brief reprieve from ordinary life and its responsibilities? Wild Horses of the Summer Sun is author Tory Bilski's witty, sometimes poignant, account of her annual 'horse sabbaticals' to Iceland. She and her travelling companions exhilarate in their freedom, the spectacular scenery, the midnight sun energy and the Icelandic horses that connect deeply to the soul. Each year brings a new discovery about Iceland, about herself and about her relationships with the…
