Fans pick 67 books like Portal to a New World

The fact that it is set in a highly recognizable franchise makes kids very excited to read it. But the text itself is great.

The story follows the rules of the game, staying true to the ‘universe’ in which it is set, and making the text relatable to children worldwide. It contains great humor for the K through 6th grade age range, and honestly, I got a real Disney sense when reading it before giving the book to my son. It swirls with happy-laugh energy, a key element in books these days since they must compete with video games and screen time.

I bought the book out of curiosity not even knowing it was for kids. And once I realized what it was, I read it to my son. He loved it. Let me describe it in the style it is written:

High-energy text right from the beginning. Honestly the inspiration for my own series and its style of writing. The protagonist has special powers that are ranked in a game-like manner using levels. It appeals to the gamer youth of today, relating to the games that they play even now despite having been written thirty years ago. A solid A plus production.

I write because I love to entertain children. Seeing a child write and publish at just ten years old is phenomenal and I fully support his endeavors. Not only that—I honestly enjoy the book. He writes well for his age and, better than that, he maintains the tremendous creativity of youth. The adult continuity that is set and made rigid by our years of getting older is not present in this story.

And many of the things that occur within will honestly make you laugh out loud.

As a book it was written by kids for kids, pretty obviously. But I guarantee it is fun for all ages.

Lone Wolf is a book that is also a game. A LitRPG for Kids, originally written in the 80s, it is the start of a wonderfully long series of illustrated books that both allowed children to choose their actions as the protagonist of the story and also gave them choices on how to develop the hero and make him progress.

It’s a model of book that I really would like to see more of today.

Lone Wolf might be the series that started me on my gaming path, and it is a magical and beautiful quest that teaches about honor, teamwork, and clever tactical planning.

Even better, the author made the series free online in 2015. So it is now available all over the internet and even as a number of free phone apps.

A blend of humor and Chinese fantasy, The Scum Villain's Self-Saving System was my first brush with the Chinese sub-genre of transmigration novels, similar but different from Western portal fantasy or Japanese isekai. The main character ends up in a world not his own, and in the process of trying to make it better, comes rather close to destroying it. That dissonance between intention and results is something I absolutely love in my heroes. Competence is boring. I want to see (and write) messiness and complacency and efforts made that perhaps weren’t thought out all the way. That, to me, is not only humor but true heroism.

Queen in the Mud is a fun take on an Isekai story that features its protagonist, Naomi, reborn in a game-like world as a salamander.

I appreciated how unique Naomi’s magical abilities felt since they focused around her creature type. She often had to struggle to figure out how to apply her strange powers to best aid her against different threats.

I also liked how her choice of new abilities when she leveled up actually felt like a significant choice, rather than having an obvious option that most people in her situation (as well as readers) would pick. That aspect of choice was something I tried to capture in my own book’s magic system.

We know that the arrival of Europeans in the Americas had significant impacts, many of them negative, on the peoples of the New World. Encounters with Amerindians were also highly influential in shaping ideas about human development and universal history. It was not a one-way street, however, reports from missionaries, trappers, explorers, soldiers, and settlers about what they saw in the New World served to challenge and shape the thinking of Europe’s intellectual elite, especially concerning Native American ideas about freedom, equality, and community. Thirty-five years after the publication of this book, Graeber and Wengrow returned to the idea of “Indigenous critique” for one of the more contentious sections in their New History. 

Witchy Eye instantly transported me to a fascinating, alternate Appalachia, where magic and magical creatures abound.

Not only does this book tell a coming-of-age and heroic story about Sarah Calhoun, it takes place in a fascinating world where the New World has an emperor, legends that I’d heard tell of have come to life, and undead and shapeshifters haunt Sarah’s every step.

Sarah’s voice is accessible and sympathetic. At the same time, her journey to try to claim her own powerful heritage and discover the truth about her lineage, takes place in a world that is totally replete with creatures and mythology from the New World.

DJ Butler is deeply versed in the history and legends of many regions and people from old colonial America – making this a fascinating read.

Pilgrim Voices provides a fascinating first-hand description of pilgrims’ lives told through actual diaries and journals. Reading some of these 400-year-old accounts inspired me to visit the recreated 17th-century village of Plymouth Colony to gain a better sense of the environment as it once was in its wild and untamed state, along with the living conditions, customs, foods, and clothing of some of America’s first European settlers in the early 1600s.

I first came across Ruby Wax when she was a comic on the London comedy club scene in the 1980s. I met her briefly again, some 30 years later signing books next to me at a mindfulness conference. What’s so good about her writing is that it comes with great poignancy and is laced with her acerbic sense of humour. Her comedy was based on seeing through a situation and reframing it so we get a higher and more realistic view on things. In this book, she presents an accessible raison d’etre for taming the so-called ‘monkey mind’.